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Mafia IV story idea

Note: The particularly important details and music artist names are in bold text. Licensed music track names are in italics.
The year is 1973, five years after the events of the Mafia III, and 22 years since Vito Scaletta’s seen or heard from his old friend Joe Barbaro. The canon ending of Mafia III with this Mafia IV story is Vito taking over the city after Lincoln skipped town, however Cassandra and Burke are left alive and loyal to both Vito and Lincoln still. Burke was able to survive his liver cancer by getting a black market liver transplant in Mexico, like he did in his ending, except with Vito running the city. On Vito and Lincoln’s behalf, Burke and Cassandra agree to stay behind in New Bordeaux and keep the city locked down, incase Leo Galante and the Commission try anything.
The beginning cutscene is Vito answering his telephone after getting up in the morning in his new penthouse, on the top floor of the New Bordeaux casino he finished that was once Sal Marcano's, and grabbing a cup of coffee. It's Alma with some urgent news. Lincoln Clay came down to the cigar warehouse to visit her after 5 years of silence, and he has big news.
Joe is alive in Empire Bay and has been this entire time. However, as punishment for his actions, he's become Leo Galante's personal driver against his will and is forbidden from contacting Vito ever again, or else him and Vito will be killed. Alma then tells Vito to meet Lincoln at the airport to learn more, as he's already there awaiting Vito's arrival. When they're away from anyone who could listen in on their conversation, Lincoln tells Vito he has a friend named John Donovan he's going to introduce him to, hiding in the outskirts of Empire Bay, ready to help Vito and Lincoln with their new mission
Vito gets dressed in one of his signature trench coats with a suit and tie, ready to rain down hell on the Vinci crime family and their allies, and finally be reunited with his lifelong friend he previously thought was dead, Joe Barbaro.
Here is my idea for the kill list, all related to the Commission in Empire Bay and their allies.
I'm thinking Vito and Joe work with Lincoln Clay and John Donovan to split up Empire Bay and distribute territory to three other factions not unlike what Lincoln did with New Bordeaux. This time though, this is a much larger city in a much, much different part of the United States. The empire building mechanics would be a lot smoother, more robust, and streamlined compared to Mafia III. They would work similarly a more modernized version of how the hit city sandbox game Scarface: The World Is Yours handled it's empire building and management mechanics, minus the whole switching to other characters lower on the ladder to do your bidding. This would be ideal for a story rich organized crime game in my opinion. Here are my ideas for those factions, all close allies of the up and coming Scaletta crime family.
The Cuban mob led by Alma Diaz. Vito goes way back with Alma, and she does not hesitate to answer him and Lincoln's calls to save Joe's life and royally fuck both Leo Galante and the Vinci family.
Conti crime family, led by Enzo Conti. This Conti crime family formed sometime in late 1968, months after Lincoln helped Enzo flee New Bordeaux and drop off of Sal Marcano's radar. It turns out he fled north to Empire Bay and finally formed his own family, having more than enough years of experience in the underworld to handle the job. Lincoln's tight with him and manages to recruit him to Vito and Joe's cause.
The Yakuza, based out of Empire Bay's Japantown. Longtime sworn enemies of the Empire Bay Triads, with bad blood going back decades. They would greatly enjoy seeing Mr. Chu and his son's heads mounted on pikes, along with whacking everyone who's ever supported their organization. You don't know them well, and they're known to be very unpredictable and ruthless. Use these traits to your advantage when taking on the Commission of Empire Bay and their friends.
I should mention as expected, this entire 1973 section where you play as Vito is much shorter than Mafia III. Vito's takeover is shown much more quickly over time than Lincoln's, and there's time skips during it, to keep it short and sweet, and to show onscreen only what's important. There is also no option for your underbosses to betray you, as to reduce confusion and keep the story consistently the same each playthrough, like the first two Mafia games.
However, unlike Mafia III, after all of these tasks are completed and every single assassination target on Vito’s kill list is dealt with, the game does not end. In fact, it's not even anywhere near close to being over yet. Vito's 1973 section was merely the beginning act. It was really a lead up to an entirely new Mafia story, centering around a newcomer to the American mob. Fast forward two years following Vito’s rampage that led to him taking over Empire Bay and the Commission, in the year 1975 him and Joe now rule Empire Bay, with Vito as the Don of the Scaletta Crime Family, and Joe working as his loyal underboss. You play the rest of the game as a young up and coming soldato named Louis in his 20’s, who’s a rising star in Vito’s organization. Do right by Mr. Scaletta and Mr. Barbaro, understand kid?
My basic idea for the character and his backstory is that he's a young Italian-Canadian mobster from Toronto, Ontario, or whatever Mafia's equivalent of it could be called. Let's call him Louis DeSimone. His family hails from Tuscany in Italy and moved to Toronto, Ontario in 1939, shortly after World War II broke out in Europe. Louis DeSimone was born in July 1952 in Toronto, and was raised in Toronto's Little Italy. Being northern Italian and hailing from Tuscany, Louis has blond hair and green eyes, making him visually very distinct from past series protagonists, who were all dark haired brunets with brown eyes. Louis fled south to Empire Bay when the feds started cracking down on his old family and put his boss in prison, and he ended up finding a new home with the Scaletta crime family. The first few missions playing as Louis DeSimone involve shooting your away out of an arrest by a Toronto Police Service SWAT team in Toronto in December 1974, seeing the rest of the members of your old crime family either get arrested or shot in front of you as you make your escape. You spend the next two missions fleeing Ontario through Quebec and upstate New York, before finally arriving in Empire Bay in early 1975, late January to be exact. Winter is in full force with snow everywhere, Louis' arrival to Empire Bay for the first time in his life mirroring Vito's return to Empire Bay in 1945 30 years earlier, except under far different much more dire circumstances. Louis' older brother and his father, both capos in his old crime family in Toronto, are shown to be arrested by the TPS SWAT team in his first mission, the same one that attempted to gun him down when he resisted arrested. Louis knows someone had to have ratted out his old crime family, and he wants to find out who someday. The thing is though, he doesn't just want to kill them. He wants to get out of them why they did it before he kills them. More than anything else, he just wants to find out why his crime family was betrayed and served up to the feds on a silver platter, having most of his biological family sent to prison in the process. He’s out to uncover the mystery of why his family fell apart, and he’s more than willing to help people like Don Vito Scaletta and his underboss Joe Barbaro to eventually get the answers he seeks. In the end, he’s not even after revenge primarily, more than that, he wants answers and information regarding the fare of his old crime family, and wants to know why his family fell apart. I came up with the idea for this character because I figured that playing as a fugitive from the law made sense for the mob life, and I'm surprised we haven't had a fugitive protagonist in the Mafia series yet.
In the 1975 chapters while playing as Louis, the Watergate scandal, President Richard Nixon’s resignation, and the official end to the Vietnam War are all discussed on the in-game radio during news segments. In the last 1979 chapter, the beginning of the Soviet-Afghan War is also the subject of a news segment on the radio.
The story eventually transitions into the 1980's as years pass, with the scenery, cars, and music changing accordingly, and historical events of the time discussed in the game. In the 1989 section of the game, the murder of the infamous former Sinclair Parish Sheriff Walter “Slim” Beaumont is mentioned on the in-game radio, as just over 21 years ago Slim and his corruption ring were the top headline of national news. the time the game ends, it's 1992, and significant historical events from the past few years at the time that are covered on the radio in-game include anything from the fall of the Berlin Wall, the Gulf War, the collapse of the Soviet Union, to the 1992 L.A. riots. The rise of the internet and home computers are briefly touched upon during news segments on the in-game radio during the early 1990's section of the story, but not greatly delved into given their relative infancy in that time period. During this entire 1975-1992 stretch of the story, Vito is no longer playable, and Don Scaletta takes a backseat in the story as a main supporting character, similar to Don Salieri throughout Mafia: Definitive Edition. You now play as the Italian-Canadian Scaletta family soldato Louis DeSimone, who is later promoted to being a capo in 1985. At the end of the game in 1992, Louis is promoted to Consigliere of the Scaletta crime family, and it’s revealed in the epilogue that he became the don of the family in 2006 at the age of 54, and his now released from prison older brother serving as his underboss, and and Enzo Conti’s grandson Giovanni Conti serving as consigliere, taking over from Louis’ previous position which before that belonged to his father and Enzo’s only son, Lorenzo Conti from 1973-1992. It is worth noting that unlike Don Salieri, Don Scaletta has much more integrity, and has more genuine loyalty for his men and his associates. If you've beaten Mafia 1 or Mafia: Definitive Edition, you'll know this is something Salieri lacked in the end. Over time, Louis also goes from having a strictly business relationship with Vito and Joe, to bonding with them and becoming a genuinely close friend and trusted member of the family, seeing Vito as something of a second father, and coming to see Joe as the fun uncle he never had. Another major character development theme is Louis DeSimone adapting and assimilating into Italian-American culture in his new home in the Northeastern US, it seeming like something new mixed with the familiar Italian-Canadian culture he was raised in back in Ontario just north of the border.
The game will include a number of hit music from the 70’s that played on the radio back then, such as Bobby Womack’s Across 110th Street and Tony Christie’s (Is This the Way to) Amarillo, The Grateful Dead's Casey Jones and at least a few songs by the then new American rock band Cheap Trick, as well as popular songs from the 1960’s people still listened to at the time, such as Sam the Sham and the Pharaohs’ Wooly Bully, King Crimson’s 21st Century Schizoid Man, Zager and Evans' In the Year 2525, The Zombies' Time of the Season, and Nancy Sinatra’s These Boots Are Made for Walkin'. When you progress through the game, especially after you switch to playing as Louis DeAngelo for the rest of the story, years change, and the music changes. Different songs start playing on the radio, such as Sylvester's You Make Me Feel (Mighty Real), Randy Crawford's Street Life, and The Village People's Y.M.C.A., Cheryl Lynn's Got to Be Real, Gloria Gaynor's I Will Survive, and the Bee Gees' Stayin' Alive start playing in the 1979 portion of the game. After you've completed the 1975 section of the game, Foghat's Slow Ride starts playing on the radio. Starting in the 1977 section of the game, Cheap Trick's I Want You to Want Me and Heart's Barracuda start playing on the radio. In the 1980's portion of the game, Thomas Dolby's songs Hyperactive! and She Blinded Me with Science, in addition to Night Ranger's Sister Christian also start playing on the radio. If Hangar 13 can afford the licenses, I also think a few Michael Jackson and Madonna songs should definitely be on the radio during the 1980's portion of the story, given the immense popularity and regular radio airtime those two had in that decade. If this ended up being possible, I imagine that Michael Jackson's Smooth Criminal, Beat It, Bad, and Billie Jean being on the radio in the 80's sections would be a must, Smooth Criminal especially because of how well it suits the series. Madonna's Lucky Star, Burning Up, Like a Virgin, and Borderline would also be perfect for the 80's portion of the game to me. Also mentioned by NPCs and civilians in the game are topical events of the time period, such as the release of the groundbreaking 1973 horror film The Exorcist at the end of Vito's playable portion of the game.
Other music of the 1980's segment when playing as Louis DeAngelo for the remainder of the game includes hits of the era such as Joe Jackson's Steppin' Out, The Buggles' Video Killed The Radio Star, Corey Hart's Sunglasses at Night, Laura Branigan's Self Control and Gloria, The Weather Girls' It's Raining Men, A-ha’s Take On Me, Men at Work's Down Under, Kim Wilde's Kids in America, The Gap Band's You Dropped a Bomb on Me, Culture Club’s Karma Chameleon, Michael Sembello’s Maniac, Twisted Sister's I Wanna Rock and We're Not Gonna Take It, Bon Jovi's Wanted Dead or Alive and Bad Medicine, Soft Cell’s Tainted Love, Robert Palmer’s Simply Irresistible, Rick Astley’s Together Forever, Whenever You Need Somebody, and Never Gonna Give You Up, Cutting Crew’s [I Just] Died In Your Arms, Loverboy's Working for the Weekend, Dead or Alive's You Spin Me Round (Like a Record) and That's the Way (I Like It), Tiffany’s I Think We’re Alone Now, Daryl Hall & John Oates' Maneater, Aneka's Japanese Boy, Mötley Crüe's Dr. Feelgood, Girls, Girls, Girls and Kickstart My Heart, Billy Joel's We Didn't Start the Fire, Huey Lewis And The News' Hip To Be Square, Bill Medley's (I've Had) The Time of My Life, The Police's Every Breath You Take, Whodini's Magic's Wand, Guns ‘N Roses’ Welcome to the Jungle and Paradise City, Tears For Fears' Everybody Wants To Rule The World, Rockwell's Somebody's Watching Me, Regina's Baby Love, Nena's 99 Red Balloons, Earth, Wind, and Fire's Let's Groove and September, Billy Idol's Eyes Without a Face and White Wedding, Rick James’ Give It To Me Baby, Olivia Newton-John’s Physical, The S.O.S. Band’s Take Your Time (Do It Right), Kenny Loggins’ Highway to the Danger Zone, Wham!’s Everything She Wants, George Michael's Careless Whisper, Toto's Hold the Line and Africa, Blondie's Heart of Glass and Atomic, and Mai Tai's History.
**Note that not every single year and moment of the 17 year 1975-1992 section playing as Louis DeAngelo is playable or chronicled. My idea is it would be handled similarly to how the time skips in Mafia 1/Mafia: Definitive Edition were handled. Time skips of two or more years, or in this case, even longer such as 4 years sometimes, the game skipping from 1979 to 1983. This is to keep the game and story length ideal, and not risk it getting boring or repetitive, or going on for too long. Repetition was a big problem in Mafia III even if I still thought it was a superb game, so I think it'd be best to learn from that for the next big entry. The games story will skip ahead and show onscreen only what's significant, similar to the first Mafia game and it's remake, as well as certain aspects of Mafia II. Louis starts his section as a 22 year old fugitive soldato who got picked up by another crew south of the Canadian border, and in the epilogue of the game in 1992, is promoted to the consigliere of the Scaletta crime family at the age of 40, being set to take over the family once Vito and Joe become too old to run the day to day on a regular basis. Louis DeSimone is promoted to don of the Scaletta crime family following Vito and Joe being officially retired as of 2006. They’re both still involved and paid huge amounts of money by Louis out of respect, but keep a much lower profile by then since they have handpicked successors and aren’t worried about where the business is going.
The years chronicled in the main gameplay segments are as follows:
1973
1975
1977
1979
1983
1985
1987
1988
1989
1990
1991
1992
Much more of the rural areas and countryside outside of Empire Bay are included than what was available in Mafia II. The way rural environments are handled for this hypothetical Mafia IV is akin to how Mafia: Definitive Edition and Mafia III handled their rural environments outside the main cities, except much larger in scale, given the increased power of the current new consoles such as the PS5 and Xbox Series X. This region is based off of upstate New York and the surrounding areas across multiple states in the Northeastern US, and includes forests, fields, mountains, rivers, lakes, beaches, and small towns. Also included are other cities and towns, based off of other large cities in New York like Syracuse, Buffalo, and Rochester, where other story missions, business activities, and side missions take place, along with smaller notable places like Ithaca, Binghamton, and Utica. The entire states of New Jersey, Massachusetts, Rhode Island, Vermont, New Hampshire, Maine, Delaware, Maryland, and Ohio are also included, including places based off of all of their major cities and most of their notable towns in between. Large portions of Pennsylvania are included as well, including Philadelphia, Pittsburgh, and Scranton. All of the province of Nova Scotia including the city of Halifax, and Large portions of the eastern half of the Canadian province of Ontario are included as well, including cities based off of Toronto, Ottawa, and Niagara Falls. There's even a small portion of Quebec included, including Montreal and the surrounding countryside of the province outside that city, including a few small towns in southern Quebec. The player must pass a quick border patrol check when crossing the US-Canada border in a car or other ground vehicle.
Wildlife is present in the game, mostly to add to the background, scenery, and immersion in rural environments on the map. These are all animals native to the Northeastern US, ranging from white tailed deer, coyotes, bobcats, Canada lynxes, rabbits, hares, groundhogs, gophers, beavers, raccoons, opossums, bats, chipmunks, red and gray squirrels, mice, and rats to more formidable and potentially dangerous animals that may sometimes attack the player, such as grey wolves, black bears, mountain lions, and moose. These last four animals are known to spawn in the mountainous regions, especially in New York, Ohio, Vermont, Massachusetts, and Ontario, including the rural regions based off of the Catskills and the Adirondack mountains. Dogs are present in the cities, towns, and settlements where humans live and keep them as pets, being walked and sometimes found in people's yards. Some are used as guard dogs by enemies and are aggressive towards the player on sight. Domestic cats are also present in the background of residential areas, and both Louis and Vito own them as pets throughout the game in their safe houses, as well as other onscreen characters we see the homes of throughout the game.
Aircraft make their first usable appearance in the Mafia series too, from airplanes to helicopters. Vito cannot use planes or helicopters in his playable 1973 portion of the game, as he does not know how to pilot, being a paratrooper in World War II who never actually flew any of the planes himself. Aircraft are unlocked to use when Louis DeSimone gets his pilot’s certificate offscreen in 1977, and at the end of a chapter set that year, Louis has to fly Vito in a helicopter to a penthouse in Downtown Empire Bay acting as a family safe house, equipped with a helipad. Louis frequently serves as a personal driver and pilot for both Vito and Joe afterwards, having done a lot in his time serving the family to earn their trust and respect.
Melee weapons also make a return from Mafia: Definitive Edition, with even more variety this time. In their respective sections of the game, Vito and Louis may use anything from baseball bats, pipes, shovels, brass knuckles, golf clubs, police batons, switchblades, kitchen knives, bowie knives, ice picks, 2x4s, claw hammers, crowbars, tire irons, chain links, machetes, meat cleavers, pickaxes, hatchets, sledgehammers, to fire axes. This amount of melee weapons is so no matter what environment the player finds themselves in during a mission or any other game activity, there is usually a weapon of some sort nearby. If the player has obtained piano wire, you may also strangle an enemy to death with it from behind as a stealth kill, this being a classic assassination method infamous for being used by the Italian Mafia. Rope can also be found and used for similar strangulation stealth kills, appearing in the gameplay environments where piano wire can’t be found. There is a wide variety of new guns and explosives to use in this concept for Mafia IV, going with the new weapons of the time the game takes place that criminals quickly got their hands on. This includes the SPAS-12 combat shotgun, the Beretta 92 pistol, the AK-74 assault rifle, the mini uzi, the MAC-10 submachine gun, both suppressed and unsuppressed variants, the Beretta 92 pistol, the Taurus raging bull revolver, Glock handguns, the TEC-9 machine pistol, illegally modified to be full auto, the Ruger Mini-14 full auto variant, and even Vietnam war era flamethrowers, which I think is only natural given that as of Mafia III, we already have RPGs and grenade launchers. Late in the game from the 1989 section and onwards, the Benelli M3 combat shotgun becomes available. The Milkor MGL grenade launcher becomes available beginning in the 1983 portion of the game. Attached grenade launchers are also available for the AK-47, AK-74, and M16 assault rifles. More advanced rocket launchers of the 1970’s and 1980’s are naturally included as well.
Free ride makes a return in Mafia IV, with the player having the options to change the weather, time period, and an option to play as Louis, Vito, Joe, Lincoln, or John Donovan. Naturally, a multitude of new free ride missions are available as well.
I previously posted a much earlier and less detailed draft of this on the old Mafia3 subreddit 3 years ago back in 2017 as an idea for a hypothetical Mafia 3 expansion where you play as Vito, but have since updated and revamped it to a possible Mafia IV plot, and fixed any plot holes I noticed and made it much more fleshed out and in depth, and focus on more than just Vito in the end. You may view my original here if you so desire, to compare. https://www.reddit.com/Mafia3/comments/6sldhp/spoiler_mafia_iii_vito_dlc_basic_plot_idea/
Feel free to give me constructive criticism on this, as I encourage this discourse and believe it is integral to growing and improving, to build upon or improve these ideas I've come up with, or say whether or not you think something like this should happen in the future. Thank you for reading!
submitted by RichterTheRatman to MafiaTheGame [link] [comments]

Wrestling Observer Rewind ★ Nov. 6, 2000

Going through old issues of the Wrestling Observer Newsletter and posting highlights in my own words. For anyone interested, I highly recommend signing up for the actual site at f4wonline and checking out the full archives.
PREVIOUS YEARS ARCHIVE:
1991 • 1992 • 1993 • 1994 • 1995 • 1996 • 1997 • 1998 • 1999
1-3-2000 1-10-2000 1-17-2000 1-24-2000
1-31-2000 2-7-2000 2-14-2000 2-21-2000
2-28-2000 3-6-2000 3-13-2000 3-20-2000
3-27-2000 4-3-2000 4-10-2000 4-17-2000
4-24-2000 5-1-2000 5-8-2000 5-15-2000
5-22-2000 5-29-2000 6-5-2000 6-12-2000
6-19-2000 6-26-2000 7-3-2000 7-10-2000
7-17-2000 7-24-2000 7-31-2000 8-7-2000
8-14-2000 8-21-2000 8-28-2000 9-4-2000
9-11-2000 9-18-2000 9-25-2000 10-01-2000
10-09-2000 10-15-2000 10-23-2000 10-30-2000
  • Bret Hart officially announced his retirement this week due to concussions he suffered starting back at Starrcade from a Goldberg kick. Doctors actually speculated that Hart may have had a concussion going into the match, but the kick magnified the damage. Following the Goldberg match, Hart continued to wrestle for a couple of weeks and got rocked again several times, particularly in a hardcore match with Terry Funk. Doctors said he's suffered about 10% brain damage, some of which may be permanent. Despite the injury, there was always the possibility that he could have remained an on-screen character in some role. But Hart was fired by WCW last week, which basically left him with no real options, since he has no intention of ever working for WWF again and said he doesn't want to end his career by working his way down the minor league food chain like so many other wrestlers do. Dave says Hart will be remembered for many things, and while his career had no shortage of memorable moments, the name Bret Hart will always be mostly associated with what happened in Montreal 3 years ago and with the death of his brother Owen. The first was the most historically influential match in modern times and Owen's death was the biggest mainstream news story in wrestling history. The last 3 years of Bret's life have been hell, from a disappointing WCW run, injuries, and the utter destruction of the Hart family in the wake of Owen's death. Dave thinks it's sad because if this was Japan or Mexico, the wrestling culture there is different. If a star on the level of Bret Hart retired there, they would have elaborate retirement ceremonies and make a huge deal of it. But here in America, he was double-crossed out of the WWF to avoid giving him a fond farewell, and then he was unceremoniously fired from WCW rather than having a chance to officially retire in the ring or give a speech for his fans. Then again, with the state of WCW, nobody would have believed a Bret Hart retirement speech anyway, since everyone would just suspect an angle. But it sucks that he's having to hang up the boots while unemployed and with no outlet to be given the send-off he deserves.
  • Dave recaps Bret's career, starting as a teenager in the Amarillo territory with Dory Funk, his time in Japan, and then starting in Stampede and working his way up the ladder there (he started as an opening match jobber). Forming the Hart Foundation with Neidhart, their years together in WWF, his singles run, becoming IC and WWF champion when business was down and Vince needed someone who wasn't exploding with steroids to be the face of the company. As WWF champion, business was weak in the U.S. but Hart was a huge draw when WWF toured internationally (which they did a lot more back then because U.S. business was so bad). And then of course, Shawn Michaels, the Screwjob, and off to WCW where he was the hottest star in the business upon arrival. But from there, he was the victim of injuries and horrible booking and Hart in WCW never clicked. Dave goes on and on about the countless times WCW dropped the ball with how they booked Bret. Anyway, Hart has ruled out ever wrestling again, for fear of more brain damage and not wanting to live the rest of his life as a drooling vegetable. He also shot down the idea of ever being a manager because he's unhappy with the direction of the business and says he's leaving the industry entirely, not just the in-ring part. He plans to spend the next year working on a book about his life and doing some acting. Luckily, he should be well off financially. He earned north of 7 figures during his last four years in the business and has a Lloyds of London disability policy that will pay him the equivalent of 6 months salary, which will be another million or so.
  • Bret Hart announced his retirement in his Calgary Sun column and since you can't just easily find this online anymore, here's what Bret wrote:
There will come a time when you believe everything is finished. That'll be the beginning." -- Louis La'Amour.
I'm really sorry to have to say that my professional wrestling career is over--forever. Although I've expected it to end for some time now, I could in no way ever prepare for it.
I suppose it doesn't do much good to speak negatively about how this or that has gone for me. I feel it is more fitting right now to remember the more positive aspects of my long and great career. I have not one regret. I'm proud of all my achievements, especially my seven World Heavyweight Championships.
I will miss the cities, the countries, especially the people--all colours, all religions, all ages, all languages. I've always tried my absolute best in every match, in every city, big or small, in countries all around the world.
I cannot begin to explain how proud I am to have touched so many people with the ability to wrestle. My heart is filled with memories. Like when I was mobbed at the Wailing Wall in Jerusalem by Palestinian children, tears in their eyes, kissing my hands. In Belfast, Ireland, being cheered on by both Catholic and Protestant fans, the emotions that poured out as I walked around the ring high-fiving our victory together. The time I was in Bahrain, Saudi Arabia, where they waved Canadian flags and chanted O Canada! I could go on endlessly, but maybe it's easier to say I was privileged to be the only world champion who really travelled the world.
I hope that my fans who have kept the faith, believing in me, may in some small way take some lesson from me that will help them in their lifetime. I will never forget how touched I was in Rochester, N.Y. in one of my last matches, when a bunch of die-hard fans held up a sign that read: Parking $10, Program $5, Ticket $35, watching Bret Hitman Hart wrestle--priceless."
I'm forever grateful for the doors that opened bringing me to America. Thank you for having me, for giving me so much. I thank all my fans everywhere. I owe you all for everything I am.
As for the wrestlers, it would mean a lot to me to always be remembered as "one of the boys." I've made great friendships that will last my lifetime and look forward to an easier life filled with reminiscing.
To all of you who worked with me, carried me, and trusted me, those who allowed my success to continue while theirs did not, all from a deep sense of tradition and honour. I tried to always work hard to be champion in your eyes first. My greatest accomplishment is knowing that I never seriously harmed one wrestler. It may not seem important, but I want it remembered that in all the years I never, ever refused to lose to another wrestler--except once--and that was that fateful day in Montreal, where it's clear that I stood up for "the boys."
I could begin to list all the great wrestlers I either watched or worked with, but it would take forever. I will simply say that I'd give anything to climb into the ring with so many of you just one more time. To most people, wrestling is stupid, it's fake, it doesn't mean anything. When I think about it, I'm reminded of a quote by George Braque: "Art is a sound turned to light."
I drift back to a time when I was 23 years old, wrestling for my father, in Regina, making $150 a night. It looked like it was going to be a near full crowd on hand to see me take on my arch rival, The Dynamite Kid, in a ladder match. The title and a bag supposedly containing $5,000 dangled from a string above the ring. Whoever could climb the ladder and grab it first would be the winner.
We were both so young when I look back on it now, so intense, when the bell rang, we tore into each other, ferociously, eventually spilling out onto the floor. I went to slam Dynamite's head into a steel chair. He, of course, had his hands up for protection, but I had no idea he would hit it so hard. His head bounced back, I tried to turn, but our heads smashed. I split the back of his head open and shattered my face, one of those rare accidents.
I could tell it was bad. I could poke my finger through a gaping hole in the middle of my nose. The blood poured. We fought on. I remember Dynamite jumping up high, gripping that heavy steel ladder coming down straight down on my head. I didn't move. The crowd gasped. I dreamed a smile--because he never even touched me. He really was the best. Finally, I had him right where I wanted him, but the referee was down. That's when J.R. Foley crept up on the apron and whacked me across the back with his heavy walking stick. Down I went. The crowd was furious--so unfair. Dynamite began to climb to the top, his fingers reaching. Suddenly, I jumped up, throwing a perfect desperation drop kick, just like he asked me. "...just barely touch the ladder with your toes. I'll control how I go over."
Sure enough, the ladder wobbled and tipped, he grimaced, over they both went, with amazing timing. Dynamite leapt off, straddling the top rope, bouncing up and out right on top of J.R. Foley. But the ladder hit the top rope with such force, bouncing all the way back, heading right toward me. I was lucky I saw it. I rolled and rolled as fast as I could. It crashed with a thud, missing my head by only inches. I sat up, checking to see if Dynamite was hurt. He appeared to be all right, but still both of us knew we'd be going for some stitches.
He was riding with me, so he had to duck down when we drove past the fans on the way to the Pasqua Hospital. From there, we drove back home, all night, so that we could wrestle the following night, too tired to say a word to each other.
But if I can stop right there...to somehow try and explain just what it is that I will miss the most about wrestling, I loved it all so much. I stood that big steel ladder up, one step up, climbing higher and higher, the crowd soaring with me, louder and louder, the blood dripping off my nose...reaching...I pulled that belt down and there it was--it happened. The crowd exploded.
We blew the roof off...so loud I could not hear a single sound except the beating of my own heart. If you're lucky enough to find a way of life you live, you also have to find the courage to finally say goodbye.
I'll put my guns in the ground. I can't shoot them any more.
  • The WWF/Owen Hart lawsuit was verbally settled out of court, pending a court approval scheduled later this week. Various sources have pegged the settlement at $18 million. It's believed Stu and Helen Hart will receive somewhere between $2-3 million, with the rest going to Martha Hart and her two young children. Martha told the Calgary Sun that the whole ordeal has been a nightmare and she can't say much more for legal reasons but that she's satisfied with the settlement. It's believed that WWF may file suit against the company that manufactured the rigging equipment, but Vince McMahon would only say that they are exploring their options on that. Martha Hart had previously vowed she would never settle before the case went to court, but those close to her say she was tired of the stress and was particularly upset that the case had torn the Hart family apart. Stu and Helen in particular were eager to settle and get it over with. The first round of settlement talks went poorly, with McMahon reportedly offering $17 million and refusing to budge, while Martha's initial asking price was said to be $32 million. It ended with Martha "cutting a promo" on Vince (oh Dave...) and talks broke off. The case was made more complicated by different Hart members' inability to stop talking to the media against lawyers' advice. At one point, Ellie Neidhart (Nattie's mom), who has sided against her parents and with WWF in the case, took a document from Stu Hart regarding all of the Hart children getting money out of the case and passed it on to WWF's lawyers, which engulfed the Hart lawyers in a storm of controversy and nearly blew up their whole case. The original Feb. 2001 court date was postponed indefinitely following that and with no new court date in sight so it was likely to continue dragging on for months and maybe even years. So ultimately, Martha decided to settle (yeah I think to this day, Martha blames Ellie for almost destroying the case and that's why she was forced to settle). As of press time, Bret Hart hasn't yet commented on the settlement, but he knew it was coming. He was on the Observer Live online show the day before it was finalized and said he understood Martha's position and would support whatever decision she made.
  • The downward spiral of Davey Boy Smith hit a new low this week when he was arrested on 2 separate occasions for allegedly threatening the life of his estranged wife, Diana Hart-Smith. Dave talks about Smith's worsening drug problems in recent years along with all his health issues in between and how he's been in and out of the hospital constantly in the last two years. He also had a motorcycle accident a few weeks ago, multiple rehab stints, etc. Anyway, Smith was arrested on Oct. 25th and again on Oct. 26th. The first time, it was on 2 counts of threatening to kill his wife and her sister Ellie (again...Nattie's mom). After being released the next day, he allegedly threatened his wife again and was arrested again. She thought he was still in custody and went back to the house and was surprised to find him there and that led to the second arrest. Police have been to their house several times in the last few months for domestic disputes. There was also an incident a while back with Smith getting into a fight with Diana's new boyfriend, a Stampede wrestler who wrestles under the name Dick Butkus Jr. during which 85-year-old Stu Hart had to get involved and help break it up. Anyway, Smith spent this past weekend behind bars in Calgary, spending his time signing autographs for other inmates, but was released on the 30th on bail. But he faces 5 charges related to all his threats. Part of the conditions for his release were paying a $10,000 fine and he's not allowed to have any contact with Diana, Ellie, Bruce Hart, or Diana's new boyfriend. (Dave later mentions that Davey Boy is shacking up with Bruce's estranged wife Andrea now. Man, this fuckin' family, I tell ya...) He's also not allowed to drink or take any non-prescribed drugs and is ordered to stay away from where his wife is staying, along with staying away from Bruce Hart's home and Stu Hart's home. He was also ordered to enter rehab, even though he denied in court that he still has a drug problem.
  • Davey Boy is still under WWF contract, though he hasn't wrestled a match in months. But the WWF has suspended him pending the company's own investigation of the charges. In the past, he blamed his drug issues and back problems from taking a bump on Ultimate Warrior's trap door in the ring when he was in WCW. Dave recaps the series of events that led to him getting rehired by WWF and talks about how they hired Jim Neidhart back as well and it was no secret that Smith, Diana, and Neidhart's wife Ellie were all planning to testify against the family in the Owen Hart case if it had gone to trial. So it wasn't exactly a coincidence that both Smith and Neidhart got jobs that neither of them really had any business getting (Neidhart was hired as a trainer, which everyone knew he wasn't qualified for and Smith was brought back as a wrestler despite a crippling back injury and more crippling drug problem). Neidhart was quietly released a few weeks ago and with the Owen Hart lawsuit finally settled, it probably doesn't look good for Smith (indeed, he never stepped foot in the WWF again).
  • WCW Halloween Havoc is in the books and was possibly the worst wrestling PPV of the year. At this point, you'd think everyone in WCW would be putting their best foot forward to impress potential buyers, especially if that buyer ends up being the WWF and Vince becomes their new boss. But it was almost all bad matches and abysmal booking. The only bright side is that it was in Vegas and a lot of the tickets were sold to casinos for giveaways, so the show ended up being one of the biggest live gates WCW has had in awhile, even if the crowd wasn't exactly all wrestling fans. Russo is now out of the picture (claiming post-concussion syndrome and stress), but the show was booked by guys like Ed Ferrara and Bill Banks, who are basically mini-Russos and are just keeping his chair warm. So it wasn't quite the same scattershot chaos as most Russo-booked shows, but it still had the same lack of understanding about what makes a good wrestling show that Russo has perfected. Everyone involved (Ferrara, Banks, Terry Taylor, Johnny Ace, etc.) were told to continue Russo's stories rather than changing direction so everything mostly stayed the same.
  • Other notes from Halloween Havoc: the opening tag title three-way match was the best and really only good match on the show., due to Mysterio, Kidman, and Alex Wright's performances. In typical WCW fashion, they had a top notch snafu showing Palumbo and Stasiak in their street clothes backstage, just seconds after being in their gear and doing a run-in on the previous match. So they put up a thing on the screen that said "taped earlier in the day" to cover for it, but then during the segment, Palumbo and Stasiak were talking about what they just did in the ring minutes earlier. David Flair looked totally lost in his first blood match with Bagwell and even though he's been a midcard star in WCW for over a year now, Dave says if he went to OVW, he'd still be the worst guy on the roster. David Flair is just not ready for the big leagues and it shows. Negative star. Mike Sanders vs. The Cat in a kickboxing match was a total clusterfuck that Cat apparently refused to do the job for since it's "his" gimmick match, so he lost by count-out instead, even though the time limit for the last round had already expired and it was just a mess. Negative half star. Mike Awesome vs. Vampiro is negative 2.5 stars. That's three matches in a row in the negatives, with 2 DUD rankings book-ending them. Dave expected Awesome/Vampiro to actually be good but it had more blown spots than any match he's seen on PPV in years. They were apparently supposed to do a table spot to end the match but they couldn't find any tables under the ring and the match fell apart and Vampiro ended up taking a top rope powerbomb that gave him a concussion and shook him up badly (didn't stop WCW from having him take another powerbomb at the Thunder taping the next day, even though he told them beforehand about the concussion, but we'll get there). And babyface world champion Booker T was booed by a good chunk of the crowd during his match with Scott Steiner.
  • The latest PRIDE event in Japan drew a sellout crowd mostly due to so many pro wrestlers being involved. It also saw Naoya Ogawa defeat Masaaki Satake in a match most people believed was worked. Ogawa is Antonio Inoki's protege and he's keeping Ogawa protected. Dave says it definitely helps Ogawa keep his name and star power in a highly publicized match, but it doesn't say a lot for PRIDE's credibility. There's also suspicion that Nobuhiko Takada's fight against Igor Vovchanchyn was somewhat worked. Takada lost, but Igor is one of the top ranked heavyweights in the world and Takada went nearly 2 full rounds with him. Most people suspect the finish wasn't worked, but that Igor was told to take it easy on him because Takada is still a big draw and they wanted him to look strong in defeat against a guy he had no chance with. There were several other wrestlers on the card as well. Inoki came out at intermission and announced he was putting together his own show at the Osaka Dome for New Year's Eve (this ends up being the Inoki Bom-Ba-Ye show, which also sees Inoki come out of retirement for his final "match" ever. More on all this in a bit).
  • Genichiro Tenryu, at age 51, defeated Toshiaki Kawada to win the tournament and be crowned AJPW's newest Triple Crown champion, filling the vacancy left over after previous champion Kobashi left for NOAH. This complicates the AJPW/NJPW angle. There's 2 Tokyo Dome shows coming up in January. The first is NJPW's Jan. 4th show and there's another one near the end of the month that's an AJPW show, but will have some NJPW involvement. But Motoko Baba wants to protect the champion because she's hoping AJPW will still survive after the NJPW angle is over. In the past, companies like UWFI and WAR were desperate to survive and started working with NJPW, only to be devoured by NJPW's booking and left to die after the angle ran its course. Mrs. Baba is hoping to avoid the same fate, so she's not going to let Tenryu work a NJPW show and lose (remember, at the last show, NJPW's champion Kensuke Sasaki lost to Kawada and they won't let that happen 2 times in a row). Now that he's not the champion, it frees Kawada up to have a rematch with Sasaki, where he will presumably return the favor and do the job, but it won't be to unify the titles anymore.
WATCH: Genichiro Tenryu vs. Toshiaki Kawada - AJPW Triple Crown Championship match
  • Let's look at some various poll results. Every issue has results for the polls they run online every day or so. Usually I skip over these because they're boring but they're kinda interesting this week. "How should WCW handle the situation with Kevin Nash and Scott Hall" got 55% of voters saying Nash should be suspended for going off script on live TV. As for the future of ECW, 30% of voters think it won't last much longer, while most everyone else thinks it will struggle but continue to survive. Whoops. And finally, Bret Hart's greatest match was 35% for the match with Owen at WM10 and 33% for the match with Austin at WM13.
  • Stan Hansen has an autobiography that was released in Japanese that is selling like crazy in Japan. Hansen is near the end of his career, but he's probably the most popular American wrestler in Japanese history and has been a top star there since the 70s. (Hansen had an English autobiography released in 2012 called The Last Outlaw. I'm not sure if it's the same book translated to English or if there's another one out there in Japanese from 12 years earlier).
  • NOAH will hold tournaments early next year to crown their first heavyweight, tag team, and junior heavyweight champions.
  • Shinya Hashimoto was pulled out of upcoming NJPW shows because they're apparently doing an angle where he is starting his own promotion, in order to do a feud with NJPW (turns out this wasn't an angle at all. Hashimoto really did get fired from NJPW around this time and started Pro Wrestling Zero-One. The real story there is murky and no one seems to know for sure exactly what led to his firing. I think he ended up doing one or two more matches for NJPW over the next year or so, but otherwise, this is the end of Hashimoto in NJPW).
  • Dave recently had a chance to read the book "Bodyslams!" by former WCW ring announcer Gary Michael Cappetta and liked it. It's not better than Mick Foley's book or anything, but Dave gives it credit for accuracy. Mostly it glosses over a lot of the scandalous stuff and is more about Cappetta's personal experiences rather than giving much detail on what was happening in the business at the time. Dave thinks the book could have gone into more detail on the things going on behind the scenes in WCW during pivotal periods like when Jim Herd, Kip Frey, or Bill Watts was in charge. Overall, definitely better than The Rock's farce of a book but still lacking what made Foley's and Dynamite Kid's books so fascinating.
  • Steve Allen, the famous comedian and first ever host of the Tonight Show, died last week at age 78. This is only relevant here because most recently, Allen has been one of the lead spokespeople for the PTC and has been one of the most vocal opponents of WWF programming. Ironically enough, early in his career, Allen worked on TV as a wrestling announcer in the 1950s, though he never took it seriously, and in 1990, he appeared at Wrestlemania 6.
  • The documentary "Gaea Girls", which is about a young woman trying to get into Japanese women's wrestling, has been winning some awards and been admitted to some film festivals.
WATCH: Gaea Girls documentary
  • "Walker: Texas Ranger" this week did an episode loosely based on Owen Hart's death. It's about a wrestler, in costume, who fell from the ceiling during a show. Although in the case of this show, it was a murder ordered by a ruthless promoter trying to take over the territory of another promoter, who's a kind, older guy. The obvious parallels were a more evil version of Vince McMahon and a gentler version of Stu Hart. Dave thought the episode sucked and also got really sad by it. Dave says he hasn't watched Over The Edge again since Owen's death and seeing it fictionally re-enacted for a TV show was really depressing.
WATCH: Walker: Texas Ranger re-enacts Owen Hart's death
  • Scott Hall was arrested this week for probation violation while he was already in court for a child custody hearing. This charge stems from some 1998 case where he keyed up a limo outside a strip club in Orlando. At the time, Hall had been given probation and ordered to complete a bunch of community service by April of 2000. He never completed the community service, so....probation violation. Hall was in court with his estranged wife Dana and he filed for sole custody of their 2 children, claiming Dana is "emotionally and mentally unstable and an unfit parent" but then Hall got arrested at the courthouse and the hearing was postponed. Speaking of, Dana herself has had 2 contempt-of-court charges against her recently for refusing to let Hall have visitation with their kids when she was supposed to.
  • PPV news: CMLL in Mexico is holding a big year end show in December and are negotiating for it to air on PPV in the U.S., which would be the first Lucha Libre PPV to air here since When Worlds Collide in 1994. And remember a few months back when a promoter in Australia brought in Dennis Rodman and a bunch of other kinda big name stars and ran a show? Well it will also air on PPV in the U.S. and Canada and Mexico next month. That show was headlined by Rodman vs. Curt Hennig which ended in a double-count out because apparently Rodman refused to do the job. Word is that show was terrible, like this year's version of Heroes of Wrestling, but Australia is so starved for live wrestling that the crowd heat was still off-the-charts.
  • Juventud Guerrera worked an indie show in Puerto Rico and right now, he's trying to get hired in WWF, or at least stay out of trouble long enough to get rehired by WCW. Guerrera has reached out to WWF through friends he has there, but after what happened with him last month in Australia, WWF apparently isn't interested.
  • The latest OVW show saw Nick Dinsmore win the OVW title from Rob Conway. On the same show, Brock Lesnar wrestled a dark match against former UFC fighter Ron Waterman. Lesnar won and hey, who knows, maybe he's got a future in beating up UFC fighters.
  • Ted Dibiase and Nikita Koloff are on a church tour together where they wrestle matches against each other and then preach sermons or something.
  • The lines between wrestling and MMA got blurrier this week when Atsushi Onita went to the PRIDE offices and met with their promoter. Onita then issued a challenge to Antonio Inoki for a match, saying he wants to retire (of course) and his last match has to be with Inoki. PRIDE officials put out a statement saying they wouldn't promote one of Onita's exploding barbed wire matches, but that they would gladly promote Inoki vs. Onita under PRIDE rules in their ring. Inoki responded, telling reporters that he's retired. There's rumor that Onita will be appearing at Inoki's New Year's Eve show to set up some kind of angle.
  • Paul Heyman and Sabu have a court date scheduled for later this month over their issues. If you remember, Sabu left ECW to go try to go to WCW but his contract prevented it. Heyman then sued Sabu for breach of contract when he started working other shows (particularly for XPW). Meanwhile, Sabu has also filed some legal paperwork to try to get out of his contract, so hopefully that will all be settled soon.
  • Speaking of ECW, there doesn't seem to be anything new happening on the TV front. Negotiations with USA have apparently stalled. So....not great news. The latest episode of ECW Hardcore TV shows the signs of how things are going. The in-ring action was good but the show is beginning to look more and more low-budget by the week, as the company continues struggling to stay afloat. The announcers weren't flown in (it was dubbed in later in post-production) and the lighting was terrible.
  • Still nothing new on the sale of WCW but rumors are flying like crazy because everyone is paranoid. For the first time, in an interview, Linda McMahon acknowledged that it's true that WWF is in discussions to purchase WCW but word is no substantial progress has been made yet.
  • Notes from Nitro: it was a sad episode because the crowd was tiny and it almost felt like a bad indie show, especially because the small crowd was pretty dead. It was a disaster, with a total of 1,454 fans in the building and only 768 of them paid. Even worse, they tried to paper it but only 33% of the free tickets that were given out were used. WCW literally can't even give this shit away. Ric Flair returned as the new CEO of WCW and got almost no pop at all from the crowd, then cut a boring promo. Dave thinks it's sad that this is where things have gotten for him. The greatest of all time, cutting middling promos in front of a small crowd for a dying company. Then Jarrett came out to talk and the mic went dead. The fans chanted for Scott Hall all through the Kronik/Palumbo & Stasiak match. Kevin Nash was on commentary but after last week, he was finally ordered to stop talking about Hall. So instead of mentioning Hall himself, when the crowd started chanting, Nash kept asking, "What are they chanting?" but the other announcers wouldn't acknowledge him.
  • Thunder was taped immediately after Nitro and the only notable thing there was a Lance Storm vs. Norman Smiley match that was apparently so bad that Storm went on his website afterward and pre-emptively apologized to the fans for the match. As of press time, it hasn't aired yet so I guess we'll see (the 2000 Thunders aren't on the Network and I can't find this online, so no idea how bad it was or wasn't).
  • Backstage morale in WCW isn't great, which probably goes without saying. Word is much of the crew, wrestlers and backstage employees alike, are so drained by all the negativity and sale rumors that everyone has pretty much mentally quit. They're all just going through the motions every week now while waiting to see what's going to happen with their jobs.
  • Buff Bagwell did an interview with the Observer website a few days before the Halloween Havoc PPV and had plenty of interesting things to say. He ripped on Vince Russo for the way he booked himself along with guys like Luger and DDP and basically just how awful Russo's booking is. He also complained about WCW fining people for showing up late. He complained about not getting a big raise like everyone else got back in 1998 because he was out with a neck injury when Bischoff was giving raises and complained about being underpaid compared to all the other "A-talent" like himself. Talked about how screwed up WCW is, saying Lex Luger is being paid $1.3 million a year to do jobs for Hugh Morrus. "Are you kidding me? Hugh is a great guy and all that, but he's not A-talent. I love him to death, but he's never going to draw a dime. We're talking about drawing money and he's never going to draw a fuckin' dime. And Luger is putting him over at house shows? Nothing is adding up. I know for a fact that if they try to get me to job for (David) Flair at Havoc, I'm going to walk out the door. I'm not doing it." In response to all this, WCW put Hugh Morrus over big on Nitro while they had Bagwell job to Luger in 2 minutes on the same show. Well, at least someone in WCW gets punished for the shit they say.

IMPORTANT NOTE: For only the second time ever in writing these Rewinds, I have hit the 40,000 character limit. So once again, the rest of this Rewind will be posted in a comment below, so keep scrolling. Upvote it for visibility I guess?

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Tsla options and an interesting background story

TSLA options
This is officially my first post to reddit. Long time reader, I also watch YouTube videos and don’t have an account so please forgive if my posting etiquette is off. Use to be a casual trader have a degree in economics with specialty in behavioral economics and minor in psychology. Also initially left college in my sophomore year (2010) to move to California and start a dispensary. I was going to McGill university in Montreal for those of you who don’t know of it(most Americans). FYI I am American myself and I’m Canada they call Harvard americas McGill (not bragging personally I still believe college is a tax on lower and middle class). I visited a friend on spring break and this is a time when a gram of weed would get you a night in jail and a misdemeanor and if you are lucky enough to live in Texas or Tennessee and be black either 1-10 in jail and at minimum they’d take your car or house or whatever expensive enclosed space you owned in which they found it or probably planted it. I could not believe what I was seeing when I went to see my friend (LA) and ultimately never returned from spring break. These were also the days when the laws in California were changing so fast that if you got a dispensary license in about 6 months you could sell the license for 10-100x what you paid for it (2k -7k if you used a lawyer or 500$ if you did all the paperwork yourself). I ended up starting the first 24hr delivery dispensary (legal) in California at that time probably the world. Needless to say it was very successful, after about a year I hired someone else to run the day to day and mostly became a semi professional gambler which many of you would consider yourselves. The difference is I was actually gambling in casinos. This is not a story in which I stupidly lose all my money at a craps table although there were some fear and loathing-esque weekends during this time that are noteworthy themselves. Also to note I decided to move with exactly 2$ to my name and my parents cutting me off because I was leaving college, luckily I also owned (or rather rented for free) a spot on my dear friends couch (who would later end up being an employee). Within 6 months I was worth about 50k within 12 I was making that much every week. This is the part where some of you may become disappointed because of all the interesting preamble that sounded like it was going to end in a crazy story where I used 50 lbs of weed to leverage a massive short on some stock because I had 24hrs to pay off the Armenian mafia or they would give me a Chinese haircut. Despite the fact that that did happen (with some minor liberties taken in the description although ones that make it actually less crazy of a story) it’s not what I am here writing about. I ended up starting my dispensary by winning 48k one night at the native casino near LA can’t remember the name but anyone from SoCal knows what it’s called. I was also a casual trader albeit very successful when I took it seriously. My dad is also a doctor so I essentially invested it all on ARNA before the fda approval of their new weight loss drug (at the time) I think it was called belviq. Anyway it was a killer, went from like 5 bucks to like 25 in a couple of days and I was looking good to start my business. Since then I’ve continued to dabble and did a lot of shorting but hated the risk, was unaware of options trading. After reading a couple articles online I started getting into it, fast forward to me studying economics (In which I didn’t learn much I didn’t already know except how to use programs to analyze massive amounts of data to find out trends that mostly my own intuition was good enough to tell me), but now atleast I’m a “respectable person” in the eyes of my parents and the business world. Ultimately since this is my first post I decided to go big and long with it because I just felt that would be proper and maybe someone would be entertained, and maybe in the future I will divulge the actual crazy shit that happened but wall street bets doesn’t seem like the right thread (?). I just wanted to introduce myself and say, when TSLA hit 964 two days ago how many thousands of wallstreeters and tens of thousands of thousands or hundreds or however many of you redditors that are trading options and know half a twats worth what you’re doing did jizz their pants and buy some puts. Personally I like to gamble only saw it once it had dipped down to 900$ before closing but was trending down already. I figured I’d buy something that had a really short execution period for cheap af at like 895$ and once it dipped to like 865 or something sell but ultimately I knew in my heart as most of u do that it was going to drop to maybe 700 or lower. Didn’t have the liquidity to do what I would have liked but called some of the rich people I know who did and they wanted to jerk me off at 11 am the next morning. The few who missed out were begging for what next. One particular who is a relative of mine and a VP at major software company (think top 3) argued that wouldn’t everyone be buying puts and isn’t that what drove the price up? Wouldn’t it be better to sell options on the tsla shares you own and then if it goes down you made some cash and buy more at the lower price. I’m sure many of you know why that is a much weaker play and has way less upside and at the same time limits your risk way less. When the morning came he and others who didn’t follow thru were dying they missed out and asking me what to do next. I hadn’t looked much but it seemed to be bottoming out at 7 and I assumed put buyers were starting to executing their contracts so I said buy calls near 700 and do it for the shortest period u can find in terms of days. By lunch time it’s at 750$ ofcourse and my suggestion of 10-20 contracts would be betting a nice 80-90k maybe more if u bought the ridiculously short term options. Most of them were able to cash out my relative who is an exec at (insert top software company here) still missed out. He had to go into a meeting and didn’t have enough time to execute and wanted to die as he watched the stock jump 50$ and the imaginary dollars that would have been piling up in his investment account disappearing for the second time in one day for the levels he trades and wanted to buy this would have been around 1m maybe he would have made. After his meeting he messages me “uhh I think I need you to manage part of my portfolio, can you do the options trading for me and manage my short term stocks? I don’t have enough time to watch the market because of meetings etc. and when I see what I’m missing out on I can’t pay attentions during the meetings and it’s fucking up my productivity.” - me : “ well I don’t want to have access to your password etc. and be responsible if some fucked shit happens in your portfolio I don’t want to be blamed. Also if I don’t know how I feel about making you millions and then accepting whatever tip you feel is appropriate. Obviously we could do like a percentage but I’d feel better about starting a separate fund and you can put in whatever you feel comfortable investing and we can see how it goes. I Send the same message to everyone in my thread. Looks like I may have inadvertently started a hedge fund let’s see how it goes. Depending on the funding I will repost with proof.
submitted by 81Gdummy to investing [link] [comments]

Wrestling Observer Rewind ★ Apr. 3, 2000

Going through old issues of the Wrestling Observer Newsletter and posting highlights in my own words. For anyone interested, I highly recommend signing up for the actual site at f4wonline and checking out the full archives.
PREVIOUS YEARS ARCHIVE:
1991 • 1992 • 1993 • 1994 • 1995 • 1996 • 1997 • 1998 • 1999
1-3-2000 1-10-2000 1-17-2000 1-24-2000
1-31-2000 2-7-2000 2-14-2000 2-21-2000
2-28-2000 3-6-2000 3-13-2000 3-20-2000
3-27-2000

★★ READ THIS THREAD ★★

★★ Be The Match ★★

  • WCW has made the decision to bring back Eric Bischoff and Vince Russo in a last-ditch effort to save WCW. The decision has been in the works for about a month and people are already doubting whether or not the two can co-exist with each other. Dave recaps what led us to this point. First, the group of Bill Busch, Kevin Sullivan, JJ Dillon, and others pretty much pulled the coup last year that got Bischoff canned and Russo was hired soon after. But once it became clear that Russo desperately needs someone to filter his insane ideas, those people also pretty much forced Russo out in favor of Sullivan as the head booker. But the company continued free-falling under Sullivan. Bischoff and Russo had been in talks with Brad Seigel and pitched an idea where they would lead competing factions of older and younger wrestlers fighting over power for the company. Bischoff tried a similar angle to this last year but it never got off the ground because, aside from Ric Flair, none of the older wrestlers (like Savage, Hogan, Piper, etc.) wanted to be portrayed as "old" and didn't want to be forced to put over younger stars that hadn't established themselves. Bischoff was officially hired back into WCW as the head of creative on 3/22, but due to the company losing so much money on his watch last year, he was not given control over the business end of things. Bill Busch informed Siegel that he would quit if Bischoff was brought back, and he made good on his word and walked out when he was told. Bob Mould, a somewhat famous musician who has also been part of WCW's creative and management team, also quit when he heard the news. Kevin Sullivan has been told he's essentially being sent home to sit out the rest of his contract and he no longer has any power either. Sullivan has argued that he was handicapped after inheriting the mess Russo and Bischoff left behind, plus the injuries to Goldberg and Bret Hart, and while that's true, Sullivan never really made any major changes either and it was clear things weren't going to improve with him booking.
  • The initial idea was to cancel this week's TV tapings and shut down for a week and then return on 4/10 with a fresh start and new storylines. But they ended up not cancelling the tapings and as a result, this week's Nitro is expected to be the lowest rated in the show's history. There was also talk of shutting down for several weeks and cancelling next week's PPV, which Dave thinks might not be the worst idea so they can take the time to slap a fresh coat of paint on the company and basically reboot. But it doesn't look like that will happen either. On Nitro this week, the announcers played it up big, labeling Russo as the man who turned WWF around and Bischoff as the one who turned WCW around several years ago and literally calling them the geniuses responsible for the current pro wrestling boom. Dave says you can't argue with Bischoff's initial success. He took WCW, which was in the red for about $6 million per year and turned it into a $200 million dollar company by 1998. But even at their peak, it was clear WCW had no future because they built around stars who were past their prime and never had a focus on creating future stars to sustain that success. WWF capitalized on that failure and by the end of 1999, WCW was back in the red again, way worse than they were before Bischoff took over. After a series of dumb, expensive investments (KISS, Master P, Megadeth, Dennis Rodman the 2nd time, etc.), losing stars like Chris Jericho, and continuing to rely on old 80s relics, and blowing through millions of Turner's dollars with nothing to show for it, the company lost faith in Bischoff's business judgement. At one point, Bischoff just turned the whole thing over to Kevin Nash as the new booker, who seemingly had no interest in doing anything other than pushing himself and his friends, which sunk the company to even further lows.
  • As for Russo, it's true that WWF did pretty huge numbers during the time he became more involved in creative and when he left the company, he did a good job of convincing everyone that he was the genius behind WWF's turnaround. But within a few months of his departure, it became clear just which Vince deserved the credit for WWF's success. WWF never missed a beat when Russo left and TV ratings and house show business continued to increase (and keep in mind, WWF hasn't had Austin or Undertaker for the last 6 months either, plus McMahon has kept himself off TV until recently also). Meanwhile, in WCW, when Russo took over, the company just skidded further off the rails. Russo did play a major part in pushing WWF to move away from the failing family-friendly approach. But really, they pretty much just copied Paul Heyman's formula so...ya know. To be fair to Russo, he seemed to be the only person in WCW who realized how badly the company needed a drastic change and he really did try to push new people like Benoit, Bagwell, and Jarrett to the top. But then he brought back Piper, brought in George Steele and Jimmy Snuka, and booked dangerous angles like the one that got Goldberg injured. He came in with a lot of hype and ratings initially went up a bit out of curiosity, but they quickly plummeted again. He booked a tired rehash of the Montreal Screwjob finish at Starrcade, rendered all the belts meaningless, booked absurd screwjob endings to nearly every match on TV and PPV, and essentially booked the company like a monkey throwing his poop at random. As a result, WCW has now fallen behind ECW in both PPV buyrates and live show attendance and TV ratings have continued to plummet.
  • Here's some cold hard numbers for those Russo supporters out there who still, somehow, defend this guy 20 years later: when Russo took over WCW in Oct. 99, they were averaging 4,628 people per show. By January (his last month in power), average attendance was down to 3,593. Nitro's ratings in Oct. 99 were averaging 3.08. By January, the average was....3.10. Oh, you say! But that's higher! Yes, on paper, 3.10 looks higher than 3.08. But the reality is, during that time, Nitro went from three hours back down to two. On paper, that should have led to a significant increase in the average. If Nitro was still three hours, that 3.10 would be equivalent to a 2.9. So even though it looks like ratings slightly increased on Russo's watch, they actually went down. The loss of that third hour gives the illusion that they didn't. Oh and in Oct. 99, the Halloween Havoc buyrate was 0.52. In January, the PPV buyrate was 0.26. TL;DR - by literally every single metric, WCW business got worse under Vince Russo. But hey, it got even worse since he left, so...take solace in that?
  • Quick note just at press time, it's been reported that they will announce the XFL will air in prime time on NBC due to a deal between Vince McMahon and Dick Ebersol. The two men were business partners back in the 80s and put together Saturday Night Main Event. If this ends up being true, it would be huge for both the XFL and WWF and is expected to play a part in WWF's new TV deal. More on this next week.
  • With Wrestlemania just around the corner, Dave takes a long in-depth look at the biggest annual show in the business. He starts by talking about the 3 biggest annual events in wrestling. NJPW's Jan. 4th Tokyo Dome show has been the biggest wrestling event in the world for much of the last decade since starting in 1992 because NJPW was the biggest and most successful company. But NJPW is struggling these days and WWF has surpassed them as the top company. WCW has Starrcade, but the only year that show was ever the biggest was in 1997 (Sting/Hogan) and never really reached the heights of Wrestlemania or the Tokyo Dome show. From here, Dave recaps the entire history of Wrestlemania. Risking it all on WM1, the Mr. T and Cyndi LaupeMTV crossover promotion, the 3-arena debacle of WM2 (where 2 of the 3 arenas weren't even sold out), WM3 which is the most historically famous wrestling event ever and all the folklore surrounding that ("While the 93,173 number is a work repeated so often even those who should know better believe it's the truth. According to Zane Bresloff, who promoted the event, the actual number in the building was 78,000, but the event did sellout weeks in advance and it is realistic to believe the potential if the building was larger could have been 100,000 tickets," Dave says and I'm sure that won't lead to a tired ass discussion in the comments.) The next 2 WM events at Trump Plaza, which were held because Trump paid for them, hoping to do the same kind of business that major boxing events usually do. But the crowds sucked because they mostly weren't wrestling fans, they were high rolling casino comps. Dave also takes a moment here to detail the history of WWF and Jim Crockett running shows against each other's major events to attempt to hurt them, like Vince creating Survivor Series solely to try to hurt the 1987 Starrcade buyrate, and how Crockett retaliated by airing Clash of the Champions on free TV against WM4 and so on and so forth for the next couple of years. Then there's WM6 with Hogan/Warrior, the WM7 drama with the venue being changed due to low ticket sales and turned out to be a huge flop on PPV. WM8 with over 60,000 fans except a LOT of them were papered and it flopped on PPV. WM9 with Hogan returning to win the title, but it didn't help business and he refused to put Bret over later that year. WM10 with 2 of the greatest WM matches in history, WM11 with Lawrence Taylor, WM12 with the ironman match, WM13 which had the Bret/Austin classic but was the moment WWF hit the bottom of the barrel with the lowest WM buyrate ever, WM14 with Mike Tyson and the crowning of Austin as the new top star which did record business, and finally WM15 which mostly sucked but ended up being the biggest money show in wrestling history...until next week when WM16 inevitably breaks that record. Anyway, Dave goes into more in-depth recap of each Wrestlemania here, but you already know the stories on most of this so I...actually have no idea why I just wrote this big ass paragraph.
  • Last year's Wrestlemania featured Austin/Rock main eventing and broke a bazillion records. This year's plan was originally to do a rematch, with the roles reversed (Austin as heel) but Austin getting injured screwed that up. This year's WM is still expected to become the biggest money grossing event in the history of professional wrestling. As for this year's plans, it's still up in the air. As of a few weeks ago, the plan has always been for Rock to win the title, essentially his coronation as the new top star and face of the company. But that may not happen anymore because Rock is scheduled to film The Mummy 2 movie and will be out for a couple of months soon after Wrestlemania. It's not in the company's best interest to build toward Rock's big moment for an entire year, only to have him win the title and then have to lose it again a month later. The company is pushing the idea that Foley will win and that's what they want everyone to believe, for the big feel good story. Dave thinks the only chance of Triple H retaining will be if Foley turns heel and helps cost Rock the match. Usually a heel retaining the title at Wrestlemania seems like something they'd never do, but Triple H (who was only supposed to be a transitional champion to begin with) has been a huge success as champion and has become a legit main eventer and top star. And Big Show pretty much isn't even in the discussion. Though for what it's worth, Dave says Big Show will probably become the tallest wrestler to ever headline a Wrestlemania, so hey, that's something! Of course, in kayfabe, Andre The Giant was billed at 7'4 (he wasn't) so even though Big Show is legitimately slightly taller than Andre was, they can't admit that without breaking the Andre mystique.
  • Despite all the huge paragraphs above, they're really only 2 stories. I guess this is a slow week because Dave writes huge pieces about a former WCW jobber turned boxer who was exposed for fixing his matches and all the legal issues with that. And then he writes a big historical piece about Frank Gotch that stems from a letter someone wrote the week before. All really interesting stuff, but none of it newsworthy at all.
  • Ratings news, Monday stuff is still the same. Thunder ratings reached a pretty horrible low and bottomed out with the main event of Hulk Hogan vs. Dustin Rhodes doing a terrible 1.91 rating. WWF Sunday Night Heat did a lower than usual rating because the Oscars were on. ECW did a pretty bad rating for the 2nd week in a row and was actually close to their all-time low, which isn't good news and kinda surprising since just a few weeks back, they were reaching all-time highs on TNN.
  • Dave recently ran a poll on the radio show, asking fans which was better*: Wrestling With Shadows or Beyond The Mat? With 37% of the vote, Wrestling With Shadows wins, compared to 21% for Beyond The Mat. The other percentages were people who haven't seen one or the other. What say we, Wreddit?
  • AJPW pulled a huge surprise in their annual Champion Carnival tournament. Jun Akiyama, who was expected to easily make it to the finals of the tournament, ended up losing to Takao Omori in a 7 second match in the very first round. It's the shortest match in AJPW history. It's a single elimination tournament, which means Akiyama has been eliminated. Dave isn't really sure what the plan is here, but it damn sure makes the tournament hard to predict now. He speculates that this means Steve Williams will probably end up in the finals against either Misawa, Kawada, Kobashi, or maaaaybe Vader (Williams didn't make the finals either. It ended up being Kobashi vs. Omori, because AJPW apparently decided to strap a rocket to Omori and try to make a main eventer out of him. Prior to this, it looks like he was just sort of languishing in the midcard).
WATCH: Jun Akiyama vs. Takao Omori - AJPW 2000
  • Oh hey, in the very next paragraph, Dave breaks down the next tournament matches and wonders whether AJPW may end up pushing Omori to the finals in order to try to make him a star (yup).
  • Speaking of Kobashi, he blew his knee out last week and doctors have told him he needs surgery. As anyone who follows AJPW and Kobashi in particular knows, he's naturally ignoring that advice and continuing to wrestle. Because Kobashi.
  • Shawn Michaels will be returning to the ring next week for his own TWA promotion in Texas. Michaels is billing it as his final match, coming out of retirement to face Venom for the TWA title. The match is said to be a "bunkhouse brawl" instead of a regular wrestling match because Michaels has said his back can't stand up to doing a normal match.
  • A website called TokyoPop.com is going to start airing live matches from FMW online (that seems like it would have sucked with 2000-era internet technology. Anyway, TokyoPop.com still exists. It's an anime/manga site).
  • Dave recently caught up on some Memphis Championship Wrestling and gives his thoughts on some of the people there. K-Krush has good charisma (that would be R-Truth). Bobcat looks like every other blonde valet (she's most famous for being the Godfather's ho that won the hardcore title). Blue Meanie has lost so much weight that he doesn't even look like the same person. Lance Russell is still an incredible announcer. So on and so forth. Anyway, Dustin Diamond (Screech from Saved By The Bell) appeared yet again, continuing his angle of being obsessed with the Kat which once again led to Screech getting beat down and doing a stretcher job.
  • ECW has a PPV scheduled for next month but have not yet picked a location. Heyman wants to run the show in a new market because the first-time crowds are usually the best. Heyman had negotiated with the Mandalay Bay casino and hotel in Las Vegas to do it there, but the talks fell through. Both Jerry Lynn and RVD are expected to be back from their injuries by then.
  • Notes from the most recent ECW TV taping: Dusty Rhodes came out with 2 strippers who flashed the crowd, but of course that won't air on TV. Cyrus made fun of Mick Foley's "retirement." And the show ended strangely. Sandman and Super Crazy were beat down after the main event and left laying. And....that was supposed to be the end of the show. But the crowd was expecting to be sent home happy and didn't leave and kept chanting for Sandman (who was helped out of the ring, selling an injury) and Raven (who was at the show but didn't work due to illness). Heyman called an audible and sent Mikey Whipwreck out to tell the crowd to leave, which led to Raven making an unplanned run-in to give him a DDT, which is about all he could physically do. Then, with Raven in the ring, the crowd began chanting for Sandman to come back out, so Raven went with it and called for him to come out. But by this point, Sandman was already in the showers and thought he was done for the night and he legitimately didn't want to come back out. Ultimately, he did and he caned Raven to send everyone home happy, but he was upset about it and he had words with Heyman and Raven immediately after backstage.
  • New Jack and Tommy Dreamer will be appearing together in a small role in the CBS TV drama Early Edition.
WATCH: New Jack & Tommy Dreamer on Early Edition
  • Every angle done on WCW TV this week was meaningless because the company is starting over with a clean slate in 2 weeks under Bischoff and Russo. Spring Stampede takes place on the 16th and there are no matches planned as of yet and there won't be until 6 days before the show when WCW resets. Word is Russo will be doing most of the writing. In an interview with 1wrestling.com, Russo said he hasn't watched a single second of WCW TV since he was relieved of his duties back in January.
  • Notes from Nitro: it was the spring break show, so the crowd at least seemed to be having fun which is a break from normal WCW shows. Someone in the front row had an "I wish I was at Raw" sign that somehow never got confiscated and was there for the entire show on camera. At the very beginning of the show, a woman in the front row flashed Gene Okerlund, leading to him saying, "Young lady, you're very proud of those, aren't you?" on TV. DDP made his big return and pretty much just plugged the Ready To Rumble movie. Sid Vicious missed the show due to a shoulder injury. Dave can understand not wrestling with an injury but Sid is the WCW champion, and Dave thinks he should at least show up and cut a promo or something. But then again, nothing in WCW matters right now until Russo and Bischoff reboot it anyway. Sting and Luger fought onto the beach all the way to the ocean. And to his credit, Hogan did a promo during the show where he really put over Vampiro as the wrestler of the future and later in the main event, he worked against The Wall and allowed Wall to no-sell the leg drop. So kudos to WCW for finally making an effort to push some new people, even if it all gets wiped away in 2 weeks.
  • Notes from Thunder: the show drew 1,700 paid fans. Literally 24 hours earlier, Raw sold out a different arena in the same city for Raw with over 12,500 paid fans. Lots of rumors were going around saying Bobby Heenan had been fired, but he was doing commentary on this show, so obviously that wasn't true. Chris Candido is already doing jobs to Chavo Guerrero so he clearly isn't getting any sort of push after debuting just a couple weeks ago. And no real storyline progression, just tons of hype about what the future for WCW holds under Bischoff and Russo. WCW is basically in a holding pattern right now and nothing matters until the reboot.
  • Hogan appeared on another radio station doing an interview where he buries everybody. He said Bret Hart is in Canada and "can't remember what WCW is." He said DDP was out injured with a broken fingernail and said WCW needs people who will crawl through broken glass with one arm in a sling to sacrifice and get in the ring. He said Kidman needs to start training like Torrie Wilson. He did praise Vampiro again though, so Hogan seems to like him. Anyway, WCW head Bill Busch was on WCW's live internet show and admitted that Hogan has full creative control in his contract and also said that he still has 6 guaranteed PPV main event matches in his deal.
  • Tammy Sytch is expected to make her WCW debut at the Spring Stampede PPV.
  • Variety ran a big story about some marketing changes that WCW is making. New hires to take over various marketing jobs, new marketing strategies and promotions that the company is planning to run, etc. Dave says that's all well and good, but nowhere in the article did it mention the idea of maybe putting on good shows that people want to see. All the marketing geniuses in the world can't save a product as terrible as WCW is right now.
  • Brad Armstrong will be out of action for several months with a knee injury suffered in the dumbest way possible. For some reason, before a show, Armstrong was goofing around in the parking lot with Juventud Guerrera and Psicosis and they decided--just for shits and giggles--to do the ol' famous wrestling angle of hitting someone with their car. You know, one of those dumb "you drive at me, I'll jump up on the hood like the stuntmen do in the movies" type of things. So.....they did it. And now Armstrong needs knee surgery because of course he does (that was pretty much it for him. He never wrestled in WCW again and in fact, he didn't wrestle anywhere for another 4 years before returning to the ring in 2004 and working indie shows periodically until 2011. Died a year later).
  • Les Thatcher's Heartland Wrestling Association have signed a deal with WCW to act as a developmental territory for them. Power Plant wrestlers will go work shows for him for a little while before debuting on WCW TV.
  • Various WCW notes: Mexican wrestlers Halloween and Damian are joining Sonny Onoo's racial discrimination lawsuit against WCW. Although with Bischoff returning to the company, Dave expects this lawsuit to ultimately disappear. Christopher Daniels starts with WCW next week. Dave thinks he has a ton of potential. Some people within the company are pushing for Shane Douglas to return. Konnan's suspension ends this week so he should be back soon.
  • The legal red tape behind the scenes on WWF's new TV deal is still being sorted out. The FCC is expected to allow the Viacom purchase of UPN to go through, which will mean Viacom will own 2 networks (CBS and UPN) which used to be against the law but that's being changed now. Those in the TV industry pretty much believe this to be a done deal. The news has boosted WWF stock up to $17.31 per share (as I write this, WWF just announced the new FOX deal for Smackdown, which boosted the stock up to damn near $60 per share)(10/24 update: currently $80.64).
  • The Rock was on Jay Leno's Tonight Show recently and movie critic Roger Ebert appeared also. Ebert told Rock that he has talent and told him to get into acting and get as far away from wrestling as he can. Rock laughed it off and said he was working on it.
  • Notes from Smackdown: it was in San Antonio and a tag team called American Force 2000 worked a dark match. The team consists of two trainees from Shawn Michaels' wrestling school, Spanky and American Dragon. Lots of cool high spots but they weren't very fluid and screwed some stuff up. They also hyped up the Shawn Michaels vs. Venom match next week in TWA for the live crowd.
  • A lot of the WWF wrestlers are using new entrance music right now to promote the new WWF Aggression CD. It's basically rap remixes of everyone's theme music and Dave thinks it sucks because the fans don't know these songs. So now even when the Rock is making his entrance, the crowd doesn't pop because it's an unfamiliar. Luckily it's temporary and they'll go back to the real versions eventually. Speaking of, WWF The Music Vol. 4, which was released 6 months ago, is still hanging on in the top 200 charts. It's at #152 this week and sold over 10,000 copies. In 2018, any album that is still moving 10k copies six months after it came out would be the best selling album of the year.
  • WWF claims they have enough money set aside to fund the XFL for at least 3 seasons. They're hoping to expand to 16 teams by 2005. WWF has once again emphasized that they will own all the teams and aren't interested in outside investors. They also again promised that this is going to be legit and the games won't be fixed. Advertisers are said to be hesitant, because they don't have a lot of hope that this whole XFL thing is going to succeed.
  • Shawn Michaels is said to be itching to get back on television in the WWF, but right now, they have no interest. Business is booming so much these days and they've attracted so many new fans in just the last year or two alone that Michaels isn't considered a top star anymore and WWF doesn't feel the need to use him in any way.
  • USA Today ran a story about Mick Foley's alleged last match coming up at Wrestlemania. Foley was quoted as saying, "I was much more successful and, going over my taxes now, obviously a lot more profitable being more of a comedy character in 1999 than I ever was being the King of Hardcore. If I'd known I could make more money making people laugh than making people wince, I'd have done it a long time ago." He also said that if it hadn't been for Austin getting injured, he would have retired last year. He said he hated going back on his word so soon after he retired and says he spent 20 minutes trying to talk Vince McMahon out of bringing him back for the match. But ultimately, he admitted that the money was too much to turn down. "It may take some people a while to forgive me, but not as long as it would take me to forgive myself if I didn't do this. Realistically, it's probably going to be the most money that I've ever made. So 15 years from now, when everyone has forgiven me, my kids' college will be taken care of." But Foley super duper swears this time that Wrestlemania will be his final match. "By leaving now, I'm probably giving up on the most profitable year in my career. But I was named after Mickey Mantle. I grew up hearing about how Mickey Mantle stuck around one season too long. I didn't want people to make the same comments about Mickey Foley."
FRIDAY: Wrestlemania 16 fallout, XFL/NBC partnership, Vince Russo gives interview full of bullshit, New Jersey attempting to ban extreme wrestling, and more...
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Burnout Paradise - Where the developers are now

With the remaster of Burnout Paradise release soon and worked on by Criterion and Stellar Entertainment (see Paul Ross for details on that company) I thought it might be fun to make a thread and track down the devs. If you want some additional reading about Burnout, Three Fields released a history about how it started in January.
For a quick summary, Criterion was originally a 3d graphics rendering technology company owned by Canon. It was spun out and became the “modern” Criterion Games in 1999/2000. In 2004 it was purchased by EA.
Most info/quotes are from company websites and LinkedIn. Now, this thread is long enough already, so let’s get started (this thread is long enough that I’ll have to go into the comments to finish the thread.
Fiona Sperry worked as EA Criterion Studio GM. Sperry helped form the modern Criterion Games and previously worked at McGraw-Hill. In 2014 she left and co-founded Three Fields Entertainment.
Alex Ward worked as creative director. Ward helped form the modern Criterion Games and previously worked at Acclaim. He continued to work at Criterion until 2014 (including a unreleased game codenamed “Adventure”) when he co-founded Three Fields Entertainment.
Peter Hawley worked as executive producer. Hawley previously worked at companies including Lionhead (where he was one of the first employees) and Sony. He joined Criterion in late 2005 and in 2009 became vice president of product development at EA. In 2010 he joined Crowdstar before co-founding Red Robot Labs in 2011, where he worked at CPO and later CEO until 2014. He next joined Zynga before coming CEO of Telltale Games in September 2017.
Craig Sullivan worked as lead designer. Sullivan joined Criterion in 1997 and was the first game designer for the studio. He previously worked at Millenium Interactive as a designetester. In 2009 he became creative director at the company before joining Ghost Games in 2013. Sullivan left Ghost Games at the end of 2016, and in May 2017 joined Amazon.
Jon Lawrence worked as senior development director. Lawrence joined EA in 1998 and worked on series including Harry Potter, F1 and Black. In 2012 Lawrence left to work at Sky before returning to EA shortly in 2013. Later that year Lawrence joined Microsoft as development director, and worked on Warface. In 2015 he joined Natural Motion before joining Digit Game Studios in 2017 as director of production.
Steve Uphill worked as art director. Uphill previously worked at Kuju Entertainment before joining Criterion in 2002. In 2008 Uphill left Criterion and joined Black Rock Studio to work as art director on Split/Second. In 2011 he co-founded ShortRound Games where he worked as art director. In 2016 Uphill returned to Criterion and is currently studio art director.
Stephen Root worked as audio director. Root worked at Acclaim for five years as head of audio before joining Criterion in 2000. In 2008 Root left Criterion and joined Codemasters, where he is currently VP of development creative services.
Olly Read worked as a technical director. Read joined Criterion in 1999 and worked at the company until 2011. In 2012 Read started work as a “game programming ninja” at Escapist Games.
Paul Ross worked as a technical director. Ross joined Criterion in 1996 and worked as CTO before leaving in 2014. He next worked at Three Fields Entertainment before leaving in 2016. Ross next founded Stellar Entertainment in 2016, which is making Burnout Paradise Remastered.
Pete Lake worked as a producer. Lake worked as an artist for early Criterion games before starting production on Paradise. In 2010 Lake worked as a producer for Harry Potter and The Sims. In 2013 he returned to Criterion.
San Shepherd worked as a producer. Shepherd previously worked at EA and Pyro Studios before rejoining EA in 2006. Near the end of 2008 Shepherd left and in 2009 joined Zero Point Software as a board member. At the same time, Shepherd co-founded Escapist Games and became director for European Construction Company. Since 1990 Shepherd has also been director of Citilet Booking, and in 1997 founded The Copenhagen Post, where he worked as CEO for five years. He also produced weekly music shows for Danish TV in the 90s.
Matt Webster worked as a producer. Webster joined EA in 1990 and worked on games including Syndicate, Theme Park and Populous II. He also created the initial concept for the first Fifa game and associate produced the game. After EA purchased Criterion Webster joined the company as producer. In 2013 he became GM of Criterion.
Hamish Young worked as a producer. Young joined Criterion in 1999 and had worked as a technical director and a lead programmer on previous Burnout games. Young continued to work at Criterion until 2013, when he joined Avalanche Studios (for quick reference this is the Just Cause studio, not the Disney Infinity one) where he works as a designer.
Steve Cuss worked as a development manager. Cuss worked at IBM and Intelligent Games before joining EA in 2003. Since 2005 Cuss has worked as a producer for Criterion.
Helen King worked as a development manager. King joined Criterion in 2006 but left in 2009 and joined Codemasters, where they worked on Bodycount. After leaving in 2011 King joined Deepmind in 2012, which was later bought by Google.
Radek Majder worked as a development manager. Majder previously worked at companies like Plastic Wax, Forte Studios and Perception before joining EA in 2006. Majder worked as development director at EA until 2013. In 2014 they joined BBC where they worked until 2017. They are currently head of development management at Mclaren Applied Technology.
Alan McDairmant worked as a development manager. McDairmant previously worked at Inner Workings, Data Design & Artwork, Red Lemon Studios and Visual Science before joining Criterion in 2005. McDairmant continues to work at EA/Criterion and most recently has worked as a director of product development/studio leadership on games such as Battlefront 2, Battlefield 1 and Need for Speed.
Dan McDonald worked as a development manager. McDonald previously worked in QA on series like Burnout, Harry Potter and Populous. McDonald did interviews for Burnout Crash and seemingly left Criterion afterwards. He was credited as a production manager for Until Dawn in 2015.
Sheri Patterson worked as a development manager. Patterson previously worked at Pixar (on the Incredibles, Finding Nemo and Boundin’), Blue Sky and Charlex before joining Criterion in 2006. In 2008 she left and worked as a producer for various companies including DreamWorks and Disney (on Frozen). Patterson also worked with companies including Apple, Google and Land Rover.
Cath Schell worked as production coordinator. Schell first appeared in Criterion credits in 2002, and is still with the company. She posts a lot of mushrooms.
Charnjit Bansi worked as a designer. Bansi previously worked at Codemasters before joining Criterion in 2005. In 2009 Bansi joined Bizarre Creations as a/the game director (Activision doesn’t tend to give detailed credits so I can’t tell if Bansi was the only person with the role). After consulting for a month in 2011 at Neversoft Bansi joined Sledgehammer Games as a/the development director.
Richard Bunn worked as a designer. Bunn previously worked in QA at Sony and as a level designer at Argonaut before joining Criterion in 2004. Bunn worked on the design of the “open-world traffic system, vehicle A.I. behaviours and the Crash Mode gameplay,” for the game. After leaving Criterion in 2007 Bunn rejoined Sony where he worked for three years on the original version of Until Dawn and the canceled Eight Days. After leaving in 2011, Bunn has worked at Mindshapes, Nice Touch and most recently Aceviral.
Matt Follett worked as a designer. Follett joined EA in 1999 working in QA and design. He joined Criterion in 2008 after working on previous Burnout games, and worked on algorithms and scripting for Paradise along with the PC version. Follett later became a lead at Criterion before leaving in 2014. Since then he has worked for Boss Alien.
Paul Glancey worked as a designer. Glancey previously worked as an editor for games magazines in the late 80s/early 90s before joining Eidos in 1998. He joined EA in 2000 before leaving in 2008. He next worked as design director on Split/Second before joining Ubisoft in 2010. In 2012 Glancey returned to Criterion.
Tommy Hudson worked as a designer. Hudson joined Criterion in 2005 and worked at the company until the end of 2010. Hudson next joined DICE where they worked on Battlefield. In 2013 Hudson joined Remedy and worked on Quantum Break. They are currently lead designer on a new game at Remedy.
Oliver Reid-Smith worked as a designer. Reid-Smith joined Criterion in 2004 before leaving in 2010. They worked as a lead designer on Split/Second before becoming a freelance consultant in 2012. Reid-Smith has worked on games including The Room, Disney Infinity and Blackwood Crossing.
Steve Watt worked as a designer. Watt joined EA in 2004 and worked as lead online designer. In 2008 Watt left and joined Codemasters where they worked as lead designer. After the closure of the Guildford studio in 2011, Watt did some freelance in 2012. Later that year, Watt joined Microsoft.
Ben Earnshaw worked as a level designer. Earnshaw worked on AI and planned race routes for the game, before leaving at the end of 2007. He next joined Dark Energy Digital as a designer on Hydrophobia. In 2010 Earnshaw left the gaming industry and joined his family’s woodworking company.
Mata Haggis worked as a level designer. Haggis previously worked at Channel 4 and MTV before joining Criterion for 2007. Haggis worked on building the world and make it seem believable. In 2008 he joined Rebellion where he worked as a designer on Alien vs Predator and PDC World Championship Darts Pro Tour. After leaving Rebellion in 2010 Haggis lectured at NHTV for five years before becoming a professor. From 2013 to 2016 he worked with Sassybot freelance, and since 2000 has worked as a game designer with Matazone.
Dave Sage worked as a level designer. Sage joined Criterion in 2007 after short work lecturing. In 2008 Sage left and joined Codemasters, where he worked until 2011. Since then Sage has worked for various groups teaching, and currently is general manager of a cafe/bicycling company.
Jason RM Smith worked as associate CG supervisor. Smith joined EA in 1998 and worked at Bullfrog and EA UK before joining Criterion. At the end of 2007 Smith left and joined Lucasarts where he worked on The Force Unleashed, 1313 and other games. When Lucasarts closed Smith co-founded Soma Play where he worked until 2017. He currently is a creative consultant.
Richard Franke worked as a lead artist. Franke worked as an artist for Scavenger and Mucky Foot before joining EA in 2002. At the end of year Franke joined Criterion, where he worked until 2012. After leaving Franke founded Magic Notion where he has made games and worked as a contract artist for Media Molecule.
Mark Hamilton worked as a lead artist. In 2008 Hamilton left Criterion and co-founded Fireproof Games.
John Lewis worked as a lead artist. Lewis worked as an artist at ICE, DA Group and Bits Studios before joining Criterion in 2005. In 2012 Lewis left and joined Codemasters. Lewis is currently art director at the studio.
James Lipscomb worked as a lead artist. Lipscomb worked at Line One, Red Hot Chilli and Orange Crush before joining EA in 2002. In 2009 Lipscomb left and joined Disney where he worked on Split/Second. At the end of 2011 Lipscomb joined Lucasarts where he worked until the company’s closure. After that he worked at Rumble, Gaia Interactive and Linekong working in UI and UX. He is currently director of UX at pocket gems.
Neil Manners worked as a lead artist. Manners seems to have joined Criterion in the mid-90s. He seems to still be at EA, last working as a senior animator on Need for Speed Payback.
Barry Meade worked as a lead artist. Meade joined the studio in 2003 after working at PCSL, Bullfrog, Scavenger, Negative Productions, Mucky Foot and Iguana. Meade worked mostly on the lighting for Paradise. In 2008 Meade left Criterion and helped found Fireproof Games, where he currently works.
Yuta Nakamura worked as a lead artist. Nakamura worked for Video Systems before joining EA in 2001. Nakamura went on to work as a art director on Need for Speed games before joining DICE in 2016.
David Rack worked as a lead artist. Rack joined Criterion in 2003 and worked at Criterion until 2008. After leaving Rack co-founded Fireproof Games, where he is currently a lead artist.
Damien Rayfield worked as a lead artist. Rayfield worked at Rebellion before joining Criterion in 2004. In 2008 Rayfield left and co-founded Fireproof Games.
Roger Schembri worked as a lead artist. Schembri worked as a graphic designer before joining Criterion in 2004. Schembri worked on UI before leaving in 2008 to work as a lead UI artist at Codemasters. At the end of 2010 Schembri left and joined Fireproof Games.
Chris Cannon worked as an artist. Cannon joined Criterion in 2005 after animating and storyboarding for various companies. In 2008 Cannon left and co-founded Fireproof Games, where he is a lead designer.
Max Cant worked as an artist. Cant joined Criterion in 2005 and worked as an environmental lead. In 2008 Cant left and joined Codemasters as an art director. After leaving Codemasters in 2011, Cant worked for six months at both Koyoki and Vatra Games. At the end of 2012 Cant joined Deepmind, which was later bought by Google.
Tony Cartwright worked as an artist. Cartwright “worked for a several game companies, some that he would prefer not to mention, working on titles that he’d also prefer not to mention.” (mostly movie tie-ins) before joining Criterion. In 2008 Cartwright left and co-founded Fireproof Games, where he is currently a lead artist.
Ingmar Clarysse worked as an artist. Clarysse worked at Larian and Argonaut before joining EA in 2004 as a VFX artist. In 2008 Clarysse left and joined Rocksteady Games, where he works as lead on VFX on the Arkham series.
Will Evans worked as an artist. Evans worked at Teletext before joining Criterion in 2005. In 2009 Evans joined Codemasters before joining Supermassive Games in 2010. After leaving in 2014 and working for 9 months at Rodeo Games, Evans co-founded Playsport Games in 2015.
Dave Flynn worked as an artist. Flynn joined the games industry in 1991 working at Storm Education Software. Flynn also worked at Oregan Software, The Automotive Association and Interactive Studios/Blitz Games (including work on Glover) as well as co-founding Paradise Games. In 2003 Flynn joined Criterion before leaving in 2008 and joining Slightly Mad Studios.
Nicole Gabriel worked as an artist. Gabriel worked as a 3D modeler for various architecture groups before joining EA in 2005. Gabriel worked on the art for Paradise City before leaving in 2009 to work as a freelance artist.
Derek Germain worked as an artist. Germain worked at Bits Studio before joining EA in 2005 as an environmental artist. In 2009 Germain left before joining Slightly Mad Studios as a snr artist. In 2011 Germain left and joined FIreproof Games, where he is a senior artist.
Jack Griffin worked as an artist. Griffin joined Criterion in 2005 before moving into management in 2012. Griffin is currently development direction at the company.
Ben Hall worked as an artist. Hall joined Criterion in 2005. On Paradise he worked on vehicles and later the environment. Hall moved into world design for later Criterion games before becoming lead. In 2013 Hall moved to Ghost Games for five months before working on Battlefield Hardline as an artist for seven months. In 2014 Hall joined Ubisoft where he worked as a level designer on Assassin’s Creed Syndicate. He is currently working as world director on an unannounced game from Ubisoft Quebec.
James Hans worked as an artist. Hans ran Infinite Detail before joining Criterion in 2001. In 2011 Hans became a producer at Criterion before leaving in 2014. Since leaving, Hans has worked as an artist/producer at Natural Motion.
Scott Harber worked as an artist. Harber joined Criterion in 2003 and worked as a technical artist on Paradise. In 2013 Harber worked for a year as technical art director on an unannounced EA game before working on Battlefield Hardline. In 2014 Harber left and started Sc0tt Games which he ran for a year before joining Natural Motion as lead technical artist.
Young Jin Park worked as an artist. I’m unable to find additional information about what Park did (they are credited on Black and Burnout Dominator, but their Mobygames page is mixed with another person with the same name).
Jin Jung worked as an artist. They were last credited with Hot Pursuit, but I’m unable to find any additional information.
Quyen Lam worked as an artist. Lam worked shortly at La Paraguas and Axis Animation before joining Criterion in 2005. In 2008 Lam left and joined Ubisoft, where he worked on Driver: San Francisco. After a short three months at Slightly Mad, Lam joined Rockstar as an environmental artist in 2010.
Kwok Law worked as an artist. Law previously worked on films and television like Harry Potter before joining Criterion in 2005 as a level artist. In 2008 Law left and joined Doublesix Games, where he was a seniolead artist. In 2012 Law left and joined Born Ready before joining Digicub nine months later. In 2013 he co-founded Polynation Games until 2016, when he founded Massive Kwok.
Steve Leney worked as an artist. Leney worked at Mindscape for most of the 90s before joining EA in 1998. In 2008 Leney left and joined Relentless Software, where he worked until 2016. Since leaving Leney has worked as an artist at Make Real.
Mikael Mettania worked as an artist. Mettania worked at Atari and Eutechnyx before joining Criterion in 2005. He worked as a senior vehicle artist on Paradise and a world artist on the DLC. In 2013 Mettania moved over to Ghost Games for seven months before joining Natural Motion as art director in 2014.
Lyndon Munt worked as an artist. In college, Munt worked on Driv3r before joining Criterion in 2004. In 2010 Munt left and joined Fireproof Games, where he is currently a senior artist.
Ben Murch worked as an artist. Murch previously worked at Rebellion before joining Criterion in 2005. In 2007 Murch left and joined Codemasters as a senior artist. In 2010 Murch co-founded Rodeo Games. In 2016 he co-founded Perchang.
Adriaan Pottas worked as an artist. Pottas previously worked at Three Blind Mice and Indestructible Productions before joining EA in 2005. In 2009 Pottas left and worked for a year at Ignition London as a senior artist. Since 2010 Pottas has lectured at Southampton Solent University.
Richard Thomassen worked as an artist. Thomassen worked at Psygnosis for a year before joining Criterion in 1998. In 2013 Thomassen moved to Ghost Games before returning to Criterion the following year.
Marcus Wainwright worked as an artist. Wainwright worked for a year at Rebellion and joined Criterion in 2005. At the end of 2008 Wainwright left and soon joined Codemasters, where he worked until the start of 2012. After a year at Climax Wainwright joined Deepmind in 2013, and is currently a senior technical artist.
Chris Walley worked as an artist. Walley previously worked at Revolution Software before joining Criterion in 2001. On Paradise Walley was lead previs artist. In 2008 Walley left and became director at Escapist Games.
Sam White worked as an artist. White joined EA in 2005 and worked as a graphic designer and GUI artist. In 2009 White left and joined Supermassive Games as an interface artist. In 2015 White left and became director at Playsport Games.
Iain Angus worked as a lead programmer. Angus was an intern at APR Smartlogik before joining Criterion in 2002. In 2011 Angus left and joined VLI before joining Konami in 2013. In 2015 he joined Lionhead until its closure in 2016. He currently works as a development manager at Creative Assembly.
Chris Cummings worked as a lead programmer. Cummings previously worked at Eutechnyx before joining Criterion in 2004. In 2009 he left and joined joined Media Molecule. In 2015 Cummings spent a year at Hello Games working as a programmer on No Man’s Sky before joining Happy Robot Games and Future Tech Labs in 2016.
Alex Fry worked as a lead programmer. Fry joined Criterion after college and worked on rendering. Sometime in the last few years Fry moved over to EA Guildford and currently works on rendering for Frostbite. If you want to learn more, Fry did an interview with EA
Andy Hubbard worked as a lead programmer. Hubbard joined Criterion in 2004 working on physics. In 2008 Hubbard joined Black Rock Studios to work on Split/Second before becoming director of ShortRound in 2011.
Mark Huntley worked as a lead programmer. Huntley worked at Bullfrog from 1993 to 2000 before joining EA. After some Harry Potter games Huntley worked on Paradise. At the end of 2010 he left EA and in 2011 joined Codemasters as a lead programmetechnical director on for online. In 2013 he moved to Lionhead where he worked until the company’s closure. Since then he has worked as a technical program manager at Highlight - See Clearly.
Steve Lucas worked as a lead programmer. Lucas worked at IBM for around a year before joining Criterion in 1998. In 2013 Lucas moved to Canada and became a technical director at EA.
Toby Nelson worked as a lead programmer. I’m unable to find out much info about Nelson. Their first game as part of Criterion was AirBlade and they directed Burnout Crash.
Tad Swift worked as a lead programmer. Swift worked for about a decade in programming/consultation before studying games programming in 2003 and 2004. Swift joined Criterion in 2005 as a junior programmer before becoming lead VFX programmer for Black and Paradise. Swift next went into core engine technologies before leaving in 2013 to join Lionhead. Swift worked as a lead programmer for Fable Legends before joining the Microsoft Advanced Technology Group as a senior software engineer.
Rajan Tande worked as a lead programmer. Tande joined EA in 1996 and in 1999 became a lead programmer. After two years as technical director for Harry Potter, Tande joined the Burnout team in 2006. After Paradise, Tande moved over to EA Bright Light where he worked until its closure in late 2011. He next moved to Maxis Emeryville in California where he worked until its closure in 2015. Since then, he has been CTO at Magic Fuel Games.
John Twigg worked as a lead programmer. Twigg previously worked at EA Black Box before joining Criterion in 2006. Twigg led the design of the audio software for Paradise before leaving in 2008 to joining BNP Paribas. In 2010 he co-founded Crankcase Audio and has worked for a year or so at companies including United Front Games, Snowball (which he co-founded) and Credit Karma.
David Addis worked as a programmer. Addis worked at Codemasters for a year before joining EA in 2005. On Paradise Addis worked on the HUD and refactoring the system. In 2008 he left and joined Lionhead where he worked until 2012. Since 2013 he has worked as lead UI programmer at Natural Motion. Since 2010 he has also run ESP Games.
Mark Baker worked as a programmer. Baker worked at Sony, Metrowerks, Mucky Foot and Climax before joining Criterion in 2005. Baker worked on tools and workflow for Paradise before leaving in 2008 and joining NCSoft for five months. Later in 2008 he joined Black Rock Studio and worked as a lead programmer on Split/Second. In 2011 Baker joined Mind Candy before returning to EA in 2015 as a technical director for development release engineering.
Peter Bliss worked as a programmer. I’m unable to find much information about Bliss but they seem to still be at Criterion.
Garry Casey worked as a programmer. Casey joined Criterion in 2006. At some point Casey moved over to Ghost Games and last worked as online lead on Need for Speed Payback.
Rob Cowsill worked as a programmer. I’m unable to find much information about Cowsill but it seems like they joined Rebellion in 2009 any maybe currently works at Force Field.
Ken Cropper worked as a programmer. Cropper is still at Criterion, and is currently director of engineering.
Antony Crowther worked as a programmer. Crowther joined the games industry in 1983 and worked at Aligata Software, Mirror Soft, Mindscape, Gremlin Interactive, Infogrames and Genepool before joining EA in 2004. In 2006 Crowther moved to Criterion for a year before returning to EA. Since 2011 Crowther has worked as a technical consultant at Sumo Digital.
Graham Daniell worked as a programmer. I was unable to find much information about Daniell but they seem to be at Rocksteady.
Robert Dodd worked as a programmer. Dodd previously worked at Codemasters before joining Criterion in 2005. In 2008 Dodd joined Supermassive before becoming technical director at Fireproof Games in 2011.
Jon Evripiotis worked as a programmer. Evripiotis worked at Travellers Tales before joining Criterion in 2005. In 2008 he joined Bloomberg as a software engineer.
Martiño Figueroa worked as a programmer. Figueroa joined Criterion in 2005 and worked as an AI and gameplay programmer for Paradise. In 2011 Figueroa left and worked at The Foundry for 10 months before co-founding and becoming director of JFDP Labs in 2012. Since 2015 Figueroa has been director of Madruga Works which released Planetbase.
Rich Geldard worked as a programmer. Geldard joined Criterion in in 2005 and is still with the company as technical director.
Joseph Goodwin worked as a programmer. Goodwin joined Criterion in 2006 and worked on tools, UI and localization for Paradise. Goodwin is still at Criterion as a software engineer.
André Jacobs worked as a programmer. Jacobs previously worked at Fifth Dimensional Technologies, Adreniware, I-Imagine and Climax before joining Criterion in 2006. Jacobs worked on the traffic system for Paradise which was later used in Criterion Need for Speed games. In 2008 he joined Lionhead before joining Bloomberg in 2010. In 2012 Jacobs became lead programmer at Medopad before leaving in 2015 and working a year at ICSA. Since 2010 he has also run Voxel Beast.
Matthew Jones worked as a programmer. Jones previously worked at Terabyte and Infogrames/Atari before joining Criterion in 2006. In 2013 Jones left Criterion and worked JFDP Labs on contract while being self employed. In 2015 he joined Microsoft as a senior software engineer in rendering.
Ian Lambert worked as a programmer. Lambert is still part of Criterion and works on UI and UX.
Ling Lo worked as a programmer. Lo worked out Logica, Coment, Argonaut and Symbian before joining EA in 2005. Lo worked on tools and build for Paradise before moving to Vancouver in 2008 to work with EA Black Box. In 2012 Lo moved to Burnaby and has worked as lead online engineer for the Garden Warfare series.
Phil Maguire worked as a programmer. Maguire joined Criterion in 2005 and worked on Freeburn Challenges, Mugshots and Road Rules for Paradise. After working on autolog and multiplayer for Need for Speed games Maguire because technical director of Criterion in 2013. In 2014 he left and help found Three Fields Entertainment.
Alex Mole worked as a programmer. Mole joined Criterion in 2005 and was lead online programmer for autolog. Mole is currently technical director of Criterion. In 2016 Mole gave a talk at GDC.
Robert Perren worked as a programmer. Perren joined Criterion in 2005 before becoming lead tools and workflow programmer in 2012 at Criterion/Ghost Games. In 2014 he left EA and became technical manager at Falmouth University.
Davide Pirola worked as a programmer. Pirola previously worked at companies including Psygnosis, Steel Monkeys and Kuju Entertainment before joining Criterion in 2005. As part of Criterion, Pirola was the self-described “lowest ranked programmer ever.” Here is Pirola’s description of working at Criterion unedited: “My main duty was playing foosball at their mega bar and basically trying to do as little as possible! I mostly succeeded for almost 5 years, my contribution to their games was very minimal, in fact the worst part of every game they made was probably my code, specially crafted in such a way that was a mess to understand and run, credits go where credits due people… I once tried to write some proper code, I remember, it was a Thursday morning, but then I've changed my mind.” Pirola left in 2010 and is currently “Le Grande Fromage” at JFDP labs.
Gavin Rouse worked as a programmer. Rouse joined Criterion in 2002 and seems to now be at Ghost Games as a senior software engineer.
Andrei Shires worked as a programmer. Shires is still at Criterion and seems to work on front end and UI.
Dave Smeathers worked as a programmer. Smeathers joined Criterion in 2006 after being “forced into making video games to pay off his online poker debts.” On Paradise Smeathers worked on coding physics and coding crashes. Smeathers later became physics lead on Need for Speed Most Wanted before leaving Criterion in 2013 to join Fireproof Games.
James Smith worked as a programmer. Smith worked at Mentor Graphics before joining Criterion in 2003 as an audio programmer. Smith became lead audio programmer before leaving Criterion in 2007 and moving to Canada to work at Black Box. In 2012 he left and joined The Coalition, where he is lead audio programmer.
David Steptoe worked as a programmer. Steptoe joined Criterion in 2002 and later became lead audio programmer. In 2013 he left and joined Escapist Games, before leaving at the end of the year. In 2014 he joined Lionhead where he worked until its closure. Steptoe currently runs Audio Software Development, which he formed in 2016.
Alex Thomson worked as a programmer. Thomson previously worked at Rebellion, Elixir and Kuju before joining Criterion in 2006 as a senior software engineer. He has worked as a technical director and lead software engineer in his time at Criterion.
Alex Veal worked as a programmer. Veal joined Criterion in 2006 as an online software engineer. In 2014 he left Criterion and helped start Three Fields Entertainment
James Warren worked as a programmer. Warren joined Criterion in 2005 as an audio programmer. He currently seems to be at Ghost Games and is audio lead.
Tom Williamson worked as a programmer. Williamson previously worked at The Marketing Bureau before joining Criterion in 1999 as a software engineer. In 2011 he left Criterion and the following year became director at JFDP Labs, where he worked until 2017. In 2012 he also started a company called Threeshinyapples Limited.
Ben Woodhouse worked as a programmer. Woodhouse joined Criterion in 2005 as a graphics programmer. On the Paradise engine, Woodhouse worked on “lighting, shadows, occlusion culling, frustum culling, scene management, and various low-level CPU/SPU jobs used in the rendering pipeline.” At the end of 2009 he left Criterion and joined Lionhead as lead engine programmer. After the closure of Lionhead, he joined Epic where he is currently lead console programmer.
Chris Hegstrom worked as audio lead. Hegstrom previously worked at Stormfront Studios and Lucasarts before joining Criterion in 2005. At the end of 2007 Hegstrom left and joined Sony where he worked on God of War. In 2010 he joined Microsoft as audio director before leaving in 2015 and starting Symmetry Audio. In 2016 he joined Technicolor before joining Amazon in September 2017.
Steve Emney worked as an audio designer. Emney was previously self employed before joining Criterion in 2004. He became audio director at Criterion before joining Disney to work on Split/Second in 2009. After the closure of Black Rock Emney became director of TRC Family Entertainment in 2012 where he worked until 2014. Since 2014 he has worked for eMotion in Sound and since 2015 has worked for The Trailerfarm.
Lewis James worked as an audio designer. James joined Criterion in 2005. In 2008 he moved to EA Montreal until 2011, when he moved to Guerrilla Games. At the end of 2013 he left and became director of Improbable until 2015, when he joined La Indiana Sound.
Zsolt Marx worked as an audio designer. Marx previously worked at Rockstar Vienna before joining Criterion in 2005. In 2008 he started to work on other EA games before leaving the company in 2010 after working on Harry Potter and the Deathly Hallows. Since 2012 he has worked as a producer and lead programmer at Noizoo Games.
Thomas Belmont worked as an additional producer. Belmont previously worked at Ubisoft (first in QA and later as a designer and producer) and Eliad Technologies before joining Criterion in 2006. In 2011 he moved to Vancouver to work on other EA games before leaving in 2014 and becoming a producer for online technologies at Ubisoft.
Nick Channon worked as an additional producer. Channon joined EA in 1996 in Vancouver before moving to the UK in 2000 and joining Criterion in 2006. In 2008 he moved back to Vancouver and is currently senior director of business development at EA.
Neil Kaminski worked as an additional producer. Kaminski previously worked at companies including Bullfrog, Pure and Argonaut before joining Criterion in 2005 as a lead artist. In 2006 he became a producer before leaving in 2008 to become studio art manager at Codemasters in 2008. In 2011 he left and joined Escapist Games before joining Pixel Heroes in 2013. After leaving in 2016, he joined CCP in 2017.
Emily Newton Dunn worked as an additional producer. Dunn previously worked in PR for various companies before joining Criterion in 2005 as a producer. In 2007 Dunn moved to EA and became a game designer before becoming lead game designer at Playfish in 2011. In 2013 she left and after being after a few companies for a few months Dunn joined Another Place in 2014. In 2017 she left and after seven months at Playdiation joined Media Molecule in January 2018 as a consultant system designer.
Anja Haman worked on additional support. Haman previously worked at Radical before joining EA in 2005. In 2007 she left before joining Black Box in 2009-2011. From 2012-2015 Haman worked at Work at Play and has been part of Microsoft since the end of 2017. Since 2000 she has worked as president of Haman Consulting.
Maëlenn Lumineau worked on additional support. Lumineau worked as a translator before joining EA in 2000. In 2007 she joined Criterion as as operations manager before leaving in 2013 and joining Ubisoft as a producer.
Adrian Selby worked on additional support. Selby joined Criterion in 2002 as a producer before leaving in 2009 and becoming a producer at Disney. After 2011 Selby worked at some non-video game companies like BP before joining Boss Alien in 2015.
Harvey Wheaton worked on additional support. Wheaton previously worked at companies including JPMorgan Chase before joining EA in 2003. In 2007 and 2008 he was COO/director of product development at Criterion before joining Supermassive in 2008 as their studio director. At the end of 2013 he left and, after working as a consultant for over a year, joined Codeclan in 2015. In 2017 he became executive producer at Natural Motion.
Graeme Williams worked on additional support. Williams worked at Virtuality, Psygnosis and Rebellion before joining Criterion in 2002 as head of product management. In 2004 he became development director before leaving in 2008. After five months at Supermassive Williams joined VIrtual Toys where he worked until 2011. He next joined Digital Chocolate before joining Ubisoft in 2013. From 2014-2016 he worked at Guerrilla before taking a break and joining Virtually Live in 2017.
Paul Dibden worked as an additional artist. Dibden joined EA in 2005 as a graduate artist before eventually becoming a development director. In 2013 he left and co-founded Milkcap before joining Splash Damage in 2015 as a producer.
John Humphries worked as an additional artist. Humphries previously worked at Bubball before joining EA in 2005. In 2008 Humphries left and joined Realtime Worlds as a lead environmental artist. In 2010 he founded Onyx Digital.
Vincent Jenkins worked as an additional artist. Jenkins joined EA in 2006 as a concept artist before joining Codemasters in 2008, where he worked until 2011. Jenkins has mostly worked as an artist for films, including Rogue One, Game of Thrones and Casino Royale. He last worked on concept art for Solo.
Rasmus Jorgensen worked as an additional artist. Jorgensen joined EA in 2000 as a concept artist before leaving in 2007 to join Codemasters. In 2010 Jorgensen left and spent about a year at Leading Light, Double Negative and Ghost A/S before joining IO in 2014.
Jason Lord worked as an additional artist. Lord joined EA in 1993 and worked as a video director until 2012. In 2012 Lord started Liquid Crimson, which has worked with companies including Square Enix, Supermassive, Hello Games, Microsoft, IGN and Capcom.
Osman Nazlivatan worked as an additional artist. Nazlivatan previously worked freelance and at Argonaut before joining EA in 2004 as a technical artist. In 2007 Nazlivatan left, and after months freelance at Big Head, joined Hotch Potch as lead artist/director. In 2011 Nazlivatan left and after under a year at both Natural Motion and Sony joined King in 2014. In 2016 Nazlivatan left King but I’m unable to find what they’ve done after. Edit: Nazlivatan is still at King
Justin Rae worked as an additional artist. Rae joined EA in 1996 and was lead artist on F.A. Premier Manager games. In 2008 Rae left and became director of art at Supermassive before starting his own company, Studio 96, in 2016.
Peter Reeve worked as an additional artist. Reeve previously worked at a few different companies before joining EA in 2004 as a video editor. In 2008 Reeve joined Black Rock before freelance in 2009 and working with companies including EA and Crytek. He currently works at RMV Productions.
Dean Stolpmann worked as an additional artist. Stolpmann worked as an artist at companies including Frontier and Sony before joining Criterion/EA in 2005. In 2007 Stolpmann joined Outso and Codemasters before joining Supermassive as art director in 2010. Stolpmann joined Gameloft shortly after before becoming head 3D tutor at South Seas Film & TV school in 2013.
Avril Lavigne sang the song “Girlfriend” which was featured in the game. The song released in 2007 and the music video has been viewed over 400 million times. Lavigne also recorded the chorus of the song in 8 different languages.The song also got another version with Lil Mama.
submitted by Forestl to Games [link] [comments]

Wrestling Observer Rewind ★ Nov. 10, 1997

Going through old issues of the Wrestling Observer Newsletter and posting highlights in my own words. For anyone interested, I highly recommend signing up for the actual site at f4wonline and checking out the full archives.
PREVIOUS YEARS ARCHIVE: 1991 • 1992 • 1993 • 1994 • 1995 • 1996
1-6-1997 1-13-1997 1-20-1997 1-27-1997
2-3-1997 2-10-1997 2-17-1997 2-24-1997
3-3-1997 3-10-1997 3-17-1997 3-24-1997
3-31-1997 4-7-1997 4-14-1997 4-21-1997
4-28-1997 5-5-1997 5-12-1997 5-19-1997
5-26-1997 6-2-1997 6-9-1997 6-16-1997
6-23-1997 6-30-1997 7-7-1997 7-14-1997
7-21-1997 7-28-1997 8-4-1997 8-11-1997
8-18-1997 8-25-1997 9-1-1997 9-8-1997
9-15-1997 9-22-1997 9-29-1997 10-6-1997
10-13-1997 10-20-1997 10-27-1997 11-3-1997
  • Bret Hart officially gave notice to WWF this week that he's leaving and has agreed to a 2-year deal with WCW. Hart has reportedly been unhappy with WWF's new, more crude direction and that, more than money, is reportedly why he chose to leave, but of course, money played a big part also. But Hart is reportedly so embarrassed by the current WWF direction that he doesn't even let his children watch the show and of course has been upset at having to deal with Shawn Michaels. Both Hart and WWF tried to keep the story under wraps until after Survivor Series but that's impossible these days. Once the story leaked, WWF released a statement admitting that they were giving Hart the opportunity to explore other options. On Nitro, Eric Bischoff teased that he would have a big announcement next week, which would be Hart coming to join the NWO (which would probably be turned into a storyline with him deciding if he's with WCW or NWO). For now, Bret is scheduled to work all his WWF booked events through the end of November and then one final PPV show in December. Hart and Bischoff have reportedly been negotiating for about 6 weeks, and very few people knew. They met in person 3 weeks ago and at that point, they were pretty sure Bret was coming to WCW but he didn't make the final decision until this weekend. During his WWF negotiations last year, Hart got Vince to agree to a clause in his 20-year contract that allows him to quit with 30 days notice and another clause that gives him creative control over his character during those final 30 days.
  • All that is known about Hart's WCW deal is that it's similar to the contract he turned down last year, although slightly less money because Hart insisted on working fewer dates (around 125-140 per year) due to a bad knee that never really healed last year and a wrist injury that he's long needed surgery on. It also has the same deals with Hart getting movie roles for Turner. Bret will likely be used to help prop up the new Thursday TBS show as well as help WCW grow in Canada. Dave recaps the last year, saying Bret quickly became unhappy in WWF after signing his new deal, and pretty much came up with his own angle for the double-turn with Steve Austin and with forming the Hart Foundation. He also has well-known heat with Shawn Michaels dating back to last year but got much more heated this year with Shawn's "Sunny days" comment followed by a legit backstage fight that led to Shawn walking out of the company. Neither man was punished for the fight and in fact, WWF basically begged Shawn to return. Eventually they agreed to co-exist and leave personal lives and families out of their promos, but Shawn then did an interview talking about Stu Hart. Shawn later apologized for that one, saying he got carried away in a promo. Shawn has been on a self-destructive path the last year and his immaturity and antics on TV are seemingly encouraged by Vince McMahon, which upset Bret. And the final straw appears to be Vince deciding that Bret will drop the title to Shawn at Survivor Series.
  • There's been speculation that Vince McMahon actually wants Bret to leave because he doesn't want to honor the 20-year contract that Bret has because he has buyer's remorse. McMahon fought hard to keep Bret from WCW last year and many think he was only thinking in the short-term when he made the deal. Long-term, it's a very expensive contract that doesn't make good economic sense for WWF which has led to people questioning whether or not Vince is actively trying to push Bret to leave. Asking him to drop the title to Shawn was sure to upset him and Vince knew it. Dave says no one knows exactly what will happen in Montreal at the PPV. Most people will expect Bret to drop the title, but they may try to swerve fans and do it at another time. But either way, Bret will have to drop the belt sometime very soon. As for guys like Owen Hart and Davey Boy Smith, they're both locked into 5 year contracts and it doesn't look like any of this will affect their status with the company.
  • And on a final note, just a few days ago, Bret Hart wrote a column in the Calgary Sun paper which is designed as a "letter" to Shawn Michaels that was meant to seem like a shoot in order to promote the Survivor Series match. But knowing what we know now, it takes on a whole new meaning (I'm sure Bret meant every word of this):
"Shawn Michaels, you are a disgrace to professional wrestling. It amazes me that there was a time I actually thought you'd be the guy who could come up behind me and carry the ball when my time comes to retire. Now when you're behind me, I have to make sure I don't bend over. I am a second generation wrestler. Like a lot of second generation wrestlers, I've paid my dues. The way you are degrading the business makes me sick and breaks my heart. That's not what Heartbreak Kid was supposed to mean. I told you, and Vince told you, to leave our families out of this. So you got on RAW and said that my father is dead. This time you're so far over the line that there's no coming back. Every so often, after you shoot off your mouth, you come to me backstage with a lame apology and a limp handshake. "Oh Bret, my mouth always gets me in trouble when I get goin' out there. You know I didn't mean nothin' by it."
Don't bother this time, I'm not buying it. I would not embarrass my father--who is not only very much alive but is still tougher today at 83 and more of a man than you will ever be--as you have embarrassed your father with your degenerate behavior. How humiliating for your poor mother to have to explain your lewd gestures to her friends. You don't respect anybody, do you? What does Jose Lothario think of how you've made pornography out of what he taught you? Shawn Michaels, you are nothing more than a whore for this business.
You called me a paper champion because it bothers you that my contract is worth more than you and the whole Degeneration X put together. You said I wrestle because I need the money, but you wrestle because this business needs you. You are a festering cancerous tumor in this business. After Wrestlemania XII, I went home for a while to give you the chance to become "the man" because as long as I'm around you'll never be "the man." You were so bad at being "the man" that the WWF and WCW had the biggest bidding war in wrestling history to get me to come back. You'd have the World championship belt. But you don't. What do you have, besides a big mouth and a bad attitude?
Shawn Michaels, you said that beating the Undertaker makes you an icon. Not taking anything away from 'Taker, but you weren't the first guy to beat him, you just did it too late. You said you're the only icon that can still go, not like the fossils. You're so beat up from taking completely overdone bumps like a Mexican jumping bean that you can't even work a full schedule like the older guys. You only wrestle about once a month and you're proud of that? Then people who think they know more about this business than they actually do, write about what a hard worker you are. Anyone can work hard once a month. You've barebacked your way to main event matches and they give you the best guys in the business to make you look good.
So you and your boyfriend, Hunter, think I'm too old. Hunter said he's bigger than me in more ways than one, and then you pointed at Hunter's crotch and said he could put an eye out with that thing. Thanks for admitting that you know what Hunter has in his pants. So how come I have four kids and all you two have is each other? I'm not the one shooting blanks. By the way, you both looked very comfortable eating bananas together on Raw. Lots of parents tell me they won't let their kids watch the shows anymore because of you and they don't watch either because you're such an asshole. People are shutting the show off because of you! It took so long to make wrestling into family entertainment. Thanks for setting the business back 50 years! You are the one who is confusing expansion and destruction, not me. You, Shawn, are the destruction of this business. You make me sick. You said you're the best sports entertainer in the world. Don't even think about saying you're a wrestler. What I do is an art form and what you do is...what do you do, anyway, cause it's not pro wrestling anymore?
You called the WWF world championship a "tin title" but you're only saying that because you don't have the belt. When you did have it, you treated it like garbage and then threw it away! So now you want to try to win the title at Survivor Series? You'd better reconsider that because when I get my hands on you it's going to make the beating I gave you in the locker room last June look like a warm up. After that little scuffle, you went running to Vince, complaining that the work conditions in the WWF are unsafe. The only thing unsafe about the working conditions in the WWF is you, Shawn. You've gotten in the ring so "pilled up" lately that you can't even talk straight on TV. You'd better shake the cob webs free before you get in the ring with me at SS. This business has been my mistress for my whole life and I love her. You are raping her and taking her dignity away. Don't count on my reputation for professionalism saving your ass at SS. You're the one who threw the rule book out the window. The 17 stitches you got at Hell in the Cell are nothing compared to what's coming at Misery in Montreal."
  • Ric Flair has also agreed to re-sign with WCW which is a win for them because WWF was very interested and Flair had strongly considered it for awhile. But he'll be staying with WCW.
  • The official cause of death for Brian Pillman has been released and the verdict is heart attack due to natural causes. Reportedly, after a month of tests, the coroner was stumped for a cause of the heart attack, although his heart did show an unusual amount of damage for someone his age. It could be hereditary or due to outside factors such as cocaine or steroids, both of which it's no secret that Pillman had used and abused during his career. Toxicology results didn't show any drugs in amounts that could have killed him. He had painkillers in his system but not at dangerous levels. No steroids or illegal drugs were found in his system, nor any alcohol. He had blood pressure medication in his system, which he didn't have a prescription for but again not at a dangerous amount. On a WCW internet radio show a couple of weeks ago, Gene Okerlund claimed to have an inside scoop with sources with the police in MN that cocaine was the cause of death, which got rumors going. But when toxicology showed no cocaine in his system, this naturally led to a ton of heat on Okerlund and upset a lot of people.
  • Gorilla Monsoon's condition improved over the weekend but he's still hospitalized and listed in serious condition. Monsoon was on a respirator and receiving kidney dialysis for most of the last week. Doctors are hoping to perform a bypass surgery on his heart soon, but it no longer looks as though he needs a transplant for now. Monsoon had been a top heel back in the day and was part owner of Capital Sports (parent company of the old WWWF) before selling his share of the company to Vince McMahon Jr. in 1982. Ever since then, he's remained with the company as an announcer, figurehead authority figure, and backstage office roles as well as giving time cues at TV tapings from the other side of the curtain.
  • NJPW "only" drew around 40,000 to their latest stadium show in the Fukuoka Dome, which is the smallest crowd ever for a NJPW stadium show. The number disappointed many, and it seems to be a reality check about the long-term future of NJPW, which has been the most successful promotion in the world for the last few years, but is starting to see the peak fading. Right now, they're being carried by the final retirement shows of Riki Choshu which are doing big business, but after he retires on Jan. 4th, NJPW doesn't really have anything exciting on the horizon for 1998, which has some in the company worried.
  • Two incidents with fans at wrestling shows made news this week and led to near riots. The first was at a Promo Azteca show in Tijuana. A bunch of wrestlers were in the ring having a big post-match brawl. Among them were Rey Misterio Jr., Psicosis, Konnan, and others when a fan hit the ring and did a dropkick on Misterio. Then another fan ran in and hit Mistero with a chair, but Misterio got the chair away from the fan. At this point, fans in the crowd all started throwing chairs at the ring and, sensing a riot about to break out, others in the crowd panicked and began running. All in all, it was a scary situation but nobody was hurt. For what it's worth, WCW doesn't want Misterio wrestling in Mexico anymore because they don't want him to get hurt, especially at a non-WCW show.
  • The other incident took place in (where else?)....ECW at a show in Plymouth, PA. This situation was different. According to several witnesses, a small group of fans showed up, all big tough looking guys, and they were there looking for trouble right from the beginning. They were harassing the wrestlers all night from the front row and during the first match, security came and told them to stop leaning over the rails and stop spitting at wrestlers, but the security guard was shouted down by the group. Why they weren't removed then and there, no one knows. The ECW wrestlers mostly tried to avoid wrestling near them. But then Axl Rotten, Balls Mahoney, John Kronus and (who else?) New Jack came to the ring for a match. And then trouble began. When Balls Mahoney got too close, 2 of the fans started punching him. Mahoney turned around and started throwing wild punches back and then the ECW locker room emptied as everyone ran out to join the brawl. "Reports are the Dudleys were going through the crowd like buzzsaws" and it took nearly 20 minutes to bring order back to the show. After it was over, several hundred fans were outside the building trying to escape the near-riot. Several fans were injured, although none seriously. 40 police officers, some in riot gear, and even a police dog showed up to the scene. The story made all the local news outlets. Balls Mahoney and New Jack were brought to the police station for questioning. The 2 fans who threw the initial punches were arrested and charged with assault, disorderly conduct, and harassment. New Jack surprisingly didn't do much during the fight because as soon as it started to break out, Paul Heyman ran out and pulled New Jack away from it because given the Mass Transit legal situation, Heyman didn't want him getting into more legal trouble that could reflect on the company.
  • Speaking of fans getting involved, WWF ran an angle on Raw with a "fan" getting into the ring who then started doing martial arts and kicking people's asses. He is former Stampede wrestler Steve Blackman and he's expected to officially debut in his first match at Survivor Series, replacing The Patriot on Team USA.
WATCH: Steve Blackman's WWF debut
  • Dave reviews a recent FMW show and says the show-stealer was Masato Tanaka vs. The Gladiator (Mike Awesome) and says usually they're both decent workers at best but they really clicked in this match. (Indeed they did. Those 2 had the best chemistry together and they went on to have legendary matches against each other in ECW and even revived the feud years later at the first WWECW One Night Stand PPV). Anyway, this FMW match even has their famous powerbomb-outside-the-ring spot at about the 18 minute mark.
WATCH: Masato Tanaka vs. The Gladiator (FMW)
  • The Dallas Sportatorium got a new lease on life after reports came out that it would be torn down. Enough die-hard wrestling fans who still attend the occasional indie show there made enough noise that they extended the lease on the building and it won't be torn down for now.
  • USWA is dead, but Jerry Lawler had a contract to run weekly shows at a casino in Mississippi, so he's continuing to run indie shows there each week so as to not to violate the contract. In Louisville, Ian Rotten's IWA is trying to take over the TV deal and arena dates that USWA had. And Bert Prentice's Music City Wrestling is trying to take over the Memphis and Nashville deals and they'll be running their first show in Memphis next week on the usual USWA date at the same building.
  • A few weeks ago, Billy Jack Haynes emerged from hiding (reportedly because he had some bad gambling debts and was kinda on the run) and tried to make amends with people he had screwed over. He admitted having a gambling problem but said it was all behind him now. He borrowed some money from a few people to get his life back in order.....but has instead disappeared again after borrowing the money.
  • The rap group Insane Clown Posse will be wrestling at a show called Stranglemania Live in Detroit next month. The show will also feature a women's thumbtack death match. (The video below is part one. Part 2, 3, 4, etc. should start automatically after you finish the previous one).
WATCH: Stranglemania Live 1997 - Pt. 1
  • ECW held a show in Stamford, CT on Halloween that sounds like it was a lot of fun. A lot of current ECW stars who used to work in WWF used their old WWF gimmicks since it was Halloween. Al Snow came out as Avatar, Justin Credible worked as Aldo Montoya, Jerry Lynn worked as Mr. J.L., Shane Douglas did his Dean Douglas gimmick and Chris Candido came out as Skip. Also on the show, Rob Van Dam dressed as Sabu. The BWO guys (Blue Meanie and Super Nova) wrestled as Big Daddy Fool and the Heartburn Kid, coming out to Shawn Michaels' music. Finally, Tommy Dreamer won a flag match and proclaimed Stamford as ECW country (no free video anywhere but apparently you can pay to watch it here on Highspots).
LINK: ECW Halloween Hell 97
  • Tickets for Sting vs. Hogan at Starrcade go on sale this week and it's almost certainly going to break every record in WCW history. The Halloween Havoc show last month did a big PPV buyrate also. Dave says a lot of people have talked about how terrible the Hogan/Piper "age in the cage" match was, and they're right, it was awful. But the job of the top stars is to sell tickets and when it comes to that, Hogan is still #1 in WCW, no matter how bad the match was. Even Hogan's new movie Assault on Devil's Island did a 4.2 rating, making it one of the most-watch made-for-TV movies ever on cable and they may be turning the movie into an ongoing TV series.
  • Dave thinks the political situation in WCW will be interesting in 1998. All of the top stars (Hogan, Sting, Flair, Piper, Savage, Hall, Nash, and soon, Bret Hart) will be under the same roof and all of them have or will have some measure of creative control in their contracts which is sure to lead to some problems. With WWF losing Bret Hart, that frees up a lot of money so don't be surprised to see some of those guys maybe looking to go back to WWF if things get too crowded at the top.
  • Raven cut a promo on Nitro and mentioned sitting next to a girl named Trisa Hayes in elementary school. That's an inside reference because Trisa Hayes is actually the real name of ECW's Beulah McGillicutty.
  • Perry Saturn won the TV title on Nitro, and because his knee is still not fully healed, he wrestled a totally different style, sorta similar to Taz with lots of suplexes and submissions. Taz got wind of this and was reportedly upset that Saturn was stealing his gimmick but Dave says they're different enough that he wouldn't really consider it the same.
  • WCW Injury Report: Bill Goldberg has a pulled groin and will miss a few shows. Syxx had an MRI on his neck and the results weren't good, as he had more damage than originally thought. He'll be out for awhile, no word how long. DDP had blood in his urine recently but didn't miss any matches. Marcus Bagwell will be out for a few weeks after having the meniscus in his knee removed. And even Kimberly Page knocked heads with another Nitro girl during a mistimed routine and was banged up.
  • Southern California indie wrestler Christopher Daniels is expected to get a WCW tryout soon.
  • WCW filed a lawsuit against WWF over them using the name Canadian Stampede for its PPV back in July because they claimed it was too similar to WCW's Spring Stampede PPV name. The case was settled out of court, but not for money. Part of the agreement is WWF wouldn't use the name Canadian Stampede in the future.
  • DDP raised about $1,000 for Brian Pillman's family through internet donations.
  • Steve Austin has been working 8-man tag matches on house shows and doing very little in the ring. Doctors are still giving him bad diagnosis but its hard for someone to stop and give up their career when they're at their peak like Austin is now (we're not even close to Austin's peak yet).
  • Doctors have told The Patriot he should retire due to his tricep tear because it seems to be a chronic problem. He's expected to get surgery and if he decides to return, it'll be in 3-6 months (he didn't return).
TOMORROW: The Montreal Screwjob.
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