Stokes's Bristol Nightclub incident in detail (From: The Comeback Summer by Geoff Lemon)
IF YOU’RE LOOKING for a place where misadventure could begin, you can’t go past Mbargo. The nightclub’s streetfront is painted a purple so bright you’ll see it in your dreams. Strings of giant sequins shimmer in the breeze. Its phonically inventive name is spelt in silver letters that climb its three-storey terrace facade. Inside are strips of burning neon, a few booths, floorboards so marinated in drink that they have an ingredients list. Bristol is a student city on England’s south coast crowded with music and nightlife and street art. This is Banksy’s home town, and the tourism board suggests in rather strong terms that ‘you would be a fool not to see his amazing work firsthand’. The same organisation describes Mbargo as ‘intimate’, which is fair for a place where you can catch an STI standing up. Students cram into its modest dimensions while people with names like DJ Klaud battle for billing with £1.50 drink deals over seven sloppy nights a week. To get a sense of the story about to come, consider that it’s the kind of place open until two o’clock on a Monday morning, and that at two o’clock on a Monday morning, Ben Stokes still thought it had closed too early. The Ashes of 2017–18 had disciplinary bookends. It was after that series that Australia’s two leaders went off the rails in South Africa. It was a few weeks before that Ashes tour that England’s biggest star windmilled his way into his own disaster. In the early hours of 25 September 2017, Stokes and teammate Alex Hales were barred from re-entering Mbargo after a night out on the piss. A Sunday thrashing of an abject West Indies in an ignored series at the fag-end of the season apparently required ample celebration. After arguing with the bouncer and hanging about at the door for a while, they wandered off to find a casino in the hope of more drinking. They’d barely made it around the corner before getting in the middle of a conflict between four locals. As is said on the internet, it escalated quickly. The 26 September reporting was bloodless. Withholding names, police stated that a man ‘was arrested on suspicion of causing actual bodily harm’ while another went to hospital with facial injuries. England’s director of cricket Andrew Strauss separately confirmed that Stokes was the arrestee, adding that he had been released without charge and that Hales had gamely offered to ‘help police with their enquiries’. Administrators had a good chance of hiding behind that investigation, and the next day Stokes was named in the upcoming Ashes squad as expected. But that night the video emerged. Bristol student Max Wilson had shot it on his phone, then offered it to The Sun. What he thought was playing hardball was actually lowball: his opening price of £3000 was snapped up by a tabloid that would have paid ten times that. The Sun went on to make a mint by syndicating the rights worldwide. From a window above the fray, the vision showed six men on the street below performing the muddled choreography of a melee. One was right at the centre of it. One was waving a bottle, one dipped in and out, one tried to calm it. Two others floated around the edges. The central figure was unmistakable: red hair burning even in the streetlight as he launched into a series of blows against two of the men, falling to grapple with them on the ground, then following both across the street, swinging punches the whole way. Hales trailed behind, repeatedly and impotently shouting ‘Stokes! Stop! Stokes! Enough!’ The ECB could fudge issues that existed only in thickets of legalese, but not those captured in moving colour. Stokes was stood down from the next West Indies match, then suspended indefinitely. It emerged that he had broken his hand during the fight, something he’d done twice before while punching objects in dressing rooms. The response in Australia was fierce: Stokes was a thug, a lowlife, a selection that would disgrace England. It was not entirely coincidental that a ban for England’s best player would be handy for the Aussie team, but there was also a cultural split. In England, plenty of people still minimise pub fights as lads letting off steam. In Australia, heavy media coverage as a succession of young men were killed had inverted that tolerance. The discourse now saw any punch as potentially deadly and accordingly reckless. This was more poignant in a cricket context given that David Hookes, the dashing Test batsman and state coach, was killed in 2004 by a pub bouncer’s fist. The PR situation was bad for Stokes as details emerged of the injuries to the men he’d hit, and that one was a young war veteran and father. Stokes wasn’t officially removed from the Ashes squad through October but stayed behind when his teammates left, hoping for police to dismiss the matter in time for a late dash to Australia. His annual contract was renewed on the due date in case that came to pass. Then 29 October brought a twist in the tale. ‘Ben Stokes praised by gay couple after defending them from homophobic thugs,’ ran the headline. Kai Barry and Billy O’Connell had emerged. Not entirely out of nowhere: while Stokes had made no public comment, this story in his defence had initially been leaked to TV host Piers Morgan after the fight, as soon as the video appeared. Police body-camera footage played in court would later show that Stokes had given the same story to the arresting officer on the night. But no-one knew the identities of the fifth and sixth men in the video, and police appeals had turned up nothing. It was The Sun again with the breakthrough. Kai and Billy were perfect for a readership not keen on nuance. ‘We couldn’t believe it when we found out they were famous cricketers. I just thought Ben and Alex were quite hot, fit guys,’ said Kai, who was memorably described as a ‘former House of Fraser sales assistant’. The paper had the pair do a full photo shoot: layering the fake tan, showing off chest waxes, mixing Ralph Lauren and Louis Vuitton into a range of outfits. Their best shot had them standing back to back, heads turned to the camera, in a mirror-image Zoolander moment. Suddenly The Sun was the England team’s best friend. ‘Their claims could lead to the all-rounder being cleared over the punch-up and freed to play in the First Test in Australia next month,’ it gushed, then gave a tasting platter of quotes: ‘We were so grateful to Ben for stepping in to help. He was a real hero.’ ‘If Ben hadn’t intervened it could have been a lot worse for us.’ ‘We could’ve been in real trouble. Ben was a real gentleman.’ Would it be known forever as Kai and Billy’s Ashes? No. While the Bristol boys provided spin for Stokes’ reputation they didn’t influence the police. With charges still pending there was little choice – not given Strauss had previously sacked Kevin Pietersen for being annoying. Stokes remained suspended through the Ashes and a one-day series in Australia, and lost the vice-captaincy. It was January 2018 before the Crown Prosecution Service laid a charge. That charge surprisingly came in as affray, a crime that can carry prison time but is classified as ‘a breach of the peace as a result of disorderly conduct’. The men he had punched, Ryan Ali and Ryan Hale, faced the same count, charged as equal participants in a fight rather than Stokes being charged with assaulting them. Alex Hales was not charged, despite being seen in the video to aim several kicks when Ryan Ali was lying on the ground. Given the underwhelming standing of the offence, Stokes was cleared by the ECB to tour New Zealand, and kept playing until his trial in August 2018, which he missed a Test to attend. None of the three defendants would be convicted. The reasoning behind the charges was never released and was attributed vaguely to ‘CPS lawyers’. The service gave the case to Alison Morgan, a prosecutor of a class known as Treasury Counsel who usually handle serious criminal matters. Morgan had a scheduling clash and never ended up court for the case, but in 2018 and 2019 she would go on to win damages and admissions of libel from The Daily Mail, The Times and The Daily Telegraph variously for incorrectly reporting that she had been responsible for the inadequate and inconsistent charging decisions. Morgan’s successor on the case was Nicholas Corsellis QC, who on the first day of trial was permitted by the CPS to request two assault charges be added against Stokes. ‘Upon further review,’ claimed a CPS statement, ‘we considered that additional assault charges would also be appropriate.’ This was patent nonsense from the service that eight months earlier had chosen the lesser charge. Any lawyer knows that no judge will allow new charges once a trial has begun, because the defence hasn’t had time to prepare. But such a request could deflect criticism of the prosecution service by technically making the judge the one who disallows the charge. Working through the story from the trial and the tape is complicated. You had a Ryan and a Ryan, a Hale and a Hales, a Billy and a Barry and a Ben. You had several versions of events as to who knew whom, who was drinking with whom, who had insulted whom and who had merely engaged in ‘banter’, a word that in modern Britain has to do an unconscionable amount of lifting. The reporting had constantly mixed up the Ryans as to who had which injury, who was in hospital, who had played which part in the fight, and whose mum had which stern words to say about it. Let’s agree that from now Ryan Ali is Ryan One, the firefighter who ended up with a fractured eye socket and a cracked tooth. Ryan Two can be Ryan Hale, the soldier who scored concussion and facial lacerations. Mr Barry and Mr O’Connell are best known per The Sun as Kai and Billy. In scorecard parlance we’ll leave the cricketers as Stokes and Hales. Amid the confusion, Stokes and his lawyers built his case in a straightforward way. The UK legal definition of affray is ‘if a person threatens or uses unlawful violence or force towards another person, which causes another person of reasonable firmness present at the scene to fear for their safety’. That means it doesn’t account for violence that harms a target, but violence that might frighten a theoretical bystander. The wiggle room for Stokes was with ‘unlawful’, because the charge excuses violence in defending oneself or others. This interpretation hinged on the beginning of the video, where Ryan One waves a beer bottle about and takes a swing at Kai. The version from Stokes was that he was minding his own business walking down the street when he heard homophobic abuse. He intervened verbally and was threatened verbally by Ryan One – something that Ryan One denied but that couldn’t be proved or disproved. In fear for his safety Stokes had to nullify that threat by bashing Ryan One before it went the other way. He registered Ryan Two in his peripheral vision as another possible threat, and again had only one recourse. Stokes also had to convince the jury to disregard testimony from Mbargo’s bouncer that he had been looking for a fight. A solid lump of a man, Andrew Cunningham had not enjoyed his patron’s attempts to get back into the club after the bouncer declined an offer of a bribe. ‘He got a bit verbally abusive towards myself. He mentioned my gold teeth and he said I looked like a cunt and I replied, “Thank you very much.” He just looked at me and told me my tattoos were shit and to look at my job.’ Cunningham described these words as coming in ‘a spiteful tone, quite an angry tone’, and said that Stokes still seemed angry as he walked away. These were details the doorman had nothing to gain by inventing, but each of them Stokes denied. By his own accounting he had drunk a beer at the game and three pints at his hotel, then ‘potentially had some Jägerbombs’ along with half a dozen vodkas at the club. He insisted that after all of this he was not drunk. If I may take a moment here to call upon the wisdom of experience – a person who cannot definitively say whether they have had any Jägerbombs has definitely had some Jägerbombs. A Jägerbomb is an experience that does not pass one by. Further to that, a person who says they have ‘potentially’ done something has definitely done that thing and doesn’t want to admit it. A person who has had between 15 and 24 standard drinks in one evening is shitfaced. A person who tries to bribe a bouncer £300 – three hundred quid! – to get into Mbargo – Mbargo! – is beyond shitfaced. If Stokes admitted that he was drunk then the prosecution could say he was out of control. He claimed clear recall of assessing a threat, feeling fear and deciding to protect himself with force. He confidently denied details from the bouncer’s testimony, like using the word ‘cunt’ or mentioning gold teeth. Yet on other details he claimed a ‘significant memory blackout’. He didn’t remember the punch that saw Ryan One taken away by ambulance. He didn’t remember what the Ryans had said to Kai and Billy, only that those words were homophobic. With no head injury, as one of the few people who hadn’t been hit, he had supposedly suffered this memory loss despite being sober. The version from Kai and Billy was compatible but vague: they had been walking along, they ‘heard … shouts’ of abuse from an unspecified source, then Stokes ‘stepped in’ and thus they avoided possible harm. They claimed to have been bought a drink by Stokes at Mbargo, although CCTV showed them meeting outside. The overall implication from both accounts was that the cricketers had been pals with Kai and Billy, while the Ryans as per The Sun’s headline were a roving band of thugs. The reality though is that the Ryans were the ones hanging out with Kai and Billy at Mbargo. Police discussed CCTV from inside the club in questioning and at trial. On that footage the four Bristolians bought drinks for one another, danced together, and Kai was noted to have variously touched Ryan Two’s crotch and Ryan One’s buttock. Ryan One told police that all of this was taken lightheartedly and wasn’t a problem. Indeed, when the Ryans called it a night the other two left with them. This much is clear from footage out the front of Mbargo, which shows Kai and Billy exit the club and start talking with a subdued Hales and a demonstrative Stokes, who are stuck outside. The vision was played in court to determine whether Stokes was antagonistic towards Kai and Billy, as he appears to impersonate them and to throw a lit cigarette their way. More interesting is that after a few minutes the Ryans emerge, and all six actors in the fight video briefly form a prequel in the one frame. Ryan Two pats Billy on the chest in friendly fashion with his right hand before clapping him on the back with his left. He moves past and does the same to Kai before leaving the shot. Ryan One stops to speak to Kai. They lean in for a moment, talking, then Kai turns and they walk out of frame together. Billy hangs around for a few seconds at the door and then looks after them and races to catch up. Stokes and Hales remain outside the club to remonstrate further with the bouncers. Whatever discord develops around the corner is between four men who left amicably together minutes earlier. There’s no way to know what caused that friction. If Ryan One did use homophobic slurs, he might have been drunkenly obnoxious for no reason. He might have had an insecure macho response to some extra flirtation. He might have thought unkindness was funny – ‘banter’ once again. Or he might have said something that was misunderstood, as both Ryans insisted in court that they had not used nor had the impulse to use any abusive language. What clearly didn’t happen was an attack by bigots on random passers-by. This kind of crime is regular enough that an audience understands the horror of it, and this is what was evoked by the public accounts of Stokes, Billy and Kai. All we know is that there was some verbal dispute among the Bristol locals, and that Stokes came along behind them and put himself in the middle of it. Ryan One responded to the interference aggressively and away they went. There are plenty of reasons to look sideways at the idea that Stokes was a saviour. Foremost, neither Kai nor Billy was called upon as witnesses in court. You’d think it would be ideal to have Stokes’ story backed up by those who benefited from his selflessness. But his defence team had developed the impression that the pair had shown a changeable recall of events amid a hard-partying lifestyle, and would be dismantled by the prosecution on the stand. That raises the question of whether The Sun coached their quotes for the 2017 interview. Despite missing court, Kai and Billy clearly enjoyed the attention. In 2018 after the trial they did a follow-up spread in the same paper about how poor Ben had been mistreated. They got a television spot on Good Morning Britain and glowed about his heroism. In 2019 The Sun wheeled them out once more to say that Stokes should get a knighthood. In 2017 they had ‘never watched cricket’ but by 2019 were supposedly volunteering sentences like, ‘He saved us, now he’s saved the Ashes.’ Whether they were paid for these appearances is not known, but the chance to be famous for a day can be lure enough. If you find this cynical, consider that on the night in question, the Bristol boys were so deeply moved and thankful for Ben’s intervention that they left him to be arrested and never attempted to find out who he was. Seconds after the video ended, an off-duty policeman reached the scene. You might think that someone grateful to a saviour would speak on his behalf. Instead, said Kai, ‘it all got a bit scary so we walked off. It was too much for me and we went to Quigley’s takeaway for chicken burgers and cheesy chips.’ They didn’t give their hero a thought for over a month while police issued multiple appeals for witnesses. As for Stokes, he told his arresting officer that ‘his friends’ had been attacked. After three minutes of chat outside a nightclub, these friends were so dear to him that he has never contacted them again: not after the newspaper piece, not after the verdict. He didn’t want to see how they were or thank them for their support. He didn’t mention them by name in his solicitor’s statement after the trial. The Stokes defence rested on Ryan One’s bottle, which he had carried out of Mbargo to finish a beer, not to use in a Sharks versus Jets amateur production. But once he turned it over to hold it by the neck it became a weapon. Intent and interpretation can change the material nature of things. Part of Stokes’ justification in court was that the bottle implied that the two Ryans might have ‘other weapons’ hidden away. You can understand how a jury could decide that created doubt. Not being convicted, though, doesn’t give the contents of the video a big green tick. It does not, as his lawyer claimed, vindicate Stokes. Looking in detail, Ryan One is belligerent but his movements telegraph a bluff. Hales is the person he’s gesturing at, but they’re several metres apart when Ryan One cocks his arm ostentatiously, showing off the bottle rather than bracing to swing. He skips forward but Hales skips back and Ryan One doesn’t follow. Kai stretches out an arm to impede Ryan One, who has a drunken stumble, nearly eats pavement, then staggers towards Kai and hits him in the back. That hand is still holding the bottle, but his strike is a side-arm cuff on a soft part of the body. It’s all pretty tame. This is where Stokes gets involved. Having moved across to protect Hales, he now takes three large steps to run around Kai and booms his first punch at Ryan One. They fall to the ground and the bottle clinks away. Stokes gets to his feet to punch down at the fallen man, while Hales arrives to kick him ineffectively then runs off across the street for some unknown reason. Ice-cream van? Stokes is soon back in the grapple having his shirt pulled up to show off his Durham tan. Ryan Two steps in for the first time to pull Stokes away, prompting a couple more random punches at this new target, then Stokes trips backwards over Ryan One and sprawls in the street. Hales chooses this moment to return and aim some solid kicks at the head of the man on the ground. Nothing so far is a triumph of moral philosophy or the pugilistic arts. But if it all stopped here, perhaps you could say it was somewhere approaching fair. Ryan One has behaved like a turnip and it’s not an entirely unjust world that would give him a whack across the chops. The antagonists have disentangled, Stokes has some distance, it’s time to dust off and go home. Ryan Two steps forward for this purpose with his palm raised in conciliatory style and says, ‘Settle down, stop.’ So Stokes punches him. It’s roughly his fifth punch overall, and he really winds up into this one. He misses so hard that he stumbles away into the shadows of the shop awnings along the road. Hales starts shouting for him to stop. Ryan Two backs into the street, still holding his palm up. Stokes closes on him from about five metres away, six large steps, to where Ryan Two is standing on his own. Stokes pushes him a couple of times, as Ryan Two keeps trying to placate him and saying ‘Stop.’ Stokes throws his sixth punch, largely missing as his target ducks. Ryan Two keeps pulling away and reversing, into the middle of the street now. Stokes follows him, grabbing his sleeve to drag him back. By this point Ryan One has found his feet and walked around behind his friend. Both of them are in the same line of sight for Stokes, and both are backing away. Stokes aims his seventh and his eighth punches, which Ryan Two tries to deflect, as Hales walks up behind Stokes to grab him. Stokes yanks away from his friend and switches to Ryan One instead, taking seven paces to grab him before throwing his ninth punch of the night. He grabs again; Ryan One blocks that arm and pushes himself back away from Stokes. Ryan Two again intercedes, putting himself between the two with his palms up and his arm extended. Stokes throws his tenth punch, a right-hander at the face of Ryan Two, then shoves him backwards. Ryan Two backs away once more, four paces. Stokes follows, steadies, lines up, then launches his strongest punch yet, his eleventh, a proper right hook from a solid base, one that cracks across the man’s head and gives him concussion. Ryan Two ends up flat on his back in the middle of the street, his hands still outstretched for a moment in useless protest until they twitch and drop to the blacktop. Stokes isn’t done. He once more shoves away the restraining Hales and follows Ryan One, who keeps backing away saying, ‘Alright, alright, alright.’ Five more paces from Stokes before another blow at the man’s head. Kai and Billy are now standing over the poleaxed Ryan Two. The video ends, but seconds later Stokes will punch Ryan One hard enough to knock him out too, before off-duty cop Andrew Spure arrives on the scene to bring down the curtain. When the body-camera footage kicks in some minutes later, Stokes is in handcuffs but Ryan One is still laid out in the street. Ryan Two has regained consciousness, folded his shirt under his friend’s head and is asking police for an ambulance. ‘At this point, I felt vulnerable and frightened. I was concerned for myself and others.’ This was how Stokes described that sequence to the court. An elite athlete with years of gym work and training to snap a bat through the line of a ball with astounding power and precision, swinging fists as hard as he can at men with none of those advantages. Punching so hard that he breaks his hand, and repeatedly shoving away a friend so he can punch some more. Frightened and threatened by two targets shouting ‘Get back!’ and ‘Stop!’ The off-duty officer testified that Stokes ‘seemed to be the main aggressor or was progressing forward trying to get to’ Ryan One, who was ‘trying to back away or get away from the situation’. The student who filmed the video can be heard on the tape at one stage exclaiming ‘Fuck!’ and testified that it was because ‘I felt a little bit sorry about the lad that had been punched and it looked like he had his hands up’. That tallied with the prosecutor’s depiction of ‘a sustained episode of significant violence that left onlookers shocked at what was taking place’. The defendant stuck to his strategy. ‘No, my sole focus was to protect myself.’ All up, in the 33 seconds of footage after he falls over, Stokes takes 35 steps forward to keep hitting two men who keep trying to get away. Not once is he hit back. After the verdict, Stokes’ solicitor positioned him as the victim. It had been ‘an eleven-month ordeal for Ben … The jury’s decision fairly reflects the truth of what happened that night … He was minding his own business … It was only when others came under threat that Ben became physically engaged. The steps that he took were solely aimed at ensuring the safety of himself and the others present …’ The statement was impossibly self-righteous and self-absorbed. If there was anyone to feel sorry for it was Ryan Hale, the second of our two Ryans. He’s the one who emerged from the club with a friendly arm around the shoulder for Kai and Billy. He’s the one who interposed himself to end the fight, then kept putting himself back in the firing line, trying to calm an intimidating stranger while dodging blows. For his show of restraint he got laid out regardless, concussed in the street, then was issued a criminal charge equal to that of the man who hit him, and described in national media as a violent bigot in an untested story to support that man’s defence. Lawyers for Ryan Two made a more convincing post-trial statement, noting that Kai and Billy, ‘neither of whom were relied upon by the prosecution or the defence team for Mr Stokes, have taken the opportunity to speak with various media outlets about the alleged homophobic abuse that they received in the early hours of September 25. Mr Hale has passionately denied this allegation throughout the course of this case,’ it continued. ‘It is upsetting to Mr Hale that although he was acquitted, the accusation that he was the author of such abuse remains. Both Mr Hale and Mr Ali were knocked unconscious by Mr Stokes, and although Mr Stokes has been acquitted of an affray, Mr Hale struggles with the reasons why the Crown Prosecution Service did not treat him as a victim of an unlawful assault.’Good question. Avon and Somerset police were the investigating force, and they were frustrated by the decision. Ryan Two was filmed clearly not hurting anyone, but police were instructed by the CPS to proceed with a charge. Hales (the cricketer) was filmed fighting but ‘a decision was made at a senior level of the CPS’ not to proceed. Police expected Stokes to be charged with assault but the CPS declined. It doesn’t take a wild cynic to think that placing the same lukewarm charge on three men for vastly divergent behaviour might ensure that none would be convicted, even as the trial would maintain the pretence that a defendant of influential standing had not been given a free pass. A couple of years down the line, the original interview with Kai and Billy has disappeared. All traces have been scrubbed from The Sun website, its social media history, and even from the Wayback Machine internet archive. Given its headline of ‘homophobic thugs’ and text that names Ryan Two but not Ryan One, the libel liability isn’t hard to spot. Later interviews with Kai and Billy take the passive voice – they ‘suffered homophobic slurs outside a Bristol nightclub’. The article that was once claimed to exonerate brave Ben Stokes now links only to a missing content page, with a picture of a dropped ice-cream cone and the phrase ‘legal removal’ inserted into the web URL. In terms of consequences, Stokes missed one tour. When he resumed his career in January 2018, the Australians hadn’t yet ruined theirs. Their year-long bans looked much more stringent. But the Stokes case dragged on in other ways. With no criminal liability, the Australians confessed promptly enough for the sporting world to give them the full length of the lash. Their situation was ugly but there was closure. Stokes got stuck in legal stasis, unable to be fully backed or condemned. Instead his issue was always present, a browser full of open tabs that the ECB swore they would read any day now. Through 2018 Stokes was back but he wasn’t back, in the sunglasses and finger-guns sense. In his return one-day series he nearly cost England a match with 39 from 73 balls in Wellington. His first Test hit was a duck as England got rolled in Auckland for 58. At Trent Bridge while Stokes was injured, England posted a world record 481 against Australia. With Stokes three weeks later at the same ground they made 268. He crawled to 50 from 103, the second-slowest any Englishman had reached that milestone in 20 years. That span covered Alastair Cook’s whole career. It was apologetic batting, acting out responsibility via the scorecard. Stokes was creeping back into the team like he’d been kicked out in a blazing row and was hoping to tip-toe to the sofa. It was December 2018 before the ECB disciplinary committee ruled on him and Hales. In a ‘remarkable coincidence’, wrote Simon Heffer in The Telegraph, ‘the punishment both players faced in terms of bans from playing at international level was covered by the amount of games they had already missed when dropped by England’s selectors, in the furore that followed the incident’. The verdict compounded the omissions around the case by not addressing the violence at its heart. Nor did Stokes, apologising only ‘to my team-mates, coaches and support staff’, and then ‘to England supporters and to the public for bringing the game into disrepute’. The implicit next step was to rebuild that reputation. It might have been easier had his court defence not meant that he wasn’t game to admit any fault at all. It might have been easier if he or his advisers had been willing to change tack once the trial was done. Imagine a world where Stokes had stood outside court and apologised for overreacting, for the injuries he’d caused, and for the time and energy he had sucked out of other people’s lives. That would have been a show of responsibility beyond a scorecard. When the time came around to assess forgiveness, it might have meant forgiveness was deserved.
Hello again, and good morning! This listing is for items that did not sell during the January 17 Auction, so you can buy anything you want right here and right now - no buyer's premiums, no additional fees. *FREE shipping for any order over $100. *All items priced at $1 are now .75 each Each lot was individually imaged (front and back) for the auction - so the easiest way for you to see exactly what you're buying is to visit the auction link (the auction is over, so I'm not advertising anything different or advertising an upcoming auction) - so here that is: https://www.invaluable.com/catalog/2qx7j50tq0?size=50&page=1&categories=&sort= Here is the required "prove you still have the stuff" photo with the username card and today's date: PHOTO Payment: PayPal only. I do not have Venmo/Zello/Bitcoin or any other form of digital payment at this time. No notes if using PPFF, please. (Thank you.) 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LEFTOVERS: 52 China (Republic) 10 Cash $5.00 57 China (Hu-Peh Province) 10 Cash $1.00 59 Hong Kong - 1866 1 Cent NICE $8.00 61 China (Republic) 10 Cash $3.00 62 China (Kiang-Nan Province) 10 Cash NICE $20.00 63 China (Republic) 20 Cash $5.00 641977 D Eisenhower Dollar UNC MINT CELLO $4.00 67 British West Africa - 1940 1/10 Penny NICE $5.00 70 France (Perpignan) 1917 A 10 Centimes $5.00 71 1976 Shelbyville Dam (Illinois) Elongated/Smashed Nickel Souvenir $3.00 76France (Orleans/Lyon/Toulouse) 10 Centimes Transportation Token (good to 31 Dec 1918) $3.00 77 Papua New Guinea - 2008 2 Kina UNC $2.00 78 Missouri Insurance Company (St. Louis) Good Luck Token $3.00 79 1900 India (Rama-Laksmana) Type C #1 (Brotman) Temple Token NICE $40.00 801956 Roosevelt Dime UNC TONED $6.00 83 1955 General Motors "Motorama" Medal BU $15.00 86 Central States 70th Anniversary Convention Token Jerry Lebo Advertising $6.00 87 Consolidated Numismatic Advertising Token Good For $1 Edmundston, Canada $2.00 88 France (Perpignan) 1917 A 5 Centimes $5.00 91 France (Perpignan) 1921 A 25 Centimes Scalloped Edge $8.00 93Ukraine - 2003 100 Hryvnia UNC $2.00 94 German East Africa (Tanzania) - 1916 T 20 Heller $10.00 95 Illinois Governer Otto Kerner Inauguration Medal $2.00 96 5 Cent Trade Token NICE $3.00 98 Germany (Schleswig-Holstein) - 1923 10 Mark Notgeld UNC $10.00 99 A. Phillips Co Cambridge, Maryland 20 Cent Trade Token NICE $8.00 100 EZ Park Courtesy Token $1.00 159 Great Britain - 1949 Penny NICE $2.00 1631959 Type B Reverse Washington Quarter UNC TONED $12.00 165 Great Britain - 1932 1 Penny NICE $3.00 1661960 Type B Reverse Washington Quarter UNC $10.00 167 1960 Type B Reverse Washington Quarter UNC $10.00 169 Portugal - 1921 10 Centavos NICE $10.00 170Germany (Prussia) 1700's-1800's Jeton (Token) Wilhelm 3 "Neue Ehre Neues Gluck" $3.00 172 1963 Type B Reverse Washington Quarter UNC TONED $12.00 175 1964 D Washington Quarter UNC TONED $8.00 176 Canada - 1921 1 Cent NICE $4.00 179Stag Beer Wooden Nickel "Fair on the Square" $1.00 180 The TV Shop Slidell, LA One Wooden Buck $1.00 181 Canada - 1929 1 Cent NICE $3.00 1851962 Type B Reverse Washington Silver Quarter NICE $8.00 186 Canada - 1920 1 Cent NICE $4.00 1881957 Type B Reverse Washington Quarter NICE $6.00 192 Canada - 1945 5 Cents NICE $2.00 193 State of Missouri Sesquicentennial Medal $2.00 194 State of Missouri Sesquicentennial Medal $2.00 195 Canada - 1945 5 Cents NICER $4.00 196France - 1916 2 Centimes LOW MINTAGE $2.00 197Germany (Empire) 1914 J 2 Pfennig NICE $8.00 198 Mexico - 1946 1 Centavo NICE $1.00 200Mexico - 1924 2 Centavos BETTER DATE $6.00 2591954 S Washington Quarter UNC $10.00 260 1957 Washington Quarter UNC TONED $10.00 261 1963 Type B Reverse Washington Quarter UNC TONED $20.00 2621999 D Kennedy Half Dollar UNC from Mint Set GEM BU PROOFLIKE $3.00 263 1941 S "Large S" Lincoln Wheat Cent $1.00 2641941 S "Large S" Lincoln Wheat Cent $1.00 2661941 S "Large S" Lincoln Wheat Cent $1.00 267 1941 S "Large S" Lincoln Wheat Cent $1.00 269 Maybrook NY Golden Jubilee Good For 10 Cent Wooden Nickel $1.00 270 Maybrook NY 1975 Golden Jubilee 25 Cent Wooden Nickel $1.00 274 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 275World Silver - Barbados 1973 Proof 5 Dollars LOW MINTAGE $20.00 276 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 2772009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 279 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 012 UNC $2.00 280 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 012 UNC $2.00 2812009 P Lincoln Cent "Formative Years" Doubled Die Reverse 012 UNC $2.00 2822009 P Lincoln Cent "Formative Years" Doubled Die Reverse Book Low UNC $2.00 2862009 P Lincoln Cent "Formative Years" Doubled Die Reverse 002 UNC $2.00 2871983 Lincoln Cent DDO FS-101 $25.00 2882009 P Lincoln Cent "Formative Years" Doubled Die Reverse 012 UNC $2.00 2892009 P Lincoln Cent "Formative Years" Doubled Die Reverse 012 UNC $2.00 2911964 D Washington Silver Quarter UNC TONED $8.00 293 1960's Terre Haute, IN Sesquicentennial Wooden Nickel $2.00 295 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 002 UNC $2.00 296 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 002 UNC $2.00 298 1982 Buffalo NY Sesquicentennial Wooden Nickel $1.00 352 Denmark - 1950 5 Ore KEY DATE $10.00 354 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 355 2009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 3562009 P Lincoln Cent "Formative Years" Doubled Die Reverse 013 UNC $2.00 357 1990 Rappahannock Area Coin Club Wooden Nickel $1.00 359Germany (Empire) - 1874 C 1 Pfennig $2.00 360 Old Time Wooden Nickel Co Support Our Troops Wooden Nickel $1.00 361 1941 S "Large S" Lincoln Wheat Cent $1.00 362 1941 S "Large S" Lincoln Wheat Cent $1.00 364 1980 D Jefferson Nickel Mint Error - Minor Curved Clip (@3:30) $3.00 365 1979 S "Type 2 - Clear S" Proof Jefferson Nickel $2.00 367Germany (Empire) - 1895 F 1 Pfennig $3.00 368Germany (Empire) - 1874 A 1 Pfennig $2.00 369Germany (Empire) - 1900 F 1 Pfennig $2.00 370Germany (Empire) - 1874 B 1 Pfennig $2.00 371 Australia - 1951 3 Pence $2.00 372Great Britain - 1861 3 Pence $3.00 373Germany (Empire) - 1875 J 5 Pfennig $2.00 375 50 Cents in Trade Token $1.00 376Germany (Empire) - 1874 E 2 Pfennig $2.00 377 Clear Lake, IA Perkins Wooden Nickel $1.00 378 50 Cents in Trade Token $1.00 379 Medallic Art Co Grand Canyon National Park 50th Anniversary Medal Bronze $3.00 380 Great Britain - 1981 25 New Pence UNC $3.00 382 Pomona National Bridge / Jackson County 200 Year Anniversary Medal $3.00 383Guyana - 1970 1 Dollar UNC $2.00 384Germany (Empire) - 1875 J 2 Pfennig $4.00 385 Illawarrra Numismatic Association Membership Discount Wooden Nickel Token $1.00 386 San Juan Quality Royale Casino Token $1 Face Value $1.00 387Canada - 1963 Prooflike 1 Cent Emerald Rainbow Toning $3.00 388 Artisan Silverworks Temecula, CA Wooden Nickel $1.00 389 Canada - 1966 1 Cent Emerald Toning $2.00 390Germany (Empire) - 1875 E 2 Pfennig $2.00 391Germany (Empire) - 1874 H 2 Pfennig $4.00 392 5 Cent Token $1.00 394Germany (Empire) - 1894 F 1 Pfennig $3.00 395 Denmark - 1904/804 1 Ore NICE $8.00 396 Netherlands Antilles - 1965 2.5 Cents UNC TONED $6.00 397 Germany (Empire) - 1874 G 1 Pfennig $10.00 398 Netherlands - 1921 1/2 Cent BETTER DATE $2.00 399 Netherlands - 1922 1/2 Cent BETTER DATE $4.00 400 Germany (Empire) - 1874 D 10 Pfennig $3.00 451Sweden - 1901 1 Ore $1.00 452 Norway - 1948 50 Ore Overdate 4/4 $5.00 453 Netherlands Antilles - 1959 1 Cent UNC $2.00 454Germany (Empire) - 1899 A 1 Pfennig $1.00 455Germany (Empire) - 1899 A 1 Pfennig $1.00 456Germany (Empire) - 1898 A 5 Pfennig $1.00 457Germany (Empire) - 1875 F 5 Pfennig $1.00 458 Canada - 1948 5 Cents $1.00 460 Denmark - 1951 10 Ore NICE $5.00 461Barbados - 1973 Proof 5 Cents in OGP $1.00 462Germany (Empire) - 1875 A 5 Pfennig $1.00 463 Barbados - 1973 Proof 25 Cents in OGP $1.00 464Germany (Empire) - 1876 D 5 Pfennig $1.00 465Hungary - 1965 2 Filler Key Date $5.00 466Germany (Empire) - 1889 A 5 Pfennig $1.00 467 Germany (Empire) - 1889 A 5 Pfennig $1.00 468Switzerland - 1968 5 Rappen UNC TONED $1.00 469Germany (Empire) - 1875 A 5 Pfennig $1.00 470Germany (Empire) - 1875 C 5 Pfennig $1.00 471Trinidad & Tobago - 1973 Proof 1 Cent in OGP $1.00 473Germany (Empire) - 1892 D 5 Pfennig $1.00 474 Germany (Empire) - 1897 A 5 Pfennig $1.00 475Germany (Empire) - 1890 E 5 Pfennig $1.00 477Germany (Empire) - 1890 D 5 Pfennig $1.00 478Germany (Empire) - 1894 D 5 Pfennig $1.00 480 Barbados - 1980 Proof 25 Cents in OGP cello $1.00 481World Silver - Switzerland 1975 1 Franc $6.00 482Germany (Empire) - 1897 D 5 Pfennig $1.00 484Canada (New Brunswick) - 1861 1 Cent $3.00 485Canada (Nova Scotia) - 1861 1/2 Cent $2.00 486 Austria - 1893 10 Heller $1.00 488 Netherlands East Indies - 1921 1/2 Cent NICE KEY DATE $8.00 489 Austria - 1895 10 Heller $1.00 490 Austria - 1894 20 Heller $1.00 492World Silver - Mexico - 1887 Do C 10 Centavos LOW MINTAGE $5.00 551South Africa - 1965 Proof 1 Cent LOW MINTAGE 25,000 $2.00 553Switzerland - 1902 2 Rappen KEY DATE FIRST YEAR $8.00 554 Panama - 1975 Proof 1 Centesimo in OGP $5.00 557 South Africa - 1965 Proof 5 Cents LOW MINTAGE 25,000 $2.00 560South Africa - 1965 Proof 20 Cents LOW MINTAGE 25,000 $2.00 561 Panama - 1975 Proof 5 Centesimos in OGP $1.00 562 Panama - 1976 Proof 5 Centesimos in OGP $2.00 563 South Africa - 1965 Proof 50 Cents LOW MINTAGE 25,000 $5.00 564 South Africa - 1966 Proof 1 Cent LOW MINTAGE 25,000 $2.00 565 South Africa - 1966 Proof 2 Cents LOW MINTAGE 25,000 $2.00 566 South Africa - 1966 Proof 5 Cents LOW MINTAGE 25,000 $2.00 567 South Africa - 1966 Proof 10 Cents LOW MINTAGE 25,000 $2.00 568 Panama - 1974 Proof 5 Centesimos in OGP cello $1.00 569 South Africa - 1966 Proof 20 Cents LOW MINTAGE 25,000 $2.00 572 Panama - 1973 Proof 1/10 Balboa in OGP $1.00 573 South Africa - 1967 Proof 1 Cent LOW MINTAGE 25,000 $2.00 574 Barbados - 1973 Proof 1 Cent $1.00 575 Panama - 1973 Proof 1/4 Balboa in OGP $1.00 576 South Africa - 1967 Proof 2 Cents LOW MINTAGE 25,000 $2.00 577 South Africa - 1967 Proof 5 Cents LOW MINTAGE 25,000 $2.00 578South Africa - 1967 Proof 10 Cents LOW MINTAGE 25,000 $2.00 579 South Africa - 1967 Proof 20 Cents LOW MINTAGE 25,000 $2.00 580 South Africa - 1967 Proof 50 Cents LOW MINTAGE 25,000 $4.00 584 Liberia - 1974 Proof 10 Cents in OGP $1.00 590 Mexico - 1923 1 Centavo NICE UNC TONED $8.00 593 Mexico - 1923 5 Centavos NICE $5.00 594 Bahamas - 1970 Proof 1 Cent in OGP $1.00 595 Mexico - 1935 20 Centavos NICE $30.00 596 Token "10" Unknown origin $1.00 652 Indiana Sesquicentennial Medal 1966 $3.00 654 Alleppey Dist Treasury 286 Token $3.00 655 Creotina Remedies Belleville, IL Token $3.00 657 Mexico - 2001 1 Peso UNC in original cello $1.00 658Germany (Empire) - 1903 A 1 Pfennig $4.00 662Germany (Weimar) - 1924 A 1 Pfennig NICE $6.00 664 Malaysia - 1977 50 Sen TONED UNC $3.00 665 Franklin D Roosevelt $2 Trade Token Union Maystern $3.00 666 Great Britain - 1953 5 Shillings UNC (Crown sized) $5.00 667 Russia - 1994 50 Roubles Blind Mole Rat LOW MINTAGE UNC $3.00 672 Mint of Romania Aluminum Token UNC $3.00 673 Bahamas - 1973 and 1974 Proof 1 Cents in OGP (two coins) $1.00 675 Canada - 1939 5 Cents UNC $20.00 676 Penny Press Mint 1 Dollar Token (Morgan Dollar Inspired Design) $2.00 677 Penny Press Mint 1 Dollar Token (Morgan Dollar Inspired Design) $2.00 678 France (Paris) Montmartre Auditing Firm "Good for one audition" Token $2.00 679 Thailand - Bangkok Institute of Accounting Token $1.00 680 Swedish Shooting Medal Double Pistols Design $3.00 681 1941 Mercury Dime Pin $4.00 682 Korea (Republic) - 1968 5 Won UNC $25.00 683 Korea (Republic) - 1973 50 Won NICE $5.00 684 Russia - 1994 50 Roubles Bison NICE LOW MINTAGE $2.00 685 Coca-Cola 1974 "It's the real thing" Silver Dollar City Token $5.00 686 State Mint of Romania Octagonal Token UNC $2.00 687 Canada - 1937 Dot 5 Cents UNC $10.00 688 France - 1977 10 Francs TONED $2.00 690 Saarland - 1954 10 Franken UNC $8.00 692 Mount Vernon, VA High School Token $1.00 693 Korea (Republic) - 1967 10 Won NICE $5.00 694 Korea (Republic) - 1967 10 Won UNC $40.00 695 Princes of Jerusalem - Cahokia Council A.A.S.RITE Valley of East St Louis Token $3.00 697 Magic Mountain Valencia California Souvenir Token $2.00 698 Pearl Harbor, Hawaii Driver's Association "good for one full fare" token $1.00 700 Downtown Granite City (Illinois) Shopping Center Token $3.00 751 Canada - 1957 House of Commons Medal $3.00 753 Mr. Pizza (World's Worst Pizza) Wooden Quarter Token $1.00 754 National Pony Express Centennial Medal So Called Dollar UNC TONED $5.00 755 Pulaski Bowling Center Free Game Wooden Nickel Token $1.00 756 Four Canada 1991 UNC Cents (4 coins) in OGP CELLO $1.00 757 Four Canada 1991 UNC 5 Cents (4 coins) in OGP CELLO $1.00 758 Pair of Two Thomas Jefferson 1 Cent Postal Stamps $1.00 761 Mexico - 2000 10 Pesos UNC in original cello $6.00 764 Ye Olde Curiosity Shop Seattle 25 Cent Wooden Nickel Token $1.00 765 Mexico - 2000 20 Pesos UNC in original cello $10.00 768 Morocco - AH1320 10 Mazunas $8.00 773 Diamond Dolls Pompano Beach, FL Free Hamburger Wooden Nickel Token $1.00 774 Nadine's Backwoods Bistro One Free Tap Beer Wooden Nickel Token $1.00 775 Ocean Springs Mini Golf One Free Game Wooden Nickel Token $1.00 777Poland - 2014 2 Zlotych UNC $2.00 778 Lansing, Michigan University Quality Inn One Free Well Drink Wooden Nickel Token $1.00 780 San Jose, California Donut Delight One Small Drink 40 Cents Wooden Nickel Token $1.00 781 H.E.B. Hustle Chip Wooden Nickel Token $1.00 782 Two Mixed Tokens $1.00 784 South Gate, California Robby's Tepee 1 Glass Draft Beer Wooden Nickel Token $1.00 785 Macadoo's One Free Sara Lee Bagle (with butter!) Wooden Nickel Token $1.00 786 Canada - 1970 1 Cent TONED $1.00 788 State Penal Institution 5 Cent Good For Token $3.00 790 Fishing Equipment & Tackle 10% Discount Wooden Nickel Token $1.00 791 District Treasury Alleppey 1860 Token Government of Kerala $2.00 792 Russia (Empire) - 1881 1 Kopek $1.00 793 Black Duck Buck Good For One Premium Drink Wooden Nickel Token $1.00 794 Goodles, Michigan Cook's Cobblestone One Free Beer Wooden Nickel Token $1.00 796 San Diego, California My Yogurt Place One Free Frozen Yogurt Sundae Wooden Nickel Token $1.00 797 Canada - 1939 Coronation Medal $2.00 798 Ellsworth, Maine Bicentennial Headquarters Wooden Nickel Token $1.00 800 Suwanee River Attractions 25 Cent Admission Wooden Nickel Token $1.00 851 Sunnyvale, California Odyssey Room 1 Free Drink Wooden Nickel Token $1.00 852 Great Britain - Queen Victoria 60 Years of Rule Medal $3.00 854 Belgium - 1944 2 Franc NICE $1.00 855 Fredericksburg, Virginia Rappahannock Area Coin Club Wooden Nickel Token One free month $1.00 859 Monarch Automatic Co Northhampton Good For One Coupon in Trading Token $2.00 860 Netherlands - 1881 1 Cent $1.00 862 Mexico - 2000 20 Pesos UNC in original cello $10.00 863 Fredericksburg, Virginia Rappahannock Area Coin Club Wooden Nickel Token One free month $1.00 864 Tullahoma, Tennessee The Finish Line Free Drink Wooden Nickel Token $1.00 865 Here's Johnny's 25 Cents off Purchase Wooden Nickel Token $1.00 866 $1 Good For Token Large $3.00 867 Canada - 1939 Coronation Medal $3.00 868 Boise, Idaho Miller's Sewing Center 25 Cent Needle Package Wooden Nickel Token $1.00 869 San Antonio, Texas Dan's 10861 FM "Round TUIT" Wooden Token $1.00 870 Belgium - 1836 2 Centimes $1.00 871 Vandalia, Ohio Skipper's $3 off purchase Wooden Nickel Token $1.00 872 Roseville, California Onyx Club One Free Beer Wooden Nickel Token $1.00 873 Long Beach, California Fayette Cleaners Wooden Nickel Token $1.00 874 Beckett, Massachussetts 1965 Bicentennial Lee National Bank 5 Cent Wooden Nickel Token $1.00 875 Munhall, Pennsylvania 5 Cent Wooden Nickel Token $1.00 877Washington, Indiana Sesquicentennial 1966 Wooden Nickel Token $1.00 878 1953 Queen Elizabeth Coronation Medal $3.00 881 Fredonia, New York Coyle's Pub One Free Drink Wooden Nickel Token $1.00 882 Monterey, California Wharfside Restaurant Complimentary Calimari Appetizer Wooden Nickel Token $1.00 883 Lyman, Wyoming Cecil Sanderson Military Token & Wooden Nickel Collector "Round TUIT" Token $1.00 884 Eastlake, Colorado Karl's Farm Dairy Inc 25 Cent Wooden Nickel Token $1.00 885 Elko, Nevada Ed's Coins & Currency "Cents of Humor" Wooden Nickel Token $1.00 887 Richmond Hot Stuff Deluxe Tattoo One Free Drink Wooden Nickel Token $1.00 888 Australia - 2014 1 Dollar 100 Years of ANZAC $1.00 889 Sacramento, California The Tides 1 Free Beer Wooden Nickel Token $1.00 890 Lancaster, Pennsylvania The Comic Store Free Comic Wooden Nickel Token RARE $1.00 891 Bennington, Vermont Bicentennial 1961 5 Cent Wooden Nickel Token $1.00 892 Torrance, California Old Towne Mall One Free Play Wooden Nickel Token $1.00 893 Duenweg, Missouri State Bank One Quart Token NICE $3.00 894 Rotary International Token $1.00 896 Canada - 1930 House of Commons Medal $3.00 897 Greenfield, Iowa Al's Shoe Service 5 Cents Wooden Nickel Token $1.00 900 France - 1944 C 2 Francs $1.00 951 France - 1944 C 2 Francs $1.00 952 Poland - 2006 2 Zlotych $3.00 953 Poland - 2003 2 Zlotych $3.00 954 Aurora, Illinois Dairy Queen Free Small Sundae Wooden Nickel Token $1.00 955 Mullan, Idaho Silver Dollar Bar 1 Free Drink Wooden Nickel Token $1.00 956 Poland - 2004 2 Zlotych $3.00 957 New Horizons Computer Learning Center Turkey Token 10 Auction Dollars Wooden $1.00 962 Lake of the Woods 40th Anniversary Token $2.00 963 The Travancore Bank Trivandrum #103 Token $1.00 964 Perryville, Wisconsin Good For 1 Glass Tap Beer Wooden (plastic) Nickel Token $1.00 966 1925 Larkin Dollar Medal BU $8.00 968 Palmolive Soap Chicago, Illinois Good For One Cake Token NICE $5.00 969 Duenweg State Bank Duenweg, Missouri Strawberry Token Good For 1 Crate $6.00 970 Dallas, Texas City Hall Token $1.00 971 California State Numismatic Association 1973 53rd Anniversary Token $2.00 972 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (Mexico 20 Centavos) $3.00 973 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (Mexico 20 Centavos) $3.00 977 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (New Zealand 5 Cents) $3.00 979 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (New Zealand 5 Cents) $3.00 981 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (New Zealand 5 Cents) $3.00 983 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (New Zealand 5 Cents) $3.00 984 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (New Zealand 5 Cents) $3.00 987 Harry S Truman US Mint Bronze Medal in OGP $3.00 988 John Wayne US Mint Bronze Medal in OGP $5.00 989 Vietnam Veterans National Bronze Medal in OGP $3.00 992 2010 Korea Money Fair Token with original Flip $3.00 993 Matchless Metal Polish Co Liverpool 1906 Token $5.00 995 Marissa, Illinois 1967 Centennial Wooden Nickel Token $1.00 996 Central States Numismatic Society 2005 Token Original AirTite $2.00 997 Central States Numismatic Society 2005 Token Original AirTite $2.00 998 Central States Numismatic Society 2005 Token Original AirTite $2.00 999Rustler Silver Gas Token $1.00 1000 Worldwide Bi-Metallic Collector's Club World Money Fair Encased Coin (Euro 5 Cent) $3.00
The Fall were a group from Manchester founded by the enigmatic Mark E. Smith in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall. The group would go on to influence many bands over it's 40+ years of existence, such as Pavement and LCD Soundsystem. (Click link for write up on band)
The Fall was founded by one Mark E. Smith back in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall (The same gig attended by Ian Curtis and Peter Hook of Joy Division, Morrissey of the Smiths, and Tony Wilson, who founded the highly influential indie label Factory Records. Basically, Mark was at one of the more important gigs of the past 50 years, as this gig inspired all of those previously mentioned to either start bands or get involved in the punk scene, and changing the course of British indie music.). Over their 40+ years of operation, the band had Mark E. Smith at its helm as the sole constant member throughout it's existence. The band would become known for its classic assortment of records, with the tight musicianship by members such as guitarist Craig Scanlon and drummer Karl Burns (shown in the beginning of this clip from MTV's Cutting Edge) and Mark's esoteric lyricism, the witty, while often-times volatile and difficult, personality of Mark E. Smith, and the constant changing lineup of its members as a result of Mark's volatility. They would also remain to be the favorite band of legendary DJ John Peel, with the band holding the record of the most Peel sessions by a band, which is 24 sessions. The Fall would ultimately come to an end with the untimely death of Mark E. Smith in 2018 due to kidney and lung cancer. The Fall are a significant band in the history of Post Punk, with a wide catalog of music to listen to released throughout the different eras of the band. I have decided to make a write-up going through the many eras of the Fall, while giving some recommendations from each era to start you off. (1976 - early 1979 - Early Beginnings: The Martin Bramah Era) during these years, the Fall were just getting their start with their sound. Their early material leans more towards the punk side of the sword rather than the post punk of their later years, but the embryo of the Fall's sound is clearly present. This can possibly be attributed to the guitar style of Martin Bramah in their early releases, which has a high pitched and trebly sound to the guitars. Their first recorded released came on a live album on the last day of operation for the Electric Circus, then they released their debut EP Bingo Master's Breakout then a single called It's The New Thing all in 1978. They finally released their debut album Live at the Witch Trials in March 1979 before Martin Bramah left in April 1979 due to increasing tensions with Mark E. Smith. He would then go on to found a band by the name of Blue Orchids with another former Fall member Una Baines, who he was dating at the time. Martin would prove to not be the only member to leave because of Mark's controlling demeanor in the band's future. Here's some tracks to introduce you to this era's punky edge: Last Orders Bingo Master's Breakout EP (The entire EP's good to check out) It's The New Thing Rebellious Jukebox Futures and Pasts Mother-Sister (mid 1979 - 1982 - The First Golden era: the Marc Riley Era) I'm calling this the Marc Riley era because, even though Marc Riley was a part of the Bramah era, after Martin Bramah left, Riley would become the main guitarist instead of his previous role as bassist. This would open the door for members like Craig Scanlon to join on rhythm guitar and Steve Hanley on bass. This would end up transforming the sound of the band into the post-punk sound most people are familiar with the band. After releasing Rowche Rumble and the album Dragnet in 1979, the band would end up releasing a string of classic singles in 1980, such as Fiery Jack, How I Wrote Elastic Man, and probably their most well-known song, Totally Wired, as well as releasing the great album Grotesque (After the Gramme). 1981 would also prove to be a good year, with the release of the single Lie Dream of a Casino Soul and the 10-inch EP Slates. The band would end up travelling to Iceland for a string of gigs, which would lead to the recording of some songs for probably their best album Hex Enduction Hour, with tracks like Hip Priest and The Classical displaying the Fall's power in full force. The band would also released the album Room To Live and the single Look, Know. However, this year would prove to be the last with Marc Riley on lead guitar. After learning of their chart success in New Zealand (which was about 300 copies sold to get in the top 20), the band travelled there to play a few gigs in Australia and New Zealand. While there, increasing tensions between Smith and Riley came to a head in Australia when Riley punched Smith in the face for slapping the band for dancing to the Clash (yes, really). There is even a television interview where Mark's black eye is visible (even with heavy makeup). This tour would end up being released as a live album by the legendary New Zealand label Flying Nun Records as the album Fall in a Hole in 1983 (Which Smith would eventually threaten legal action for and forced Flying Nun to pay all of the revenue from the record, effectively almost killing Flying Nun in its infancy). Marc would end up being sacked by the end of the year. This left a hole to be filled for the lead guitar role, and that would be filled after a trip to America. Here's some tracks to check out to introduce you to the classic Fall sound: Rowche Rumble How I Wrote Elastic Man Totally Wired New Face in Hell Prole Art Threat Lie Dream of a Casino Soul Hip Priest The Classical (N-Word Warning) Iceland Winter Marquis Cha-Cha (1983 - 1989 - The Second Golden era: The Brix Smith Era) The band would soldier on without Marc Riley into 1983, with Craig Scanlon taking his place on lead guitar. This period would lead to the release of singles like The Man Whose Head Expanded and the Kicker Conspiracy EP. During the Fall's first American tour without Marc Riley, Mark E Smith was introduced to Brix Smith after a gig in Chicago in April. Within three months, Brix would move to England and end up marrying Mark. She would eventually join the band in September of that year and would first appear on their album Perverted by Language, albeit with minimal involvement and only appearing on one track. Her introduction to the band would end up bringing a pop sensibility to the band, as she would eventually become a major songwriting contributor along with Mark and she would try and push the Fall into a more commercially viable direction. This period would lead to some of the band's most critically acclaimed,as well as their most commerically successful, material. early singles like C.R.E.E.P and Oh! Brother in 1984 display the early shift into the pop sphere for the band. The band would also release the album The Wonderful and Frightening World Of in 1984. By 1985, the band were starting to hit their stride in the commercial sphere, with singles like Cruiser's Creek and Couldn't Get Ahead appearing in the singles charts and the great album This Nation's Saving Grace receiving critical acclaim and decent sales. The band would continue to release increasingly pop-oriented records between 1986-1987, with singles like Mr. Pharmacist, Hit the North and Hey! Luciani reaching the lower ends of the charts, There's a Ghost In My House giving the band their highest singles chart peak, and the album Bend Sinister reaching the Top 40. However, 1988 would prove to be a banner year for the band, with the album The Frenz Experiment reaching the top 20, and the single of the Kinks song Victoria also reaching the top 40. However, this era would eventually come to an end in 1989, when Mark E Smith and Brix Smith ended up divorcing and Brix left the band. Her last record in this era would prove to be the album I am Kurious Oranj, a collaboration with the Michael Clark dance group. However, the trajectory that Brix set the band upon would let their success continue into the 90s, With the band eventually reaching their peak in commercial popularity. However, not all good things are meant to last. Here's some songs to check out to introduce you to this era's pop-leaning sound: The Man Whose Head Expanded Kicker Conspiracy Eat Y'self Fitter C.R.E.E.P 2 X 4 Cruiser's Creek No Bulbs Spoilt Victorian Child My New House I am Damo Suzuki Shoulder Pads #1 Mr. Pharmacist Hey! Luciani There's a Ghost in my House Hit The North Victoria Big New Prinz Dead Beat Descendant (1990 - 1994 - The Peak, followed by the Fall: The Major Label years) After Brix left the band, Martin Bramah was brought back into the fold to fill in her place, and would be featured on the album Extricate, which led to songs like Telephone Thing, which shows influence from the Madchester scene of that time period, which included the Stone Roses and the Happy Mondays, and the love song Bill is Dead, which possibly reflects upon his divorce the previous year. However, Martin Bramah would not be staying for long, as he would end up being kicked out of the band that same year for having a relationship with the keyboardist. This album marked the period when the band would be featured on a major label, with the band being signed to Fontana. The Fall would continue on to have success during this period, with the aforementioned Extricate reaching the top 40, albums like Shift-Work and Code: Selfish reaching the top 30, and singles like White Lightning and Free Range reaching in the single charts, with Free Range being the bands last top 40 single. Their commercial peak would come with the album The Infotainment Scan, which contained a cover of Lost in Music by Sister Sledge, giving the Fall their first and only top 10 hit album. Mark would also be featured on a top 20 single, which was I Want You by the Inspiral Carpets. However, Mark E. Smith's speed and alcohol addiction, which persisted over the previous decade, started to take its toll. The bands fortunes started to dwindle with the album Middle Class Revolt, Which only reach number 48 in the charts, a far cry from their previous Top 10 success. With this album, the Fall would begin to go downhill, both in their commercial performance and their critical stature. Here's some songs to check out from this banner period for the Fall: Telephone Thing I'm Frank Bill is Dead Edinburgh Man Free Range Lost in Music Hey! Student 15 Ways (1995-1998 - The Low Point: The Brownies Years) By this point, Mark E. Smith begins to go downhill with the previously mentioned drug and alcohol addiction, and its effect on the music shows. Brix Smith returns around this time period and would come back on the album Cerebral Caustic. Even with her involvement in the band, the album got middling reviews and performed worse than Middle Class Revolt. Smith would also dismiss the long time guitarist Craig Scanlon, who had co-written 120 songs with Smith over the previous 16 years. Smith would later say that he regretted this decision. By the time of The Light User Syndrome, Brix had enough of Mark E. Smith's degrading state and behavior due to alcohol abuse, and would leave on the tour supporting this album. This period would be wrought with increasing tensions in the band and financial troubles, which ultimately came to a head on the US tour supporting the album Levitate at an infamous gig at the New York venue Brownies in April of 1998. Smith ended up appearing drunk at the gig, and did everything in his power to make it hard for the band to play. It came to a head when drummer Karl Burns, who returned to the band when Middle Class Revolt was made, ended up shoving Smith for messing with his drum kit. Burns and long-time/essential bassist Steve Hanley would end up leaving the band and never returning. After this gig, the next few years are marked with the band remaining a low profile for the most part, where would eventually return to form by 2003. Here's some tracks to check out (if you want to) from this era: Don't Call me Darling Rainmaster D.I.Y Meat The Chiselers Powder Keg Masquerade (1998 - 2002 - Touch Sensitive: The Long Lull) During this period of the Fall, the band was just starting to be put back together by Mark after the debacle that was the Brownies gig. The band was able to achieve some form of critical favor with their album The Marshall Suite in 1999, with Touch Sensitive being a particular standout on the album and being featured in a Volkswagen commercial. The band would then release their album The Unutterable, which also started to gain the critic's favor back. The next album Are You Are Missing Winner, however, didn't do the band any favors, as it was recorded when the band was tight on funds. It was considered a misstep by the Fall after the acclaim that the last album received. However, this would ultimately lead to the start of a new era of the fall that would effectively renew their relevance as a band in the public's eye. Here's some tracks to check out from this transitional period of the bands history: Touch Sensitive W.B Sons of Temperance Dr. Bucks Letter Bourgeois Town (2003 - 2009 - A return to grace: The Third Golden Age) This era of the fall proved to be a rebirthing of the band's relevance and quality, with Mark writing some of the best material the band had in years. This era starts with the album The Real New Fall LP (Formerly Country on the Click) in 2003, which provided the band with some late era classics, such as Mountain Energei and Theme From Sparta F.C. Around this period, the DJ John Peel, who was one of the band's biggest supporters from the beginning, died of a heart attack, but not before the Fall could release one more Peel session a couple months before his death. The Fall would then release Fall Heads Roll in 2005, which also provided the band with another late-era classic in the form of Blindness. The band would also release albums like Reformation Post TLC and Imperial Wax Solvent within the same period. Imperial Wax Solvent would end up being the first Fall album in 15 years to reach the top 40. This would lead into the final era of the Fall leading up to Mark E. Smith's untimely death. Here's some tracks to check out from this era: Mountain Energei Theme From Sparta F.C. Blindness Clasp Hands Fall Sound Latchkey Kid Is This New Strange Town (2010 - 2018 - The Witching Hour: The Domino and Cherry Red/final years) In 2010, the Fall would release Your Future Our Clutter on Domino Records, the same label that releases records by the Arctic Monkeys and Franz Ferdinand, Two bands heavily influenced by the Fall. Mark E. Smith would also end up recording vocals for Glitter Freeze on the Gorillaz album Plastic Beach, which was released in 2010. The band would eventually move to Cherry Red records, which would remain the label of the band until its dissolution. On Cherry Red, the Fall would release album such as Ersatz GB, Re-Mit, Sub-Lingual Tablet, and New Facts Emerge. The latter album would prove to be the band's last record. Over this period, Mark began to develop significant health problems, and would eventually be diagnosed with terminal lung and kidney cancer. This is probably due to the fact that Mark E. Smith was a heavy smoker for most of his life, and his previous problems with drugs and alcohol didn't help either. Mark would perform his final gig with the Fall in November of 2017, and would eventually succumb to his illnesses on January 24th, 2018. Mark E. Smith would leave behind a long history of innovation, wit, and volatility and large catalog of great music for others to be inspired by. Here's some tracks to check out from the final era of the Fall: Bury Pts. 2 + 4 Nate Will Not Return Loadstones Fibre Book Troll New Facts Emerge (Final Remarks) So that's my write-up for the Fall. I discovered this band about 3-4 years ago and I have fallen in love with them ever since, and I just felt like that they deserved some attention. I wrote this post for anyone who may be interested in checking out the band and giving them a place to start from no matter the era. May Mark E. Smith rest in peace, for he wrote "Northern white crap that talks back" and dug repetition. P.S: For any fans of the fall, what is your favorite album/song by the fall and why? If you want to, you can come check out my subreddit Collectionhauls, where I've been posting vinyl finds I've had at the flea market, and have been posting music to check out since March. If you want, you can come post something from your collections to show to others. Anyway, goodbye and I hope you enjoyed my post and possibly enjoy the Fall even more.
Chae’Sol stood at the centre of a large command deck, meticulously peeling the protective film from his new captain’s chair. The sensation of the slow but steady yielding of the film, the sweeping line following the contours of the seat in flowing curves; it was incredibly satisfying. Finally, with one last gentle pull, the last of his chair was uncovered and he stood back to admire his throne. Aside from the freshness of the seating itself, there were shiny new holo displays, touch sensors, and comms relays that were within easy reach of his seated fingertips. This ship would be the jewel in any fleet, a prototype Dreadnought made by the infamous Bardul of Shi’an. The Gowe Military faction had run into financial problems, and it had been left unpaid and unclaimed. What sorcery Kadir had used to find it, and purchase it, he did not know. His comms unit beeped and Danyd’s voice came through. “Chae’S-” -He grumbled incoherently- “Captain, we’re ready to get underway.” The Niham turned and sat back on his pristine chair, swinging his long legs over the armrest. “That was quick, Chief Engineer Ef’Yto” Danyd grunted at the use of his title. “Aye, these Awakened are efficient bastards.” The Satryn looked around at the enormous engineering bay. The entirety of the Porkchop Express could comfortably sit inside, and two of them could likely squeeze in. “Plus, this thing has never been used; feels weird not having anything to work on. It’s state of the art, and I’m having to read the manuals on half the new systems.” Chae’Sol laughed, looking around at the Awakened as they were preparing their workstations. “Yeah, this command deck is a little intimidating. Even the Niham Armada didn’t have ships like this. There are fifteen weapons stations here, what in Tulseria’s name were the Gowe planning to do with this thing?” “No idea.” The chief engineer walked to the large seat in front of his new work terminal, and hopped up onto it. The protective covering squeaked. “This thing has more firepower than half their fleet, it must have been something big. We’re lucky Kadir found out about the graveyard of unclaimed ships from one of his contacts.” The newly-minted captain swung his legs down and sat up, straightening his black uniform and white collar. “That’s another thing: how does he have so many contacts? I was in the Tulseria-damned military, and I had no idea they would sell us fighters and weapons.” “I know the feeling.” Danyd watched a junior engineer – Lily, an Awakened who wore a headband in her silver hair that sported long Kittran ears on it – begin running diagnostics on the Hoban Field Generator. “I'm aware he got the automated weapons for the system port from my people, somehow. As for how he accomplishes all he does, I think his time working with that fancy Anatidae councillor opened more than a couple of doors for him.” Chae’Sol stood, running his fingers through his perfect hair. “Doors, windows, rear entrances and damned secret portals, all leading to a dark realm of shady deals and supplies. We have an Imperium Capital Ship for Tulseria’s sake! Nobody knows where he got it, or where he’s now hidden it.” He looked at his holo display, noting the specks springing blinking into existence as the other ships of Federation origin came to life. “Let’s just be glad he’s on our side.” The chief engineer tugged at the green collar to his uniform. “Our side used to be a damn sight smaller.” Lily had finished her diagnostic tests and sent the results to his console. Her report included an adjustment that would create a potential three percent increase in crystal efficiency, and a small drawing of a smiling leokit with a crim-bar. He groaned, then reported back with, “We’re ready to go when you are.” The Niham strode confidently across the command deck, stopping to stand in front of the huge vid screen at the front of the room. All around him were his crew, made up mostly from the Ashi, Awakened, and Kasurians. “Let’s get this show started.”
Jaym sat with a bowl of Tony the leokas cereal in front of her. It wasn't just a catchy advertising slogan - it really was great. She and Elizabeth had worked together so much in the engineering section of the Porkchop Express that they had become close, often spending their free time together. Indeed, Elizabeth currently sat opposite her, carefully rebuilding a power coupling and occasionally tapping at her datapad. Shortly after the results of her most recent tap played out, Elizabeth paused her work on the power coupling. Without speaking, she held up her datapad so that Jaym could see. On the screen was Tony and his mate Jolie, and Skeena’s voice could be heard excitedly talking about collecting urine samples from the female. Jaym screwed up her face at first until Skeena announced the pregnancy test was positive. Tony was going to be a father! She couldn't contain her joy and screamed loudly, grabbing the screen and running all the way to the bridge to show the others. Ranjaz was stretched out across the captain’s chair as Jaym burst in, and didn’t open his eyes until she began shaking his leg. Even then he didn’t pay much attention. “I told you not to let Elizabeth play with any more systems till after the mission.” She blushed slightly, as their last improvement had inverted their water treatment system and blown six power couplings. "It's not that!" she said, holding up the datapad and starting the video. "Look!" At the first syllable of Skeena's voice, Ranjaz sat bolt upright. The video held his full attention, and when Tony's impending fatherhood was announced the Kittran's whoops of delight could be heard all through the Porkchop Express. He reached underneath his seat and retrieved a small, fluffy bed, then picked up Aiov. Ranjaz led his unusual dance partner in a quick spin of joy before replaying the GalacTube video for her. “You’re going to be an Aunty!” Eruwenn leaned back in the large seat that had once been Embar’s. “I didn’t think they were related?” The Kittran nodded. “Aiov is Tony’s sister. Aaron adopted them both, and that’s how human families work. They just keep adding members, like a Dular adding shells to its burrow. Family is family.” Cygna pressed a few buttons on her Navigator terminal, moving the video to the main screen as well as starting it over. “I still can’t believe you keep one of these under your seat. I mean, it’s a leokas!” Ranjaz held Aiov up and they briefly rubbed noses. “Just a little one!” The Anatidae laughed. “I can see living with the human has had quite a profound effect on you.” With one of his trademark grins he held Aiov out towards Eruwenn. “Wanna nose rub?” "Ah," the councillor said, shrinking back from the offer, "despite her size she is still a predator, and I am not quite ready for such a close encounter.” From the pilot seat Ripley stood, taking Aiov from Ranjaz. “She is not a toy.” She briefly snuggled the tiny leokit to her chest, then passed her to Jaym. “Take her for food and exercise; she must grow up strong.” Jaym also cuddled the wriggling Aiov close, and not just because the little leokit was adorable. Aiov had tripled in size, and was becoming a bit of a handful. “Thor was preparing her food; I’ll take her down to him.” Once the junior engineer had left, and Ripley returned to the pilot seat, Ranjaz began tapping on the console in front of him. “Looks like we’ll be free to take the shuttle down to the surface with the next group.” Cygna drummed her fingers on the arms of her chair. “I didn’t realise it would be so busy.” Ranjaz shrugged. “There was a quake on the fourth planet, so mining colonies are shut down while the nerds poke around. Along with that, we got three big freighters waiting for resupply. That’s a lot of bored folks looking to kill time.” Ripley grunted, prompting a chuckle from the Kittran. “You don’t approve of their choice of leisure activity?” After their few cycles together Eruwenn was already learning a lot about her shipmates. Ripley, for instance, wasn’t one for talking. She decided to interject before the Captain irritated her too much, as they would need her focus soon enough. “Gambling and pleasure palaces are not to everyone's taste, of course, but these sorts of things are covered under local governance.” Without skipping a beat Ranjaz replied, “I know that’s the official line, but you sure as shit have tax codes for all of it. If you want to look down on folks, don’t pretend you aren’t profiting from it.” Cygna, ever defensive of her mentor, jumped in. “That’s a bold statement for someone who never paid a credit in tax until it was automatically deducted from his Galactic Federation pay.” Ranjaz laughed, then continued, keeping his voice care-free. “Taxed on what? I never owned anything.” Eruwenn could see the trap her junior was walking into but decided to let this be a learning experience. The Kittran was wily, and the Anatidae found him entertaining. Cygna, as she had predicted, scoffed at his claims. “I’ve read your file. When you were arrested you had a ship, five shuttles and thousands in valuable goods confiscated.” “Exactly!” His eyes lit up as he cornered her. “It was confiscated because it was stolen, so I didn’t own it. Imagine a world where you can keep stolen goods if you pay tax on them. Even I think that’s crazy.” The Fae’Dan paused, and the anger evaporated from her voice as she realized what he had said, replaced by a slightly impressed tone of surprise. “Well, maybe, but… Really? You stole all of it?” Ranjaz shrugged. “Or won it. I’m pretty good at Dalcho.” Cygna perked up. “I play Dalcho myself, we shou-” “No,” Eruwenn interrupted. Some lessons were too expensive. “Do not play Dalcho with someone who can get free priority entry permits to a casino.” The former operative shook her head. “I’m a great player, you’ve seen me in the council chambers. I took that Ley’Rulian trader for five hundred credits.” The Anatidae smiled kindly. “And he had five shuttles when he was arrested.” Cygna slowly turned from Eruwenn to Ranjaz, noticing his grin and the sparkle in his eye. It was most definitely the smile of a predator. He gave a little chuckle. “Don’t worry, it’s been a long time since I played. No gambling on Galactic Federation ships, you know.” He laughed again. “Oh wait, you read my file.” The Fae’Dan nodded. “Perhaps we should focus on the mission.” She gave a slight bow to Eruwenn before returning her attention to her console. Ranjaz looked at Eruwenn and stuck out his tongue. “Don’t ruin my fun!” The Ambassador smiled. “I don’t play Dalcho, but there is a human game called chess I quite enjoy. Perhaps we could play sometime?” The Kittran gave a nod. Keeping his voice neutral, he replied. “I don’t know that one, but there’s another human game we could try. Poker?” "We have permission to dock at the holding ring and send down a shuttle," Ripley abruptly called out. "Let’s get this whatever it is and make the rendez-vous.” Both of Ranjaz’s fangs showed as he grinned. “If we’re going to pull a job on Chisola Prime, first you’re going to need to look the part!”
Aaron walked down the corridor of the Hive ship, the strange spiderlike creature trailing behind him as he followed one of the corpse vines as it receded deeper into the ship. He turned and watched the creature, which shrank back from him and crouched low to the ground. “I’m sorry I kicked you. You simply startled me; you don’t have to hide.” The lighting never changed in the endless corridors of the ship, and only the most uninteresting of doors deigned open for him. At this point, he had lost track of time completely. Through perseverance he’d made several important discoveries. The bulbous shapes in the flower vase room were seats; he was fairly certain of that after finding another room with bodies sitting in them. The vines that came for them were the ones he was now following, and by now he must have seen hundreds of dead Hive. The second discovery was that the Hive came in a variety of shapes and sizes. There were two main ones, as far as he could tell, and the first were the four legged kind that had so kindly thrown him in the rejuvenating jelly bean. The second was bipedal, and looked a hell of a lot meaner. While the ones he deemed workers looked somewhat like ants to him, in shades of reds and browns, the second type looked much more commanding. Their carapace had thicker layers of armour in green, gold and red, and was spiked at the shoulders and joints. Even their legs had spines and to top the look off their heads were much more angular. Whether they were soldiers, commanders, or something else, he didn’t know. Through observation of the corpses he had discovered the most confusing feature yet: a strange section in the centre of their abdomen that was filled with what seemed to be a grey fluid. Ahead of him, not skittering away like the rest, was an aphid that no longer emitted a pale green glow. Something whooshed overhead towards the slow and sluggish aphid, and Aaron instinctively threw himself to the ground before he realized what it was. "That's how you get kicked!” He stood up, brushing himself off. “Fuck, that scares the ever-loving shit out of me every fucking time.” The huge creature looked up at him and whined as it munched on the sick aphid. He was probably imagining the apology in its eyes, but Aaron still shook his head. “I know, I know. It’s your job. They clean the floors, you keep their population healthy. Just stop leaping over me like that, fuck. I’m going to have a heart attack.” It whined and backed away from his angry words, and he tried to keep his voice to calmer tones. “Don’t be like that. I’ve told you enough times.” When he looked down the corridor again, the retreating corpse vines had disappeared around a corner. Aaron began to jog after them, and after he'd put some distance in he heard the pattering footsteps of his terrifying shadow. He tried to pay it no mind. Once the vines were back in sight he slowed and followed behind them, singing his direction song quietly to himself. “Left, right, straight. Left, left, right. Straight, straight, left, left. Right, right, straight, right, right.” The ship was massive and, other than some areas smelling funkier than others, there was no variation in lighting, decoration or layout. The song was his map back to the rejuvenation pod, which was his only safe source of hydration. His companion padded along behind him, a friendly nightmare to accompany him on his seemingly endless journey. “We really need to give you a name.” He wished he had his phone with him so he could channel all his nervous energy into making a video. “The audience demands a name. Plus, I won’t be able to sell merch without one.” He turned and looked at the creature. “I’ll probably have to create space-halloween first, or maybe I’ll get lucky and find that you’re cute to some species.” Aaron returned to following the corpse vine, waving a hand high as he spoke, gesticulating to the heavens. “The name is what matters: a good name makes all the difference.” He began seriously pondering the naming matter. “Aragog, Shelob; you know, lean into your size for a characterization. But then again, that's not really going to make people like you.” He looked back over his shoulder as the unnamed beast trotted happily behind him. He assumed happy, at least. It now tended to make an odd gurgling noise after eating, and it roamed closer to him than before. “You know, I never got to name Sassie – she’s my dog. I told you about her yesterday, or the day before.” He really was losing track of the days he’d been here. “I got her from a rescue. She was skinny, and so damn angry, with scars on her legs and under her fur. I had to have special visits before I could keep her. Prove I was worthy.” Talking helped take his mind from the gnawing emptiness in his stomach. Hydration and nutrients osmotically obtained from some weird pod were nowhere near as satisfying as a burger and a cold beer. “Her first visit, she had a rubber ball. It was her only possession, and she loved it.” There was a touch of pride in his voice. “Took me an hour before she gave it up to play. The lady from the rescue centre said I was the first.” He choked up, blinking back tears. “Anyway, couple more visits and she got to stay. Crazy dog was such a handful. She once tried to climb a tree to chase a squirrel. Got her legs over the first branch and just dangled, kicking her back legs.” He began chuckling to himself. “She once tried to jump through a car window; some guy was parked at the lights as we walked past.” He was just chatting now, lost in his memories as he walked. “You know the type, loud radio, windows rolled down on a sunny day, annoying the shit out of everyone in the town. He tossed some litter out of his window and she just launched herself at him. Scared the life out of me at the time - funny as fuck now, of course.” He laughed again. “Then there were the swans. Man, were they not ready. She loved to swim – I told you that before – swimming and splashing was her favourite release. Well, that and chasing rabbits which is, kinda, how I ended up here. Anyway, she would just swim up and down, right past the ducks and stuff, somehow never interested in them. Then one summer these swans came along...” He paused, realising his new friend didn’t know what a duck or a swan was, or even summer, probably. Before attempting to explain, he realised they also didn’t understand english, so it really didn’t matter. “Anyway, swans being belligerent bastards, I called her out of the water straight away. Those mean white fuckers chased her all the way to shore.” He turned around, now grinning broadly. “But, once her feet hit the ground in the shallow water and she was able to stand, did those sons of bitches turn and swim away as fast as they could.” He paused, trying to remember his original point. He really was very hungry. “Oh yeah, so trying to stop her fighting everything that moved meant I didn’t have time to teach her a new name. Figured it would be confusing to her. Sassie she was, and so Sassie she stayed.” There was a tightening in his chest as he thought of her missing him. “Took a lot of years and a lot of time for her to get where she is now. I know Alexa will take care of her, but still, it’s my job, and I need to get back to doing it. She won’t understand…” He choked up completely, taking a moment to compose himself before clearing his throat and returning his monologue to its original course. “Anyway, names. Names matter.” “Maybe you’re a girl monster. Charlotte?” He shook his head. That name just didn’t seem fitting. “We could call you Peter Parker? Although, you’re more of a man-sized spider than a spiderman... Parker Peter? Then again, big, scary spiders say one thing to me. Australia. You like to jump, we could call you Roo? Or, how about Ozzy? Or Bruce? Hmm, that’s a sharks name though… can you swim?” His train of thought derailed suddenly as he saw an open door ahead of them through which the vines were receding. The pair of them continued walking behind the vine until it disappeared into the doorway and Aaron ran forward, pulling something from his pocket. He’d been saving the foil wrapping from the ration bricks, folding them together to form a wedge. He jammed his makeshift door stop under the bottom corner of the door as it began to slide shut. It ground to a halt. “Boom! Told you it would work.” He stood and finally looked into the vastness beyond. Through the doors was, somehow, a rolling meadow, complete with trees, giant mushrooms and plants he had no name for. Vines were also everywhere, receding further across the great wilderness. “What the hell? I thought I was on a spaceship? Am I underground?” Staring intently at the sky, he stepped onto the deep moss beyond the door. He looked at the wall around the interior and saw it was rock, and more plant life clung to every crack and crevice. As he walked slowly forward his eyes followed the vine as it headed for a large, colourful, monolith. He approached and saw that its shape was similar to the vase flowers. He watched as the corpse vines deposited their cargo on top of the monolith. Not on, he corrected himself;they were dropping inside. He looked back to the door, nervous that it might close and lock him in. A large black shadow lurked just beyond the door, and he was torn. Should he explore this 'outside' world, or retreat to the place where he at least had the rejuvenation pods? He looked up at the sky, basking in the warm and invigorating embrace of the sunlight. He blinked at the brightness, being cautious to not look at the sun directly, and something else suddenly caught his eye. It was, incredibly, a door. A door that floated in the sky. The thing about human eyes is that they might be easily fooled, but a shift in perspective can easily change what you see to something entirely different. Aaron was looking up at a ceiling, like the one in the Atrium back on the Azrimad, but a hundred times more convincing. Once back inside the doorway he watched the spiderling he was beginning to think of it as a friend dancing back and forth a short distance away. It seemed… happy. “Ok buddy, I’m back.” Aaron’s stomach made a loud gurgling sound and he rubbed it, trying to squeeze the hunger away. Fingers found muscle easier than usual, and he knew he was definitely losing weight. “We should head back. I need sleep.” He thought for a moment and made a final decision, bending down to pull the foil wedge clear. “I doubt there’s a communicator or command deck in there. Let’s go home, Ozzy.” The trip back was uneventful, Aaron sang his direction song as they navigated the labyrinth. A few more aphids were snacked on by his leggy companion, but his own legs were heavy by the time he was almost back to the jelly beans. Despite being exhausted he had made two stops to create another pair of flower vases for the aphids, as well as scattering a ration brick as he passed by. The aphids waited, as they always did, till he and Ozzy were far enough away before enjoying his bounty. Still, the human derived satisfaction from their presence. Exhausted and weary, Aaron was glad to finally make it back to the room he was reluctantly calling his temporary home. As the door to the rejuvenation pod slid open he was met, forcefully, by the barrel of an energy rifle. Unfortunately for Aaron, due to a considerable height difference, the barrel had struck him squarely in the groin, and he instantly fell to his knees. He came face to face with his attacker with tears in his eyes, clutching his tenderness and coughing. From the other being came incomprehensible yelling, as well as a lot of gun waving. Also, there was coughing. Aaron, eventually mustering enough self-presence to do something other than deal with the after effects of the gun-to-groin encounter, wiped the moisture from his eyes and tried to butt in to the one-sided conversation. "Relax! I'm the one who just got snookered in the fucking balls, here! Why in the world are you so mad?"” The gun was pressed to his forehead by the tiny attacker, who shouted something unintelligible with their black eyes focused on him. They paused to cough, then stepped back, glaring at Aaron until they seemed to feel comfortable enough with the situation to take one hand off of their weapon and pull out a datapad. They held it up, and Aaron frowned at the familiar but still unintelligible colours that swirled on the screen. Then a small vent at the bottom of the device squirted out a puff of sickly sweet scent. Aaron pulled back from the odour. "What the fuck was that?" With some distance between them, the human finally got a good look at his opponent. They were barely waist-height, furry, with a long nose and dark banding across their brown fur. The banding was heaviest across their eyes and although that’s where the similarities ended, it was enough for the human’s brain to forge a connection. “Listen, Rocket, there’s a virus on this ship. You need to get in the jelly bean. Trust me.” The rifle was thrust at him shakily in one hand, the tablet again was raised and a swirl of colours and shapes greeted him. “I don’t speak fucking winamp plugin!” On the wall behind his captor Aaron spotted a dull orange aphid, struggling to climb the wall. He smiled as he slowly leaned to one side. “Have you met Ozzy?” The huge arachnid leapt over them both, causing the newcomer to blindfire at the wall. Aaron seized his chance and snatched away the weapon. He grabbed the newcomer by the front of their armoured uniform and slammed them to the ground. They cried out in pain and began their incomprehensible yelling once more. The accompanying coughing fit was bad, and Aaron dragged them to their feet. Realising that his solitude had caused him to revert to English, he switched back to galactic standard to offer a warning about the disease. “You’re going to die!” A shocked look crossed their face as the human effortlessly lifted them and slam dunked them into a blue jelly bean. Ozzy gurgled happily through his aphid crunching. Aaron snatched up the energy rifle, but found it was difficult to hold due to its small size. He leaned over the jelly bean, noting the occupant drifting off to sleep. Hunger and tiredness were forgotten as adrenaline flooded his system. There was no way the newcomer was alone. He left the pod room to begin searching, and Ozzy seemed to pick up on his intention and followed behind, keeping close to the human. “Good boy!” He had no idea what prompted it, likely some automated response, and it was as though he watched his movements from outside of his body as he reached back and gently scratched the arachnid's head. He was rewarded with happy gurgles, or at least that's what he hoped the noises were. “You did good back there.” He made his way along the corridor towards the same airlock he had once chosen as his final exit. His recent suspicion proved correct as he heard a strange sound up ahead, as if someone was running a wet finger around the rim of a glass. He carefully leaned around the curve and saw another figure, dressed in the same uniform as the first. No fur on this one, although they were equally small in size, and they somehow looked like they were made of glass which couldn’t decide on a colour. This time he remembered to use galactic standard. “Keep your hands where we can see you. We’ve got you surrounded!” The figure was clearly startled, as the ambient resonating noise began varying wildly in pitch at the same moment as their colour shifted to a solid blue. Aaron cursed. He didn’t have a translator, having instead opted for learning standard and winging everything else. The whole federation knew standard, so he hadn’t truly considered getting the implant. “Something is wrong with our translators,” he continued to bluff. “Do you speak galactic standard?” A datapad was hastily pulled from a pocket, and as buttons were pressed the resonating sound became more rhythmic. From the datapad sprung noises. No, it was a voice! “Why do you speak Procyon? Where is Commander Bertolannixostraphes? Aaron began relaxing at the situation he found himself in, but inside he was brimming with joy. Finally, he could talk with someone! “There is a virus on this ship, and many are dead. If your commander is the raccoon-looking guy, I got them into a healing pod. They’re going to be fine.” Under his breath he added, “probably.” The resonating began and shortly afterwards the voice translated, “Who are you? Why did you not answer our communications.” Opting for honesty in the hopes of leniency, Aaron stepped into view. “I’m a passenger. I don’t have access to the ship's systems.” The newcomer was looking at the tiny gun, so the human tossed it forward. “I didn’t know if you were friendly. I can take you to your friend, and you should probably get treatment as well.” The now-orange alien walked forward, their movement accompanied by the strange sound of ceramic plates rubbing together. “That won’t be a problem, we Tricinic do not catch meat diseases. I am Tsy'lo, take me to the commander.” They turned to look behind them. “Where are the others?” Aaron pointed to Ozzy. “It’s just us two.” Colours swirled and the small glass person thrummed. The datapad spoke, “You are the last human, the Ambassador. Correct?” Turning and gesturing to be followed, he began to lead the way to the rejuvenation room. “I am the first human, Ambassador Aaron Cooper, professional bounty hunter. Just call me Aaron. Are you the rescue party? Is Alexa here? Did she bring Sassie?” It took a moment for the translation to come back. “I don’t know those names. We are the Special Tactics and Rescue Squad and we responded to distress calls and found this ship. Adrift.” They had walked a little way when Tsy'lo stopped and regarded Ozzy, who was still faithfully following behind. “Why does the achalo follow you?” “Ozzy?” Aaron shrugged. “I think he was lonely. So, were you sent into Hive space to find me, or are you on some top secret mission? You aren’t with the Sentinels, are you?” “Lonely? But it is an achalo.” Tsy'lo was confused and their colour visibly swirled. “Why would a rescue mission be secret? And, we weren’t sent, we were already here.” Now it was the human who was confused. “Like spies behind enemy lines? Is that why you are in Hive space?” The Tricinic hummed at a higher frequency. “It is our space. We are the Hive!”
Admiral Pelar of the third fleet stood in the centre of the training mat. On the floor around her were four tough looking Ashi, while a fifth was now squaring off against her. She blocked the jab and the surprise knee strike that followed, turning effortlessly to bring her elbow to her opponents ribs. With another deft turn she was behind him and kicking his knees forward. He tried to roll clear but she had anticipated the move and, as he rose, her spinning boot struck the side of his head. “Nice try gentlemen.” She walked away and caught a towel thrown by the drill instructor. “That last one has potential,” she said, and the drill instructor nodded. “Next time, I expect at least one of them to land a hit. If not, I’ll have you in the ring instead, to make sure you still have what it takes.” She saw the fear in his eyes. “I accept nothing but the best from the Third Fleet.” The medics ran onto the mat as she dabbed at her forehead, and she spotted Jar’Bek sitting on a bench nearby. She walked over to him and he stood, straightening what was no doubt an extremely expensive suit. “From one disappointment to another.” The lawyer smiled. “Imagine only seeing your son when he is paid to be in your presence,” he countered. She smirked. “Your tongue is still your most deadly weapon.” He nodded. “Ah, but it must make you proud to see me make use of the things you taught me.” Her face twitched. “I taught you to be a true Ashi, a soldier. I taught you to respect-” Jar’Bek held up his hand. “I’m here on my client’s business, not yours. And, as I am paid a considerable sum per gal, let us not waste their money on matters that are concluded.” He enjoyed the irritation on her face. “I am here to finalise the amnesty treaties, and conclude your membership as citizens of Earth.” The Admiral held up her hands, looking down at her combat training clothing. “I must shower and change first. Please, wait for me in my private office.” She smiled politely. “No.” His smile seemed to hover as if it was a mask that could slip at any time. “You may have disowned me, but I still remember your tricks. You knew the time of our meeting; you had me brought here so you could intimidate me with this display of aggression. Then you ask me to wait in your office amongst your memorabilia and trophies.” He watched the anger behind her eyes. “You really think these tired old tricks will work on me?” She sneered. “At least you remember something.” “Oh, I had the scars removed, but I kept the lessons.” He walked away. “My client's time is valuable and I have scheduled a meeting with the other fleet Admiral’s for later this cycle. Since we have no time for your games, let us go to the briefing room. My team is already set up. If you wish to shower, know that it is more of your negotiating time you are wasting, and I do so hate waste.” He collected his briefcase and walked out of the room. Captain Loring hurried after Jar’Bek, catching him as he entered the elevator. “You sure you want to antagonise the Admiral like that?” He leaned back against the wall of the elevator and relaxed, letting out a small sigh. “A little negotiating trick a Kittran taught me. Anyway, she is no longer my Admiral.” Elora’Tan leaned back on the opposite wall. “She is your mother, Jar.” “Ha.” Jar’Bek laughed. “She disowned me. This is the first contact we’ve had in I forget how many celes. Her first thought is to try and intimidate me with that display. She likes to beat on cadets, she likes to cause pain, and she wanted me to watch.” Loring gave a weak smile. “It forges strong soldiers. We can’t afford weakness.” The elevator stopped and Jar’Bek took a step closer to Elora’Tan. “You think it was weakness that made me leave?” He didn’t let her answer, turning and exiting into the hallway. His voice now resonated with authority as he growled, “In case you people have forgotten, the Ashi will operate under the same rules as the rest of the colony. My mother is not the law... I am the law.”
The Fall was founded by one Mark E. Smith back in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall (The same gig attended by Ian Curtis and Peter Hook of Joy Division, Morrissey of the Smiths, and Tony Wilson, who founded the highly influential indie label Factory Records. Basically, Mark was at one of the more important gigs of the past 50 years, as this gig inspired all of those previously mentioned to either start bands or get involved in the punk scene, and changing the course of British indie music.). Over their 40+ years of operation, the band had Mark E. Smith at its helm as the sole constant member throughout it's existence. The band would become known for its classic assortment of records, with the tight musicianship by members such as guitarist Craig Scanlon and drummer Karl Burns (shown in the beginning of this clip from MTV's Cutting Edge) and Mark's esoteric lyricism, the witty, while often-times volatile and difficult, personality of Mark E. Smith, and the constant changing lineup of its members as a result of Mark's volatility. They would also remain to be the favorite band of legendary DJ John Peel, with the band holding the record of the most Peel sessions by a band, which is 24 sessions. The Fall would ultimately come to an end with the untimely death of Mark E. Smith in 2018 due to kidney and lung cancer. The Fall are a significant band in the history of Post Punk, with a wide catalog of music to listen to released throughout the different eras of the band. I have decided to make a write-up going through the many eras of the Fall, while giving some recommendations from each era to start you off. (1976 - early 1979 - Early Beginnings: The Martin Bramah Era) during these years, the Fall were just getting their start with their sound. Their early material leans more towards the punk side of the sword rather than the post punk of their later years, but the embryo of the Fall's sound is clearly present. This can possibly be attributed to the guitar style of Martin Bramah in their early releases, which has a high pitched and trebly sound to the guitars. Their first recorded released came on a live album on the last day of operation for the Electric Circus, then they released their debut EP Bingo Master's Breakout then a single called It's The New Thing all in 1978. They finally released their debut album Live at the Witch Trials in March 1979 before Martin Bramah left in April 1979 due to increasing tensions with Mark E. Smith. He would then go on to found a band by the name of Blue Orchids with another former Fall member Una Baines, who he was dating at the time. Martin would prove to not be the only member to leave because of Mark's controlling demeanor in the band's future. Here's some tracks to introduce you to this era's punky edge: Last Orders Bingo Master's Breakout EP (The entire EP's good to check out) It's The New Thing Rebellious Jukebox Futures and Pasts Mother-Sister (mid 1979 - 1982 - The First Golden era: the Marc Riley Era) I'm calling this the Marc Riley era because, even though Marc Riley was a part of the Bramah era, after Martin Bramah left, Riley would become the main guitarist instead of his previous role as bassist. This would open the door for members like Craig Scanlon to join on rhythm guitar and Steve Hanley on bass. This would end up transforming the sound of the band into the post-punk sound most people are familiar with the band. After releasing Rowche Rumble and the album Dragnet in 1979, the band would end up releasing a string of classic singles in 1980, such as Fiery Jack, How I Wrote Elastic Man, and probably their most well-known song, Totally Wired, as well as releasing the great album Grotesque (After the Gramme). 1981 would also prove to be a good year, with the release of the single Lie Dream of a Casino Soul and the 10-inch EP Slates. The band would end up travelling to Iceland for a string of gigs, which would lead to the recording of some songs for probably their best album Hex Enduction Hour, with tracks like Hip Priest and The Classical displaying the Fall's power in full force. The band would also released the album Room To Live and the single Look, Know. However, this year would prove to be the last with Marc Riley on lead guitar. After learning of their chart success in New Zealand (which was about 300 copies sold to get in the top 20), the band travelled there to play a few gigs in Australia and New Zealand. While there, increasing tensions between Smith and Riley came to a head in Australia when Riley punched Smith in the face for slapping the band for dancing to the Clash (yes, really). There is even a television interview where Mark's black eye is visible (even with heavy makeup). This tour would end up being released as a live album by the legendary New Zealand label Flying Nun Records as the album Fall in a Hole in 1983 (Which Smith would eventually threaten legal action for and forced Flying Nun to pay all of the revenue from the record, effectively almost killing Flying Nun in its infancy). Marc would end up being sacked by the end of the year. This left a hole to be filled for the lead guitar role, and that would be filled after a trip to America. Here's some tracks to check out to introduce you to the classic Fall sound: Rowche Rumble How I Wrote Elastic Man Totally Wired New Face in Hell Prole Art Threat Lie Dream of a Casino Soul Hip Priest The Classical (N-Word Warning) Iceland Winter Marquis Cha-Cha (1983 - 1989 - The Second Golden era: The Brix Smith Era) The band would soldier on without Marc Riley into 1983, with Craig Scanlon taking his place on lead guitar. This period would lead to the release of singles like The Man Whose Head Expanded and the Kicker Conspiracy EP. During the Fall's first American tour without Marc Riley, Mark E Smith was introduced to Brix Smith after a gig in Chicago in April. Within three months, Brix would move to England and end up marrying Mark. She would eventually join the band in September of that year and would first appear on their album Perverted by Language, albeit with minimal involvement and only appearing on one track. Her introduction to the band would end up bringing a pop sensibility to the band, as she would eventually become a major songwriting contributor along with Mark and she would try and push the Fall into a more commercially viable direction. This period would lead to some of the band's most critically acclaimed,as well as their most commerically successful, material. early singles like C.R.E.E.P and Oh! Brother in 1984 display the early shift into the pop sphere for the band. The band would also release the album The Wonderful and Frightening World Of in 1984. By 1985, the band were starting to hit their stride in the commercial sphere, with singles like Cruiser's Creek and Couldn't Get Ahead appearing in the singles charts and the great album This Nation's Saving Grace receiving critical acclaim and decent sales. The band would continue to release increasingly pop-oriented records between 1986-1987, with singles like Mr. Pharmacist, Hit the North and Hey! Luciani reaching the lower ends of the charts, There's a Ghost In My House giving the band their highest singles chart peak, and the album Bend Sinister reaching the Top 40. However, 1988 would prove to be a banner year for the band, with the album The Frenz Experiment reaching the top 20, and the single of the Kinks song Victoria also reaching the top 40. However, this era would eventually come to an end in 1989, when Mark E Smith and Brix Smith ended up divorcing and Brix left the band. Her last record in this era would prove to be the album I am Kurious Oranj, a collaboration with the Michael Clark dance group. However, the trajectory that Brix set the band upon would let their success continue into the 90s, With the band eventually reaching their peak in commercial popularity. However, not all good things are meant to last. Here's some songs to check out to introduce you to this era's pop-leaning sound: The Man Whose Head Expanded Kicker Conspiracy Eat Y'self Fitter C.R.E.E.P 2 X 4 Cruiser's Creek No Bulbs Spoilt Victorian Child My New House I am Damo Suzuki Shoulder Pads #1 Mr. Pharmacist Hey! Luciani There's a Ghost in my House Hit The North Victoria Big New Prinz Dead Beat Descendant (1990 - 1994 - The Peak, followed by the Fall: The Major Label years) After Brix left the band, Martin Bramah was brought back into the fold to fill in her place, and would be featured on the album Extricate, which led to songs like Telephone Thing, which shows influence from the Madchester scene of that time period, which included the Stone Roses and the Happy Mondays, and the love song Bill is Dead, which possibly reflects upon his divorce the previous year. However, Martin Bramah would not be staying for long, as he would end up being kicked out of the band that same year for having a relationship with the keyboardist. This album marked the period when the band would be featured on a major label, with the band being signed to Fontana. The Fall would continue on to have success during this period, with the aforementioned Extricate reaching the top 40, albums like Shift-Work and Code: Selfish reaching the top 30, and singles like White Lightning and Free Range reaching in the single charts, with Free Range being the bands last top 40 single. Their commercial peak would come with the album The Infotainment Scan, which contained a cover of Lost in Music by Sister Sledge, giving the Fall their first and only top 10 hit album. Mark would also be featured on a top 20 single, which was I Want You by the Inspiral Carpets. However, Mark E. Smith's speed and alcohol addiction, which persisted over the previous decade, started to take its toll. The bands fortunes started to dwindle with the album Middle Class Revolt, Which only reach number 48 in the charts, a far cry from their previous Top 10 success. With this album, the Fall would begin to go downhill, both in their commercial performance and their critical stature. Here's some songs to check out from this banner period for the Fall: Telephone Thing I'm Frank Bill is Dead Edinburgh Man Free Range Lost in Music Hey! Student 15 Ways (1995-1998 - The Low Point: The Brownies Years) By this point, Mark E. Smith begins to go downhill with the previously mentioned drug and alcohol addiction, and its effect on the music shows. Brix Smith returns around this time period and would come back on the album Cerebral Caustic. Even with her involvement in the band, the album got middling reviews and performed worse than Middle Class Revolt. Smith would also dismiss the long time guitarist Craig Scanlon, who had co-written 120 songs with Smith over the previous 16 years. Smith would later say that he regretted this decision. By the time of The Light User Syndrome, Brix had enough of Mark E. Smith's degrading state and behavior due to alcohol abuse, and would leave on the tour supporting this album. This period would be wrought with increasing tensions in the band and financial troubles, which ultimately came to a head on the US tour supporting the album Levitate at an infamous gig at the New York venue Brownies in April of 1998. Smith ended up appearing drunk at the gig, and did everything in his power to make it hard for the band to play. It came to a head when drummer Karl Burns, who returned to the band when Middle Class Revolt was made, ended up shoving Smith for messing with his drum kit. Burns and long-time/essential bassist Steve Hanley would end up leaving the band and never returning. After this gig, the next few years are marked with the band remaining a low profile for the most part, where would eventually return to form by 2003. Here's some tracks to check out (if you want to) from this era: Don't Call me Darling Rainmaster D.I.Y Meat The Chiselers Powder Keg Masquerade (1998 - 2002 - Touch Sensitive: The Long Lull) During this period of the Fall, the band was just starting to be put back together by Mark after the debacle that was the Brownies gig. The band was able to achieve some form of critical favor with their album The Marshall Suite in 1999, with Touch Sensitive being a particular standout on the album and being featured in a Volkswagen commercial. The band would then release their album The Unutterable, which also started to gain the critic's favor back. The next album Are You Are Missing Winner, however, didn't do the band any favors, as it was recorded when the band was tight on funds. It was considered a misstep by the Fall after the acclaim that the last album received. However, this would ultimately lead to the start of a new era of the fall that would effectively renew their relevance as a band in the public's eye. Here's some tracks to check out from this transitional period of the bands history: Touch Sensitive W.B Sons of Temperance Dr. Bucks Letter Bourgeois Town (2003 - 2009 - A return to grace: The Third Golden Age) This era of the fall proved to be a rebirthing of the band's relevance and quality, with Mark writing some of the best material the band had in years. This era starts with the album The Real New Fall LP (Formerly Country on the Click) in 2003, which provided the band with some late era classics, such as Mountain Energei and Theme From Sparta F.C. Around this period, the DJ John Peel, who was one of the band's biggest supporters from the beginning, died of a heart attack, but not before the Fall could release one more Peel session a couple months before his death. The Fall would then release Fall Heads Roll in 2005, which also provided the band with another late-era classic in the form of Blindness. The band would also release albums like Reformation Post TLC and Imperial Wax Solvent within the same period. Imperial Wax Solvent would end up being the first Fall album in 15 years to reach the top 40. This would lead into the final era of the Fall leading up to Mark E. Smith's untimely death. Here's some tracks to check out from this era: Mountain Energei Theme From Sparta F.C. Blindness Clasp Hands Fall Sound Latchkey Kid Is This New Strange Town (2010 - 2018 - The Witching Hour: The Domino and Cherry Red/final years) In 2010, the Fall would release Your Future Our Clutter on Domino Records, the same label that releases records by the Arctic Monkeys and Franz Ferdinand, Two bands heavily influenced by the Fall. Mark E. Smith would also end up recording vocals for Glitter Freeze on the Gorillaz album Plastic Beach, which was released in 2010. The band would eventually move to Cherry Red records, which would remain the label of the band until its dissolution. On Cherry Red, the Fall would release album such as Ersatz GB, Re-Mit, Sub-Lingual Tablet, and New Facts Emerge. The latter album would prove to be the band's last record. Over this period, Mark began to develop significant health problems, and would eventually be diagnosed with terminal lung and kidney cancer. This is probably due to the fact that Mark E. Smith was a heavy smoker for most of his life, and his previous problems with drugs and alcohol didn't help either. Mark would perform his final gig with the Fall in November of 2017, and would eventually succumb to his illnesses on January 24th, 2018. Mark E. Smith would leave behind a long history of innovation, wit, and volatility and large catalog of great music for others to be inspired by. Here's some tracks to check out from the final era of the Fall: Bury Pts. 2 + 4 Nate Will Not Return Loadstones Fibre Book Troll New Facts Emerge (Final Remarks) So that's my write-up for the Fall. I discovered this band about 3-4 years ago and I have fallen in love with them ever since, and I just felt like that they deserved some attention. I wrote this post for anyone who may be interested in checking out the band and giving them a place to start from no matter the era. May Mark E. Smith rest in peace, for he wrote "Northern white crap that talks back" and dug repetition. I personally believe that the Fall, while revered in Post-Punk circles and UK indie music, I feel that they are still highly underappreciated in popular music. I feel that they should have been on the same level as the Cure or Joy Division in their cultural significance to music in general. However, what we do have from the Fall is great and I can say that I love them dearly. For any fans of the fall, what is your opinion on the significance of the Fall to popular music? What do you find to be your favorite aspect of the Fall's music?
Over 42 years ago the "Magnetic Drill Gang" robbed the Murwillumbah (Australia) Bank of NSW getting away with $2 million in cash. No one has ever been charged, no money recovered.
I had a friend who came from this town who told me all about it. It was widely considered to be an "inside job". Interesting that everyone involved has kept their lips sealed for all these years. Forty years ago, a group of men known as the 'magnetic drill gang' broke into the Bank of NSW in the quiet town of Murwillumbah in the wee hours and stole almost $2 million. To this day, no-one knows what happened to the cash — worth around $8.5 million in today's money. The bank is now Westpac. A country bank in Murwillumbah The bank is now the Westpac bank in Murwillumbah.(ABC North Coast: Donna Harper) The money — $1.7 million — and the gang, whose signature was to use an electromagnetic diamond-tipped drill, were never seen again. The thieves broke through the bank's back door and used clever techniques to crack the safe open and lock it again, once they had stolen all the cash. The following morning, a security guard found the back door ajar, and the vault locked from the inside. A locksmith tried to break the safe open, but failed. Former Tweed mayor, Max Boyd, who was a councillor at the time of the infamous robbery, said a council work crew, who were repairing roads nearby, were called in to help. "The robbers had spiked the vault door so the bank staff couldn't get inside to see how much money had been stolen, so a council work crew were called in and they had to smash a hole through the bank's thick brick wall to get access inside the vault," Mr Boyd said. A bank official finally managed to get into the safe and told police "they got the lot". This slogan was to become famous and was printed on T-shirts and beer glasses that were sold around Australia and the world. Mr Boyd said many in the community thought it was an inside job. "The crooks knew that the Murwillumbah branch of the Bank of New South Wales kept cash supplies from other banks in the area, so someone must have told them this as why would they target a country branch?" he said. He said there were also suggestions that a new police officer in town or one of the security guards could have been involved. A display of T-shirts and a beer glass with the slogan "They Got the Lot" and a cartoon picture of a criminal running away 'They got the lot' became a slogan for T-shirts and beer glasses, after the daring heist.(Supplied: Tweed Regional Museum) Mr Boyd said he and his brother, Jack Boyd, who was the state member for Byron at the time of the robbery, had concerns about gangsters leaving the big cities of Sydney and Melbourne to move into the Tweed Shire to start up criminal syndicates. The Boyd brothers successfully stopped former premier Neville Wran's plans to build a casino in south Tweed Heads in the late 1970s. "Jack was strongly opposed to the casino because he didn't want to see the underworld getting established up in this part of the world and he fought strongly against it during his time in State Parliament and I did too as a Tweed councillor," Mr Boyd said. Mr Boyd said the famous robbery was part of the Tweed's colourful history, and he wondered if the case would ever be solved. Police said the case was still open, and they welcomed any new information. "Even though today marks 40 years since this robbery occurred, the NSW Police remain dedicated to arresting those responsible," NSW Police said in a statement. "Anyone with any information is urged to contact Crime Stoppers on 1800 333 000." https://www.abc.net.au/news/2018-11-23/murwillumbah-remembers-magnetic-drill-gang-bank-robbery/10519858
I'm new to the collecting 4k and blu ray movies. I've noticed that a lot of the movies I want to get in 4k aren't available in Australia. As in retail stores don't stock some movies and I'm forced to go onto ebay or Amazon to buy them for double the price. Is there a particular reason why? Movies such as Arrival, Whiplash, Casino, The Town and many more aren't available on 4k in store. Thanks.
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