First of all, I can't wait to be berated in the comments.
I'm gonna be blunt, I have seen a whole lot of dumb shit over the last week. A lot more than normal. And compounding all of that is an unprecedented amount of legitimate emotional involvement here. So let me get started by saying outright that people getting emotionally involved with trading stocks always lose. Short, long, whatever. It doesn't matter if you're a 19 year old throwing in your life savings or Bill fucking Ackman not being able to admit he was wrong with Herbalife. Letting your emotions be a major factor in trading is a fantastic way to lose money.
And a whole lot of you are really emotionally involved with this GME, AMC, whatever.
To the point: I am not making a buy/sell/hold/whatever recommendation. I have no special insight in to what's happening with GME or whatever else. What I can tell you is that it is for sure not worth $300.
So let's dispel one quick thing: this is not David vs Goliath. It also isn't the little man vs hedge funds or WSB vs big finance. It might have started out that way, but if you only read one thing
read this:
Many of the big retail brokerages, including Robinhood, route a lot of their customer orders to Citadel Securities, so it ends up seeing a large percentage of retail trades in U.S. stocks. It can see if retail traders are mostly buying or mostly selling or mostly pretty balanced. You might expect—I certainly expected—to see that retail traders were buying more than they were selling this week. The stock seemed to be rocketing up on frenzied retail sentiment, and the posters on WallStreetBets were all claiming that they would never sell and keep buying until it hit $1,000.
But here’s what Citadel Securities’ retail flow looked like in GameStop this week: 1
Graphic here
Retail investors were net buyers on Monday but net sellers for the rest of the week (through yesterday), and all in all quite balanced: About 49.8% of retail orders (that Citadel Securities saw) were to buy, and 50.2% were to sell.
What do you make of that? One reading would be: “Retail investors on Reddit might have started the GameStop rally, but they’re not piling into this stock now, and the price action this week is coming from professionals.” Or as one Twitter user put it, “past the retail ignition, the rocket ship was mostly intra-fast money warfare.”
So, just to be clear about this, there is massive institutional money on both sides of this trade, and retail is a toddler sitting at the world series of poker.
Understand that melvin does not need to cover in the way a retail trader needs to cover. You, and everyone else, have no idea what Melvin's position looks like, and they can reorganize and exit a position before you ever knew it happened. You don't know how hedged they are, you don't know what their collateral looks like, and you don't know if they've covered and restructured a short at last week's prices. You simply don't know. You only know what's been presented in the news, which is almost certainly bullshit.
This thing could come to an end as fast as it started and you won't know what happened for weeks. You might go take a shit at 1pm today and come back to GME trading at $16 because Ken Griffin got on CNBC and announced they restructured their short at an average price of $200, and were happy to sit on it. Make no mistake, you'll get kicked in the nuts and have your ball taken away faster than you can comprehend.
Emotions The problem with this whole "strike back at wall street" narrative is that lots of you are getting really worked up over this trade. Losing money sucks, but losing money and feeling like you got shit on by the big guy is going to hurt. This isn't a moral crusade to them, it's 25 billion dollars. So if you're out here putting money and emotions on the line that you can't afford to lose there won't be a happy ending.
Want to fight the good fight against wall street? Write your congressman, Tweet AOC or Ted Cruz, get you a fucking picket sign and go wave it around on the streeet. But dropping money on GME that you need in life ain't gonna change anything except your net worth.
TLDR:
1) know and understand who is playing this game. And that they have access to tools, leverage, and markets that you do not. You're playing Le Chiffre at Casino Royale right now, you might think you're James Bond but there's a good chance that you're just the fat dude in the corner.
2) Short squeezes end fast. As fast as they started. If you're new to trading then understand buying GME at this price can mean all of your money will evaporate before you had time to make a TikTock about it.
3) Get your emotions out of play here. This whole nonsense political narrative is only going to cause you to make trading mistakes. Can't handle that? then maybe it's not a good idea to sit at this table.
Lastly, if you really just can't get yourself out of the whole "fight the hedge funds" nonsense, at least understand that you're spending money that you likely won't get back. If that's worth it to you then have at it. But don't fool yourself in to thinking otherwise.
E: Completely unrelated: I hate reddit awards, reddit doesn't need your money. Go buy like a hundredth of a share of VTI or something.
Note: The particularly important details and music artist names are in
bold text. Licensed music track names are in
italics.
The year is 1973, five years after the events of the Mafia III, and 22 years since Vito Scaletta’s seen or heard from his old friend Joe Barbaro. The canon ending of Mafia III with this Mafia IV story is Vito taking over the city after Lincoln skipped town, however Cassandra and Burke are left alive and loyal to both Vito and Lincoln still. Burke was able to survive his liver cancer by getting a black market liver transplant in Mexico, like he did in his ending, except with Vito running the city. On Vito and Lincoln’s behalf, Burke and Cassandra agree to stay behind in New Bordeaux and keep the city locked down, incase Leo Galante and the Commission try anything.
The beginning cutscene is Vito answering his telephone after getting up in the morning in his new penthouse, on the top floor of the New Bordeaux casino he finished that was once Sal Marcano's, and grabbing a cup of coffee. It's Alma with some urgent news. Lincoln Clay came down to the cigar warehouse to visit her after 5 years of silence, and he has big news.
Joe is alive in Empire Bay and has been this entire time. However, as punishment for his actions, he's become Leo Galante's personal driver against his will and is forbidden from contacting Vito ever again, or else him and Vito will be killed. Alma then tells Vito to meet Lincoln at the airport to learn more, as he's already there awaiting Vito's arrival. When they're away from anyone who could listen in on their conversation, Lincoln tells Vito he has a friend named John Donovan he's going to introduce him to, hiding in the outskirts of Empire Bay, ready to help Vito and Lincoln with their new mission
Vito gets dressed in one of his signature trench coats with a suit and tie, ready to rain down hell on the Vinci crime family and their allies, and finally be reunited with his lifelong friend he previously thought was dead, Joe Barbaro.
Here is my idea for the kill list, all related to the Commission in Empire Bay and their allies.
- Leo Galante - Top target on the list, Vinci family consigliere who's in with the Commission and the man you thought put Joe in the ground for the past 22 years. Bury this wrinkly old cocksucker.
- Johnny Galante - Vinci family capo and younger relative of Leo's mentioned in Cassandra's ending, possibly Leo's cousin even. John Donovan knows that the two are close, and that Johnny's a valuable asset to Leo's organization. Kill him both to hurt Leo's earn and influence, and to hit him straight in the heart by taking away his family and everyone he loves
- Michele Galante Jr. - Another Vinci family capo, and Leo Galante’s youngest brother. Killing Leo’s little brother will both take away one of his most reliable allies, and leave him stricken with grief and enraged, and more prone to making mistakes.
- Nunzio Galante - Leo’s seasoned older brother by 3 years, and yet another Vinci family capo. He knows enough about smuggling that he worked out an ingenious plan for smuggling military grade weapons into the city. He pays off corrupt officials at Empire Bay International Airport, to allow guns to be loaded inside the walls and floors of planes, unknown to everyone onboard save for the palms the Galantes and Frank Vinci have greased to cooperate and keep quiet. The time has come to put this crafty old bastard in the ground.
- Don Frank Vinci - Frank Vinci is the boss of the Vinci crime family, the family Leo's been a consigliere of for decades, and a lifelong friend of his. Kill Frank, and Leo loses more ground than he could ever imagine, and will be forced to deal with both the loss of his boss, and the loss of his lifelong childhood friend.
- Don Ennio Salieri - Longtime close friend of both Frank Vinci and Leo Galante, Don of the Salieri crime family, and a third party Frank and Leo call in to crush Vito's uprising, when it becomes too big of an issue for Vinci alone to handle. Salieri was eventually able to grease enough palms while behind bars to have his life sentence overturned, and he got released from prison on good behavior in 1953, after he served 15 years of his sentence. He’s since relocated to his main operations to Empire Bay, having already had connections and men present there while he was in prison, backed by the Commission and the Vinci crime family. He's seasoned, but he’s nothing Mr. Scaletta can't handle. Give this tired old fuck the gangland ending he's had coming.
- Isaac - Isaac is the personal assistant to an influential loan shark named Bruno Levine, who handles the money of the Commission, including the Vinci crime family and the Salieri crime family. He does anything from serve his boss coffee, to count incoming and outgoing money for Bruno. Because of his duties, he's aware of Bruno's location at all times. You’ll need to get to Isaac to get information on his boss out of him, and dispose of him afterwards if you want to get to Bruno.
- Bruno Levine - Bruno is a Jewish-American loan shark who kicks up all of his earn to both Frank Vinci and Ennio Salieri, and the Commission in Empire Bay. Killing him kills a lot of earn for the Commission, and they loses a valuable asset. In addition to getting rid of him being practical, to add insult to injury, he gave your father that loan. It's about time to put this asshole out of business.
- Mr. Chu & Mr. Chu Jr. - This old man has been leading the Empire Bay Triads with an iron fist since before you were even born. The bastard has a son too, who eventually went on to become his underboss. The Empire Bay Triads became a close ally of the Vinci crime family, the Salieri crime family, and the Commission shortly after Vito killed Don Carlo Falcone in 1951, forming a lucrative partnership with the Commission. Mr. Chu and his eldest son are valuable assets for Leo Galante who give him extra reach. Melt their iron fists and show these two pricks just who they fucked with.
- Eddie Scarpa - This cocksucker used to be Carlo Falcone's underboss for as long as you could remember. After you whacked Falcone in the fall of 1951, he decided to throw in with Vinci to save his own skin. He took over the smuggling and dock union extortion that fat fuck Derek Pappalardo used to run. You know all too well how to deal with this sorry fuckin' rat.
I'm thinking Vito and Joe work with Lincoln Clay and John Donovan to split up Empire Bay and distribute territory to three other factions not unlike what Lincoln did with New Bordeaux. This time though, this is a much larger city in a much, much different part of the United States. The empire building mechanics would be a lot smoother, more robust, and streamlined compared to Mafia III. They would work similarly a more modernized version of how the hit city sandbox game
Scarface: The World Is Yours handled it's empire building and management mechanics, minus the whole switching to other characters lower on the ladder to do your bidding. This would be ideal for a story rich organized crime game in my opinion. Here are my ideas for those factions, all close allies of the up and coming Scaletta crime family.
The Cuban mob led by Alma Diaz. Vito goes way back with Alma, and she does not hesitate to answer him and Lincoln's calls to save Joe's life and royally fuck both Leo Galante and the Vinci family.
Conti crime family, led by Enzo Conti. This Conti crime family formed sometime in late 1968, months after Lincoln helped Enzo flee New Bordeaux and drop off of Sal Marcano's radar. It turns out he fled north to Empire Bay and finally formed his own family, having more than enough years of experience in the underworld to handle the job. Lincoln's tight with him and manages to recruit him to Vito and Joe's cause.
The Yakuza, based out of Empire Bay's Japantown. Longtime sworn enemies of the Empire Bay Triads, with bad blood going back decades. They would greatly enjoy seeing Mr. Chu and his son's heads mounted on pikes, along with whacking everyone who's ever supported their organization. You don't know them well, and they're known to be very unpredictable and ruthless. Use these traits to your advantage when taking on the Commission of Empire Bay and their friends.
I should mention as expected, this entire 1973 section where you play as Vito is much shorter than Mafia III. Vito's takeover is shown much more quickly over time than Lincoln's, and there's time skips during it, to keep it short and sweet, and to show onscreen only what's important. There is also no option for your underbosses to betray you, as to reduce confusion and keep the story consistently the same each playthrough, like the first two Mafia games. However, unlike Mafia III, after all of these tasks are completed and every single assassination target on Vito’s kill list is dealt with, the game does not end. In fact, it's not even anywhere near close to being over yet. Vito's 1973 section was merely the beginning act. It was really a lead up to an entirely new Mafia story, centering around a newcomer to the American mob. Fast forward two years following Vito’s rampage that led to him taking over Empire Bay and the Commission, in the year 1975 him and Joe now rule Empire Bay, with Vito as the Don of the Scaletta Crime Family, and Joe working as his loyal underboss. You play the rest of the game as a young up and coming soldato named Louis in his 20’s, who’s a rising star in Vito’s organization. Do right by Mr. Scaletta and Mr. Barbaro, understand kid?
My basic idea for the character and his backstory is that he's a young Italian-Canadian mobster from Toronto, Ontario, or whatever Mafia's equivalent of it could be called. Let's call him
Louis DeSimone. His family hails from Tuscany in Italy and moved to Toronto, Ontario in 1939, shortly after World War II broke out in Europe. Louis DeSimone was born in July 1952 in Toronto, and was raised in Toronto's Little Italy. Being northern Italian and hailing from Tuscany, Louis has blond hair and green eyes, making him visually very distinct from past series protagonists, who were all dark haired brunets with brown eyes. Louis fled south to Empire Bay when the feds started cracking down on his old family and put his boss in prison, and he ended up finding a new home with the Scaletta crime family. The first few missions playing as Louis DeSimone involve shooting your away out of an arrest by a Toronto Police Service SWAT team in Toronto in December 1974, seeing the rest of the members of your old crime family either get arrested or shot in front of you as you make your escape. You spend the next two missions fleeing Ontario through Quebec and upstate New York, before finally arriving in Empire Bay in early 1975, late January to be exact. Winter is in full force with snow everywhere, Louis' arrival to Empire Bay for the first time in his life mirroring Vito's return to Empire Bay in 1945 30 years earlier, except under far different much more dire circumstances. Louis' older brother and his father, both capos in his old crime family in Toronto, are shown to be arrested by the TPS SWAT team in his first mission, the same one that attempted to gun him down when he resisted arrested. Louis knows someone had to have ratted out his old crime family, and he wants to find out who someday. The thing is though, he doesn't just want to kill them. He wants to get out of them why they did it before he kills them. More than anything else, he just wants to find out why his crime family was betrayed and served up to the feds on a silver platter, having most of his biological family sent to prison in the process. He’s out to uncover the mystery of why his family fell apart, and he’s more than willing to help people like Don Vito Scaletta and his underboss Joe Barbaro to eventually get the answers he seeks. In the end, he’s not even after revenge primarily, more than that, he wants answers and information regarding the fare of his old crime family, and wants to know why his family fell apart. I came up with the idea for this character because I figured that playing as a fugitive from the law made sense for the mob life, and I'm surprised we haven't had a fugitive protagonist in the Mafia series yet.
In the 1975 chapters while playing as Louis, the Watergate scandal, President Richard Nixon’s resignation, and the official end to the Vietnam War are all discussed on the in-game radio during news segments. In the last 1979 chapter, the beginning of the Soviet-Afghan War is also the subject of a news segment on the radio.
The story eventually transitions into the 1980's as years pass, with the scenery, cars, and music changing accordingly, and historical events of the time discussed in the game. In the 1989 section of the game, the murder of the infamous former Sinclair Parish Sheriff Walter “Slim” Beaumont is mentioned on the in-game radio, as just over 21 years ago Slim and his corruption ring were the top headline of national news. the time the game ends, it's 1992, and significant historical events from the past few years at the time that are covered on the radio in-game include anything from the fall of the Berlin Wall, the Gulf War, the collapse of the Soviet Union, to the 1992 L.A. riots. The rise of the internet and home computers are briefly touched upon during news segments on the in-game radio during the early 1990's section of the story, but not greatly delved into given their relative infancy in that time period.
During this entire 1975-1992 stretch of the story, Vito is no longer playable, and Don Scaletta takes a backseat in the story as a main supporting character, similar to Don Salieri throughout Mafia: Definitive Edition. You now play as the Italian-Canadian Scaletta family soldato Louis DeSimone, who is later promoted to being a capo in 1985. At the end of the game in 1992, Louis is promoted to Consigliere of the Scaletta crime family, and it’s revealed in the epilogue that he became the don of the family in 2006 at the age of 54, and his now released from prison older brother serving as his underboss, and and Enzo Conti’s grandson Giovanni Conti serving as consigliere, taking over from Louis’ previous position which before that belonged to his father and Enzo’s only son, Lorenzo Conti from 1973-1992. It is worth noting that unlike Don Salieri, Don Scaletta has much more integrity, and has more genuine loyalty for his men and his associates. If you've beaten Mafia 1 or Mafia: Definitive Edition, you'll know this is something Salieri lacked in the end. Over time, Louis also goes from having a strictly business relationship with Vito and Joe, to bonding with them and becoming a genuinely close friend and trusted member of the family, seeing Vito as something of a second father, and coming to see Joe as the fun uncle he never had. Another major character development theme is Louis DeSimone adapting and assimilating into Italian-American culture in his new home in the Northeastern US, it seeming like something new mixed with the familiar Italian-Canadian culture he was raised in back in Ontario just north of the border.
The game will include a number of hit music from the 70’s that played on the radio back then, such as
Bobby Womack’s
Across 110th Street and
Tony Christie’s
(Is This the Way to) Amarillo,
The Grateful Dead's
Casey Jones and at least a few songs by the then new American rock band
Cheap Trick, as well as popular songs from the 1960’s people still listened to at the time, such as
Sam the Sham and the Pharaohs’
Wooly Bully,
King Crimson’s
21st Century Schizoid Man, Zager and Evans'
In the Year 2525,
The Zombies'
Time of the Season, and
Nancy Sinatra’s
These Boots Are Made for Walkin'. When you progress through the game, especially after you switch to playing as Louis DeAngelo for the rest of the story, years change, and the music changes. Different songs start playing on the radio, such as
Sylvester's
You Make Me Feel (Mighty Real), Randy Crawford's
Street Life, and
The Village People's
Y.M.C.A.,
Cheryl Lynn's
Got to Be Real,
Gloria Gaynor's
I Will Survive, and the
Bee Gees'
Stayin' Alive start playing in the 1979 portion of the game. After you've completed the 1975 section of the game,
Foghat's
Slow Ride starts playing on the radio. Starting in the 1977 section of the game,
Cheap Trick's
I Want You to Want Me and
Heart's
Barracuda start playing on the radio. In the 1980's portion of the game,
Thomas Dolby's songs
Hyperactive! and
She Blinded Me with Science, in addition to
Night Ranger's
Sister Christian also start playing on the radio. If Hangar 13 can afford the licenses, I also think a few
Michael Jackson and
Madonna songs should definitely be on the radio during the 1980's portion of the story, given the immense popularity and regular radio airtime those two had in that decade. If this ended up being possible, I imagine that
Michael Jackson's
Smooth Criminal,
Beat It,
Bad, and
Billie Jean being on the radio in the 80's sections would be a must, Smooth Criminal especially because of how well it suits the series.
Madonna's
Lucky Star,
Burning Up,
Like a Virgin, and
Borderline would also be perfect for the 80's portion of the game to me. Also mentioned by NPCs and civilians in the game are topical events of the time period, such as the release of the groundbreaking 1973 horror film
The Exorcist at the end of Vito's playable portion of the game.
Other music of the 1980's segment when playing as Louis DeAngelo for the remainder of the game includes hits of the era such as
Joe Jackson's
Steppin' Out,
The Buggles'
Video Killed The Radio Star,
Corey Hart's
Sunglasses at Night, Laura Branigan's
Self Control and
Gloria,
The Weather Girls'
It's Raining Men,
A-ha’s
Take On Me,
Men at Work's
Down Under,
Kim Wilde's
Kids in America,
The Gap Band's
You Dropped a Bomb on Me,
Culture Club’s
Karma Chameleon,
Michael Sembello’s
Maniac,
Twisted Sister's
I Wanna Rock and
We're Not Gonna Take It,
Bon Jovi's
Wanted Dead or Alive and
Bad Medicine,
Soft Cell’s
Tainted Love,
Robert Palmer’s
Simply Irresistible,
Rick Astley’s
Together Forever,
Whenever You Need Somebody, and
Never Gonna Give You Up,
Cutting Crew’s
[I Just] Died In Your Arms,
Loverboy's
Working for the Weekend,
Dead or Alive's
You Spin Me Round (Like a Record) and
That's the Way (I Like It),
Tiffany’s
I Think We’re Alone Now,
Daryl Hall & John Oates'
Maneater,
Aneka's
Japanese Boy,
Mötley Crüe's
Dr. Feelgood,
Girls, Girls, Girls and
Kickstart My Heart,
Billy Joel's
We Didn't Start the Fire,
Huey Lewis And The News'
Hip To Be Square,
Bill Medley's
(I've Had) The Time of My Life,
The Police's
Every Breath You Take,
Whodini's
Magic's Wand,
Guns ‘N Roses’
Welcome to the Jungle and
Paradise City,
Tears For Fears'
Everybody Wants To Rule The World,
Rockwell's
Somebody's Watching Me,
Regina's
Baby Love,
Nena's
99 Red Balloons,
Earth, Wind, and Fire's
Let's Groove and
September,
Billy Idol's
Eyes Without a Face and
White Wedding,
Rick James’
Give It To Me Baby,
Olivia Newton-John’s
Physical,
The S.O.S. Band’s
Take Your Time (Do It Right),
Kenny Loggins’
Highway to the Danger Zone,
Wham!’s
Everything She Wants,
George Michael's
Careless Whisper,
Toto's
Hold the Line and
Africa,
Blondie's
Heart of Glass and
Atomic, and
Mai Tai's
History.
**Note that not every single year and moment of the 17 year 1975-1992 section playing as Louis DeAngelo is playable or chronicled. My idea is it would be handled similarly to how the time skips in Mafia 1/Mafia: Definitive Edition were handled. Time skips of two or more years, or in this case, even longer such as 4 years sometimes, the game skipping from 1979 to 1983. This is to keep the game and story length ideal, and not risk it getting boring or repetitive, or going on for too long. Repetition was a big problem in Mafia III even if I still thought it was a superb game, so I think it'd be best to learn from that for the next big entry. The games story will skip ahead and show onscreen only what's significant, similar to the first Mafia game and it's remake, as well as certain aspects of Mafia II. Louis starts his section as a 22 year old fugitive soldato who got picked up by another crew south of the Canadian border, and in the epilogue of the game in 1992, is promoted to the consigliere of the Scaletta crime family at the age of 40, being set to take over the family once Vito and Joe become too old to run the day to day on a regular basis. Louis DeSimone is promoted to don of the Scaletta crime family following Vito and Joe being officially retired as of 2006. They’re both still involved and paid huge amounts of money by Louis out of respect, but keep a much lower profile by then since they have handpicked successors and aren’t worried about where the business is going.
The years chronicled in the main gameplay segments are as follows: 1973 1975 1977 1979 1983 1985 1987 1988 1989 1990 1991 1992 Much more of the rural areas and countryside outside of Empire Bay are included than what was available in Mafia II. The way rural environments are handled for this hypothetical Mafia IV is akin to how Mafia: Definitive Edition and Mafia III handled their rural environments outside the main cities, except much larger in scale, given the increased power of the current new consoles such as the PS5 and Xbox Series X. This region is based off of upstate New York and the surrounding areas across multiple states in the Northeastern US, and includes forests, fields, mountains, rivers, lakes, beaches, and small towns. Also included are other cities and towns, based off of other large cities in New York like Syracuse, Buffalo, and Rochester, where other story missions, business activities, and side missions take place, along with smaller notable places like Ithaca, Binghamton, and Utica. The entire states of New Jersey, Massachusetts, Rhode Island, Vermont, New Hampshire, Maine, Delaware, Maryland, and Ohio are also included, including places based off of all of their major cities and most of their notable towns in between. Large portions of Pennsylvania are included as well, including Philadelphia, Pittsburgh, and Scranton. All of the province of Nova Scotia including the city of Halifax, and Large portions of the eastern half of the Canadian province of Ontario are included as well, including cities based off of Toronto, Ottawa, and Niagara Falls. There's even a small portion of Quebec included, including Montreal and the surrounding countryside of the province outside that city, including a few small towns in southern Quebec. The player must pass a quick border patrol check when crossing the US-Canada border in a car or other ground vehicle.
Wildlife is present in the game, mostly to add to the background, scenery, and immersion in rural environments on the map. These are all animals native to the Northeastern US, ranging from white tailed deer, coyotes, bobcats, Canada lynxes, rabbits, hares, groundhogs, gophers, beavers, raccoons, opossums, bats, chipmunks, red and gray squirrels, mice, and rats to more formidable and potentially dangerous animals that may sometimes attack the player, such as grey wolves, black bears, mountain lions, and moose. These last four animals are known to spawn in the mountainous regions, especially in New York, Ohio, Vermont, Massachusetts, and Ontario, including the rural regions based off of the Catskills and the Adirondack mountains. Dogs are present in the cities, towns, and settlements where humans live and keep them as pets, being walked and sometimes found in people's yards. Some are used as guard dogs by enemies and are aggressive towards the player on sight. Domestic cats are also present in the background of residential areas, and both Louis and Vito own them as pets throughout the game in their safe houses, as well as other onscreen characters we see the homes of throughout the game.
Aircraft make their first usable appearance in the Mafia series too, from airplanes to helicopters.
Vito cannot use planes or helicopters in his playable 1973 portion of the game, as he does not know how to pilot, being a paratrooper in World War II who never actually flew any of the planes himself. Aircraft are unlocked to use when Louis DeSimone gets his pilot’s certificate offscreen in 1977, and at the end of a chapter set that year, Louis has to fly Vito in a helicopter to a penthouse in Downtown Empire Bay acting as a family safe house, equipped with a helipad. Louis frequently serves as a personal driver and pilot for both Vito and Joe afterwards, having done a lot in his time serving the family to earn their trust and respect.
Melee weapons also make a return from Mafia: Definitive Edition, with even more variety this time. In their respective sections of the game, Vito and Louis may use anything from baseball bats, pipes, shovels, brass knuckles, golf clubs, police batons, switchblades, kitchen knives, bowie knives, ice picks, 2x4s, claw hammers, crowbars, tire irons, chain links, machetes, meat cleavers, pickaxes, hatchets, sledgehammers, to fire axes. This amount of melee weapons is so no matter what environment the player finds themselves in during a mission or any other game activity, there is usually a weapon of some sort nearby. If the player has obtained piano wire, you may also strangle an enemy to death with it from behind as a stealth kill, this being a classic assassination method infamous for being used by the Italian Mafia. Rope can also be found and used for similar strangulation stealth kills, appearing in the gameplay environments where piano wire can’t be found. There is a wide variety of new guns and explosives to use in this concept for Mafia IV, going with the new weapons of the time the game takes place that criminals quickly got their hands on. This includes the SPAS-12 combat shotgun, the Beretta 92 pistol, the AK-74 assault rifle, the mini uzi, the MAC-10 submachine gun, both suppressed and unsuppressed variants, the Beretta 92 pistol, the Taurus raging bull revolver, Glock handguns, the TEC-9 machine pistol, illegally modified to be full auto, the Ruger Mini-14 full auto variant, and even Vietnam war era flamethrowers, which I think is only natural given that as of Mafia III, we already have RPGs and grenade launchers. Late in the game from the 1989 section and onwards, the Benelli M3 combat shotgun becomes available. The Milkor MGL grenade launcher becomes available beginning in the 1983 portion of the game. Attached grenade launchers are also available for the AK-47, AK-74, and M16 assault rifles. More advanced rocket launchers of the 1970’s and 1980’s are naturally included as well.
Free ride makes a return in Mafia IV, with the player having the options to change the weather, time period, and an option to play as Louis, Vito, Joe, Lincoln, or John Donovan. Naturally, a multitude of new free ride missions are available as well.
I previously posted a much earlier and less detailed draft of this on the old
Mafia3 subreddit 3 years ago back in 2017 as an idea for a hypothetical Mafia 3 expansion where you play as Vito, but have since updated and revamped it to a possible Mafia IV plot, and fixed any plot holes I noticed and made it much more fleshed out and in depth, and focus on more than just Vito in the end. You may view my original here if you so desire, to compare.
https://www.reddit.com/Mafia3/comments/6sldhp/spoiler_mafia_iii_vito_dlc_basic_plot_idea/ Feel free to give me constructive criticism on this, as I encourage this discourse and believe it is integral to growing and improving, to build upon or improve these ideas I've come up with, or say whether or not you think something like this should happen in the future. Thank you for reading!
submitted by So in April, I decided to watch every Bond film from "From Russia with Love" to "Spectre". I had already seen Dr. No for a english assignment last year and while I enjoyed the film didn't feel the need to rewatch it. So here are my thoughts:
Dr. No - A great start to the Bond franchise that is introduces a lot of the classic elements, including "Bond, James Bond", Girls and cold kills. The film is quite quaint by modern standards but is still fun to watch. I will say the second half of the opening is just plain odd though, why after the James Bidn theme am I hearing bongos?. I will say that I wish we saw more of Dr. No than we do in the actual film, as, but otherwise Jospeh Wiseman gives a great performance. Overall 7.5/10
From Russia with Love - Okay this one just got better as it went along. While the pre-title sequence isn't bad we don't actually get to bond for a bit of the film and it does drag a bit. I also love that in the second movie we're already trying to play with the fact that Bond loves to sleep with women. I also find it funny that Robert Shaw looks awfully similar to Daniel Craig. Even with that though Red Grant still delievrs a codl performance that leads to one of the best fight scenes in cinema Overall 8.5/10
Goldfinger - I love this one so much. From a great villain to the DB5 to the iconic imagery and the brilliant henchman in Oddjob. This film gets nearly everything right and I have very few problems with the film as a whole. My only qualm is the barn scene where it appears that Bond may have raped Pussy galore, but that really didn't hinder my enjoyment very much as all. Where my love for the films was truly cemented for the film was for this quote "Did you expect to me to Live?" "No Mr. Bond, I expect you to die".Also my favourite character is introduced in this film: Q. The way Desmond Lleweyn plays this character is perfect and I really did not want anyone to replace him. Goldfinger is almsot flawless 9/10
Thunderball - This is where the franchise really went downhill for me. What really annoys me about this film is the first half hour is a complete waste of time that we didn't need. We could have easily started just at scene where Bond is meeting with leaders of the world and M and it still wouldn't affect your understanding of the film. Even after that, so much of the film just feels like wasted potential. The only good part of the film are probably about half the girls, Sean Connery and the one Q scene. The Underwater scenes are just boring and I didn't care. Altough this film does have on e the best title sequences. This will seem harsh to some but honestly this film gets a 4/10
Casino Royale(1967) - Yes I made sure to watch "every" James Bond film (although that wasn't really worth it in the end). What the fuck happened in this film. Honeslty this film is just random scenes together stuck together with a plotline. I remeber David Niven playing some game with Ursula Andress( If I remember correctly). I remember Bond's daughter stuck in a mze like berlin in the cold war. I remember peter sellers going up against Le Chiffre. But the films comes together like a Sandwhich made of Jello and Glue. It's awful. But it's also hilarious to think about. Honestly the story behind the film is more interesting than the actual film. Oh and how lazy is that ending, my God. 3.5/10
You Only live Twice - Alright I knew going in to this some of the films would be dated but I thought that was going to eb about the attitudes towards Women. I did not expect Sean Connery to be badly put in makeup to make him "look Asian". Also the final "Blofeld" reveal is somewhat disappointing, not necessarily bad just somewhat disappointing considering how he was bulit up in From Russia with Love and Thunderball. Although I honeslty didn't have a problem with Connery's performance that much. While it's not great, it wasn't enough to have an impact on my feelings towards the films. Overall not bad. 7/10
On Her Majesty's Secret Service - Alright this one is hard for me. I didn't enjoy the film very much but it's clearly great. Why is it great? Well it gave me Captain America: Civil War which is a film I sometimes don't enjoy but know it is a great film regardless. I was probably just in the wrong mood for this film. As for Lazenby, he's not bad but I think he might have just needed a bit more direction on what to do. Although while it's a gutpunch I love the ending. I'll just give it a 7 now, but I might come back to this one.
Diamonds are Forever - This one is quite weird. From Blofeld to drag to having scenes set in Vegas to Connery weirdly looking too old depsite only being in his 40s. But it can also be a sort of fun weird as well. But then it's not great either. Also I blame this film for the stupid moon landing conspiracy theories. 6.5/10
Live and Let Die - This is a decent start to the Roger Moore Era. Moore feels like Bond but not like Connery which I think was a slight problem with Lazneby trying to be a little too much like Connery. Dr. Kananga is a good villian and Jane Seymour as Solitaire is one the best bond girls. Also Sherriff J.W Pepper is silly but helps us understand how the Roger Moore Era will feel. Overall 7.5/10
The Man with the Golden Gun - "THAT FUCKING SLIDE WHISTLE". Seriously though the slidew whistle over the car flip represents the whole film. Good Idea that were unfortunately done wrong due to horrid execution. However, this makes the film one of the best to enjoy ironically. Scaramnage and Nick Nack are probably the only things done well in the film. Just for ironic enjoyment I'm willing to give this film a 6/10
The Spy Who Loved Me - For the longest time this was my favourite Bond Film. It had my favourite Bond girl in Anya, One the best henchmen in Jaws, Moore at the top of his game, and one the best ending scenes battles in all of Bond. My only problem comes from Stromberg, who's just a bit one note. Overall 9.5/10
Moonraker - I had bad experience watching this one. I was expecting all of it to be set in Space but only the 3rd act actually is. This meant that during the first 2 acts I was just waiting for them to go to space and when they did, I wanted them back on Earth. I really didn't like the space scenes because the blasters reminded me too much of Star Wars. The film itself is probably the most over the top it's ever been and hell, looking back I realise while it was incredibly stupid it was fun seeing a double taking pigeon and the other nonsensical happenings in this film. Honeslty I'll give this a 6.5.
For Your Eyes Only - What happened in this one? This isn't like Casino Royale '67 where it's incredibly confusing but it's more just boring. I really don't remember much at all. I don't remember many of the stunts or any of the bond girls really. Hell, I have no idea who the villain actually was. The only thing I remember is the brilliant opening sequence. 4/10
Octopussy - This one's similar to FYEO for me only stupider. unfortunately though unlike Moonraker where it jump the shark fairly soon to get you ready for the sillier scenes later on, the clown scene at the end I was completely unprepared for looked and just came off as incredibly dumb. Also Octopussy could've been a great villain but no, it's someone else who I didn't care about. 3/10
Never Say Never Again - The first act is weird in that it can't decide if it wants to be classic Bond or a spoof like CR '67. The second act is classic Bond(although they play videogames at some point. What?). I don't remember the 3rd act at all and I got completely lost which really ruined the film for me. 4.5/10
A View To a Kill - This is like TMTWGG for me. The only real good parts are Mayday and Christopher Walken as Zorin. We really should've had Dalton by this point. In fact I think Dalton should've started with For Your Eyes Only. Moore I don't think gives a bad performance but he was clealry too old for the role by this point. As a film it's one of the sillier ones, but at least it wasn't too boring 5/10
The Living Daylights - What a breath of fresh air. It was nice to have a bond film I enjoyed again after some many I didn't like. I love the 3rd act with the both Bond hanging on for his life with the plane and the end fight (although it could give you a seizure if you're epileptic). Timothy Dalton is James Bond. All the other actors were playing a version of James Bond. Dalton is that character personified to a T. The Living Daylights gets a 7/10
Licence to Kill - This was very different. What is easily the darkest bond film (maybe except, Casino Royale '06) is also one of the better bond films. While I enjoyed TLD dalton's bond fits better in this sort of film. I love the plot is literally Bond on a revenge mission rather than just filling out M's orders. Also Q in more than just one scene, is bliss. I Love Q, not only for Desmons Lleweyn, but also because his warmth helps to say "Yes it's dark, but it's still Bond and we can still have fun with it". However the film does almost crumble under all of the different plotlines but unlike NSNA I was still able to get back into the film despite that. Also, It annoyed me that Felix survived the film. It would've been better and more believable if both Felix and his wife had died. LTK gets a 7.5/10
Goldeneye - I don't have a lot to say about this one. Just a great Bond film in it's own right with a great villain and some of the best Bond girls. Although I wasn't big on Brosnan at first though. To me he seemed too generic and didn't really have his own spin to Bond. But he grew on my over time. Besides Goldeneye is still a great film otherwise. 9/10
Tomorrow Never Dies - Again, not a lot to say about this one. Decent Bond flick, that while not as good as Goldeneye is still worth your time and worth checking out at least once. The best part of this film is the villain by far, being a version of Rupert Murdoch(hate that slimy bugger). 7/10
The World is Not Enough - Man I don't have a lot to say about the Brosnan films. I really don't know what to think of this film. The opening scene is great but otherwise I find the film to be another average Bond flick that is a little worse than TND. 6/10
Die Another Day - This one's similar to TMWTGG and AVTAK for me where's it's incrediby stupid but you can have a laugh at it. John Cleese is decent as Q but not as good as desmond lleyweyn. Unlike otehr silly bond films some of the stupid shit can be seen as downright offensive and taking the piss such as the parasailing on waves scene and the end villain literally being Robocop. But the film is somewhat saved by incredibly silly dialogue that is easy to laugh at. Overall 5/10
Casino Royale - First Act is good. The second act is one the best scenes in cinema I have ever seen. I was just invested in that Poker Scene as I was in the Portals scene in Avengers: Endgame if nor more so in the Poker scene. The torture scene is brutal but works perfectly. However once Mr White shows up the films kind of falls apart. This because you could easily assume that Mr White was CIA(Like I did) and just though that was that. While Mathis still had to be dealt with, (whihc QoS messes with for some reason) the film could've just ended with Bond and Vesper. But no we had to have this silly third act which feels like it was only there to kill Vesper. But since the first two acts are still really good and the third act doesn't ruin the movie I'm still willing to look a the film positively. Overall 8/10
Quantum of Solace - I saw this one fairly recently and I still don't remember what happened. I think Greene was the villain and Bond was on the run from MI6 but honeslty that's about it. I will say that in the first half however, Daniel Craig somehow managed to not be Bond and instead come off as top Gear host. The ending really ruins this film however. Well more the gunbarrel itslef. YOU MAKE WAIT THE ENTRIE MOVIE FOR THE GUNBARREL ONLY FOR IT TO THE BE THE WORST GUNBARREL EVER DONE" Ugh. 4.5/10
Skyfall - What a stroke of genius this film was after QoS. One the best Villians in Bond history,Daniel Craig on top of his game, some stunts that are a bit silly but still keep the realims in check and making M the central focus was brilliant . Also while Desmond Lleweyn Will always be my favourite, Ben Whishaw is a great Q. I know this film has some silly plot holes the film is so damn good you just learn to not care about them. I could gush on and on about this film, but this has gone long enough as it has. 10/10 Best Bond film
Spectre - So I'm listening to Bon Jovi's "You give Love a bad Name" and it has the lyric "You Promised me Heaven and gave me Hell". That sums up my feeling towards the films perfectly so I'll just leave at that. 3/10
TLDR Ranking
1.Skyfall
- The Spy Who Loved Me
- Goldfinger
- Goldeneye
- From Russia With Love
- Casino Royale
- Live and let die
- Dr. No
- Licence to Kill
- The Living Daylights
- You Only Live twice
- On Her Majesty's Secret Service
- Tomorrow Never Dies
- Moonraker
- Diamonds are Forever
- The World is Not Enough
- The man with the Golden Gun
- Die Another Day
- A View to A Kill
- Quantum of Solace
- Never say Never Again
- For Your Eyes Only
- Thunderball
- Casino Royale(1967)
- Octopussy
- Spectre
So I've recently started watching the series again in honor of my late grandfather. We used to watch the series every summer but since moving out of my childhood home and his passing approx 4 years ago I haven't really had a desire to watch the series. Given the upcoming NTTD as well as the state of the world nowadays I decided I wanted to do something to uplift my spirits and I figured watching through the Bond films again would be just the thing!
Currently I'm up to Dalton but I wanted to propose a question for members of this sub. Who do you feel are the best and the worst main villains of each Bond? For ease I include Lazenby with Connery.
Connery/Lazenby: Best - Auric Goldfinger - This was really hard to choose as most of the iconic villains of the franchise were born during this era: Dr. No, Largo, Blofeld (Pleasance or Savalas), heck even the unseen Anthony Dawson Blofeld could be seen as iconic given the mysterious nature of the character up until that point. I think the reason I gravitate towards Goldfinger as the best is the simple matter that he is in total control for about 85% of the film. After Bond's captured he does almost next to nothing for the rest of the film apart from bedding Pussy and killing Oddjob. Goldfinger's confidence just oozes out in almost every scene he's in. He's also intelligent enough to have an escape plan built into what is almost a fool proof plan and pulls it off well. But it also helps that he's not an invincible villain in that Bond's already beaten him at his own cheating game twice in the early part of the film. You could argue none of the other villains in this era got as close to succeeding as he did apart from Pleasance Blofeld (especially since the timer on the bomb was supposed to be stopped at 3 seconds instead of 7).
Worst - Ernst Stavro Blofeld (Gray) - I think it was pretty obvious who was going to come in for worst here. Blofeld...the same man who had threatened to nuke Miami, start WWIII, and sterilize entire species of animals and crops is now fleeing from a building while dressed as a kindly old lady. Even if you subscribe to the theory that DAF takes place before OHMSS and after YOLT it STILL seems like it's a departure of character. Plus....making body doubles of yourself only to keep them around you in the headquarters of your latest plan? What was he thinking?!
Moore: Best - Francisco Scaramanga - This I will admit is a bit of a personal bias as Christopher Lee is my favorite actor of all time. Lee plays the role with such conviction and takes it so seriously in spite of how goofy the script can get at times. To me he essentially commands the entirety of TMWTGG and any time he's not on screen the film just starts to drag. The film makes it clear just how dangerous Scaramanga is but, at the same time, he's basically a dark foil to Bond, a charming and suave man who could be your best friend as well as beat you down if need be. I just really wish he was in a better overall film!
Worst - Kamal Khan - Kamal's biggest sin is that he's just boring to me. He's just smug and doesn't really have a whole lot going for him. At least General Orlov is fun to watch with how over the top he is in his scenes, Kamal's just kinda there. Dr. Kananga was also close to being chosen but I feel that at least he has the goofy persona of Mr. Big as well as the legit chilling scene where he yells at Solitaire. If I counted him John Hollis' Blofeld would actually take this spot but I wanted to start some conversation.
Dalton: Best - Franz Sanchez - Such a great depiction of a Pablo EscobaManuel Noriega drug dictator that even Escobar had to tell Robert Davi that he was impressed with him. Sanchez is another character that I feel you could have a drink or a laugh with, but if you double cross him you'd easily find yourself either dead or disfigured.
Worst - Brad Whitaker - Koskov and Whitaker both have this problem that Necros so heavily overshadows them in their own movie that neither one is THAT memorable of a villain but I feel I have to give Koskov that his transformation from kind of goofy and likable defector to just smug jerk is pretty effective the first time you watch TLD. Whitaker, to me, just seems like he's kinda tacked on to the movie to give Bond someone to fight after Necros since Koskov wasn't going to do any fighting. Joe Don Baker also isn't THAT over the top in the role (aside from a few select moments) to make him stand out like Orlov was.
Brosnan: Best - Elektra King - I almost chose Alec Trevelyan here but I decided to go with Elektra since, while both of their betrayals cut Bond pretty deep, I feel Elektra's cut worse since I seriously think Bond thought he found the next Tracy in her. Without Elektra TWINE also loses a lot of what made the movie so good as Renard on his own is just okay but I don't think people would be near as forgiving of the movie if Elektra was not part of it.
Worst - Gustav Graves - If you had asked me to make this choice many years ago I would have had Elliot Carver here because I used to have such a hatred of Carver that I thought he almost single handedly ruined TND. The more I saw the movie and as I got older I mellowed out over him considerably and, while I still don't like the character all that much, I can at least see what they were trying to do with him. Not so much the case with Graves....Graves suffers from Kamal Khan-itis in that he's such a bore and he doesn't even have the buffer of having another villain in his movie that can be entertaining to watch. Ironically, even though they're meant to be the same person I find Colonel Moon to be WAY more interesting of a character and villain than I do of Graves.
Craig: Best - Raoul Silva - Before Spectre came out, I would have put Mr. White here. That's not to way Spectre ruined his character overall, it just portrayed him in such a sympathetic light and we saw how far the character had fallen that there really was no way that I could put him at the best anymore. Why Silva is here is really simple....he succeeded. Yeah it was a bit of a roundabout way to get there and he ended up dying in the end, but he totally accomplished his goal of killing M. Javier Bardem's monologue about the rats is also a favorite scene of mine in the whole Bond canon.
Worst - Dominic Greene - To me Greene is the worst villain in the whole franchise up to this point. I know the Writer's Strike ruined a lot of QOS but even still we could have been given SOMETHING about this guy. Instead the film is juggling too many plot points and wrapping up baggage from Casino Royale to get us invested in the guy who is supposed to be the main villain. Mr. White and General Medrano are both interesting but neither of them are supposed to be the main villain of the picture. We don't even get the satisfaction of Bond killing Greene onscreen like we do for Kamal and Graves and instead get told that he was killed offscreen by some random Quantum assassin. Greene stabbing his own foot with an axe is probably the most memorable thing about him to me.
submitted by Favorite Answer. In the older movies, Bond was playing baccarrat. In Casino Royale, the players were playing No Limit Texas Holdem. Yes, they showed way too much of the game, if you didn't know the... Baccarat chemin-de-fer is the favourite game of choice for Ian Fleming's secret agent James Bond 007. He plays the game in several of Fleming's books, most notably in the 1953 debut novel (Casino Royale) in which the entire plot revolves around a game between Bond and Le Chiffre, the head of SMERSH. 1 decade ago. In the novel Casino Royale, which incidentally is the first James bond novel, Bond played Baccarat with Le Chiffre.Its similar to Lucky Nine or blackjack. Needless to say, Bond won... Book trivia question: What card game does James Bond play to bankrupt Le Chiffre in Casino Royale? Ian Fleming Answers: Blackjack, Baccarat, Texas Hold-Em M tells Bond that Le Chiffre just set up a high stakes Texas Hold 'Em poker match at the Casino Royale in Montenegro for 10 players, with an entry fee at $10 million each plus a $5 million buy-back should they lose all their money. M arranges to place Bond in the game as a replacement for a syndicate member, since he's the best poker player in MI6. The new Casino Royale gives us a modern update on the classics—here, Bond plays Le Chiffre in an intense game of poker, Texas Hold’em-style. This game is the most popular version of poker played in the U.S., and therefore a fitting switch for this century’s films. And since the game of Baccarat is of major importance in the novel Casino Royale, it is at least one of the most classic Bond casino games. In the 21st James Bond film Casino Royale Baccarat is replaced by no-limit Texas Hold'em poker. The rules of Baccarat. Baccarat is a card game that is dealt from a shoe that holds 6 or 8 decks of cards. Two hands are dealt by the house dealer, the "banker" hand and the "player" hand. What Game Does Bond Play In Casino Royale, 15 or more free spins at vera john casino, 20 free chip codes for tropicana gold casino and monarchs casino 78, 1xbet casino 40 free spins 8 In Casino Royale Bond eventually beats Le Chiffre in the game of poker by catching his bluff. I do not have a good knowledge of the game but I tried to read Le Chiffre's expressions but still had no clue.. In the start of the movie Bond tells Vesper. in poker you never play your hand...you play the man across from you James Bond can be credited with popularising a number of casino games. One of these games is Baccarat Chemin de Fer. He is seen playing this variation of Baccarat in the 2006 film Casino Royale. This version of baccarat is most popular in France then and currently. Read our online baccarat guide for more details about the game.
