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The #1 online casino company $RSI is primed for autism
Positions: $RSI 30 03/19 30C Proof: https://imgur.com/a/swCCMjz *This post is for informational purposes only, you should not construe any such information or other material as investment, financial, or other advice.* TLDR: Rush Street Interactive ($RSI) is the #1 nationwide online casino company and the #3 or #4 sports book depending on the state. Short selling, unwarranted institutional wariness of share dilution and the general market focus on sports book instead of online casino has left $RSI grossly undervalued. A massive blow out at Q4 earnings will result in analyst upgrades and a rapid repricing by market makers and institutions seeking exposure to the emerging sector. **Overview** "Sports book is really just kind of a warm up in a lot of ways for an online casino where the real money is made" - Niccolo De Masi, CEO dMY technologies Rush Street Interactive ($RSI) operates the BetRivers.com online casino and sports book. They are now fully licensed and operating in New Jersey, Pennsylvania, Michigan, Illinois, Indiana, Colorado, Iowa, and Virginia. They own and operate a casino in New York and already have a New York license making them well positioned for liberalization there. They merged with a dMY Technology Group SPAC on Dec. 31st 2020 with 240 million on the balance sheet to spend on growth. The online casino business is fundamentally more profitable than sports betting because the average value of a casino player is estimated at $600 while a sports book player could be as little as $20. Estimates put the online casino market at DOUBLE the size of the online sports book market and the online casino industry is really just getting started as more states liberalize. $RSI is expert at new market entry; they have been first to market in Pennsylvania, Illinois, Indiana, and Colorado and even when they aren't first they are capable of capturing market share in competitive markets such as New Jersey. They also have products which women play which accounts for at least half of the market in online casino. The female market is one that the pure sports book plays miss out on. Also for some fucking reason they operate a casino and sports book in Colombia (rushbet.co) and may make large expansions into other parts of south America as legalization continues. This means they have the expertise necessary for global expansion in the future although the states remains their primary focus and growth driver. **The Financials and Strategy** Unlike other companies in the space Rush Street is already profitable in 2020 and has a strong focus on Return On Invested Capital (ROIC). Q3 gross revenue was $71.9 Million. Q4 revenue is going to be a blow out. Combing through state gambling revenue data and breaking that down by market share my estimate is that Q4 revenue could be as high as $120 Million. Paired with this blow out will be a **guidance raise to $500 Million for 2021**, which is 2/3 of DraftKings 2021 guidance of $750M. https://imgur.com/a/xkfcayC What is striking when compared to $DKNG is that their advertising spend was only a quarter of revenue in Q3 while $DKNG spent 155% of their revenue. This will change as they begin to focus on growth, but it shows they are very good at getting return on ad spend. This company should actually be valued close to $DKNG based on growth potential once guidance is raised. https://imgur.com/a/RQQXtGg Their focus on attracting **female gamers** is also important to their long term growth potential. The sports book plays with cross sells to casino such as $DKNG will not be able to grow through the female demographic in the same way. **This cannot be understated** as one of the major strategic advantages of $RSI. https://imgur.com/a/xzJj26n As I said before I expect their trend of rapid growth to continue for Q4 earnings, certainly going to be a blow out based on looking at state gambling revenue numbers. My estimate is that their revenue will be around 110M for Q4. I also expect guidance to be raised to 500M for 2021 due to strong performance in existing markets and the recently opened Michigan market as well as their sports book launch in Virginia. https://imgur.com/a/ckTqHhh **Short sellers have entered the chat** The short interest on $RSI sits at 5.08 M shares as of 01/14/21 representing a 30% increase. Now why would a company already valued at 2.8 Billion and with a comparative valuation of 8-10 Billion compared with $DKNG and $PENN be so heavily shorted at such a low market cap? My conclusion is that an institution with 10s of millions to throw at shorting this stock wants to take advantage of fear of share dilution from warrant calling or to establish a better entry prior to earnings. **Commander in GILF Cathie Wood is Bullish on the sector** On Feb. 2nd ARK disclosed that they had purchased 620,300 shares of $DKNG. This is extremely bullish for the sector. I am highly confident that after Q4 earnings ARK will be purchasing shares in $RSI as well due its strategic advantages relative to $DKNG and exposure to the female demographic. For such a small market cap company this will be a major catalyst. **Institutions are bullish** Fidelity has increased their holdings to 14% as of today: https://d18rn0p25nwr6d.cloudfront.net/CIK-0001793659/8f10b0d8-a3d2-447c-bc75-87587d0a4670.pdf Alliance Bernstein holds a 6% position reported today: http://d18rn0p25nwr6d.cloudfront.net/CIK-0001793659/e883778d-e759-4a85-91c1-3242ed110720.pdf **Final notes** Jerome "The Bus" Bettis, Steelers legend and hall of fame running back, is their brand ambassador... This company knows their target audience and how to appeal to them, likely more 'classic' ambassadors to come to attract even more boomer and Gen X degenerates. Keep in mind these are the gamblers with big money to spend, the average age of an online casino gambler is 42. This stock has been grossly underpriced due to short selling. The terms of the SPAC deal were not unfavorable and all the insiders held their shares through the merger banking on growth in the market - **management owns 77% of the company**. This is a true value play on a well managed company in an emerging industry with a market size in the hundreds of billions. I plan to hold shares long term. I will post a part 2 breaking down their latest S-1 filing and Q4 revenue by state when they release their Q4 earnings date. Do your own research. References: https://www.legalsportsreport.com/sports-betting/revenue/ https://fintel.io/doc/sec-rush-street-interactive-inc-ex991-2021-january-05-18632-947 https://s26.q4cdn.com/794539746/files/doc_presentations/2020/RSI-Investor-Presentation-15-Oct-2020.pdf https://ir.rushstreetinteractive.com/news/news-details/2020/RUSH-STREET-INTERACTIVE-ANNOUNCES-THIRD-QUARTER-2020-RESULTS-AND-RAISES-FULL-YEAR-GUIDANCE/default.aspx https://www.youtube.com/watch?v=SQWEhWuPmzU https://www.thestreet.com/investing/draftkings-surges-as-stake-bought-by-ark-next-generation Positions: $RSI 30 03/19 30C I will be adding 04/16 25cs each week until earnings. Exit strategy: "What's an exit strategy?" - u/deepfuckingvalue Update 021321: IMPORTANT after a commenter pointed out that technically they could report as late as April 2nd I AM RECOMMENDING THAT EVERYONE ROLL OUT TO APRIL 16TH 35Cs
The #1 online casino company $RSI is primed for ingress.
Positions: $RSI 03/19 30C Proof: https://imgur.com/a/swCCMjz This post is for informational purposes only, you should not construe any such information or other material as investment, financial, or other advice. TLDR: Rush Street Interactive ($RSI) is the #1 nationwide online casino company and the #3 or #4 sports book depending on the state. Short selling, unwarranted institutional wariness of share dilution and the general market focus on sports book instead of online casino has left $RSI grossly undervalued. A massive blow out at Q4 earnings will result in analyst upgrades and a rapid repricing by market makers and institutions seeking exposure to the emerging sector. Overview "Sports book is really just kind of a warm up in a lot of ways for an online casino where the real money is made" - Niccolo De Masi, CEO dMY technologies Rush Street Interactive ($RSI) operates the BetRivers.com online casino and sports book. They are now fully licensed and operating in New Jersey, Pennsylvania, Michigan, Illinois, Indiana, Colorado, Iowa, and Virginia. They own and operate a casino in New York and already have a New York license making them well positioned for liberalization there. They merged with a dMY Technology Group SPAC on Dec. 31st 2020 with 240 million on the balance sheet to spend on growth. The online casino business is fundamentally more profitable than sports betting because the average value of a casino player is estimated at $600 while a sports book player could be as little as $20. Estimates put the online casino market at DOUBLE the size of the online sports book market and the online casino industry is really just getting started as more states liberalize. $RSI is expert at new market entry; they have been first to market in Pennsylvania, Illinois, Indiana, and Colorado and even when they aren't first they are capable of capturing market share in competitive markets such as New Jersey. They also have products which women play which accounts for at least half of the market in online casino. The female market is one that the pure sports book plays miss out on. Also for some fucking reason they operate a casino and sports book in Colombia (rushbet.co) and may make large expansions into other parts of south America as legalization continues. This means they have the expertise necessary for global expansion in the future although the states remains their primary focus and growth driver. The Financials and Strategy Unlike other companies in the space Rush Street is already profitable in 2020 and has a strong focus on Return On Invested Capital (ROIC). Q3 gross revenue was $71.9 Million. Q4 revenue is going to be a blow out. Combing through state gambling revenue data and breaking that down by market share my estimate is that Q4 revenue could be as high as $120 Million. Paired with this blow out will be a **guidance raise to $500 Million for 2021**, which is 2/3 of DraftKings 2021 guidance of $750M. https://imgur.com/a/xkfcayC What is striking when compared to $DKNG is that their advertising spend was only a quarter of revenue in Q3 while $DKNG spent 155% of their revenue. This will change as they begin to focus on growth, but it shows they are very good at getting return on ad spend. This company should actually be valued close to $DKNG based on growth potential once guidance is raised. https://imgur.com/a/RQQXtGg Their focus on attracting **female gamers** is also important to their long term growth potential. The sports book plays with cross sells to casino such as $DKNG will not be able to grow through the female demographic in the same way. **This cannot be understated** as one of the major strategic advantages of $RSI. https://imgur.com/a/xzJj26n As I said before I expect their trend of rapid growth to continue for Q4 earnings, certainly going to be a blow out based on looking at state gambling revenue numbers. My estimate is that their revenue will be around 110M for Q4. I also expect guidance to be raised to 500M for 2021 due to strong performance in existing markets and the recently opened Michigan market as well as their sports book launch in Virginia. https://imgur.com/a/ckTqHhh Short sellers have entered the chat The short interest on $RSI sits at 5.08 M shares as of 01/14/21 representing a 30% increase. Now why would a company already valued at 2.8 Billion and with a comparative valuation of 8-10 Billion compared with $DKNG and $PENN be so heavily shorted at such a low market cap? My conclusion is that an institution with 10s of millions to throw at shorting this stock wants to take advantage of fear of share dilution from warrant calling or to establish a better entry prior to earnings. Cathie Wood is Bullish on the sector On Feb. 2nd ARK disclosed that they had purchased 620,300 shares of $DKNG. This is extremely bullish for the sector. I am highly confident that after Q4 earnings ARK will be purchasing shares in $RSI as well due its strategic advantages relative to $DKNG and exposure to the female demographic. For such a small market cap company this will be a major catalyst. Final notes Jerome "The Bus" Bettis, Steelers legend and hall of fame running back, is their brand ambassador... This company knows their target audience and how to appeal to them, likely more 'classic' ambassadors to come to attract even more boomer and Gen X degenerates. Keep in mind these are the gamblers with big money to spend, the average age of an online casino gambler is 42. This stock has been grossly underpriced due to short selling. The terms of the SPAC deal were not unfavorable and all the insiders held their shares through the merger banking on growth in the market - **management owns 77% of the company**. This is a true value play on a well managed company in an emerging industry with a market size in the hundreds of billions. I plan to hold shares long term. I will post a part 2 breaking down their latest S-1 filing and Q4 revenue by state when they release their Q4 earnings date. Do your own research. References: https://www.legalsportsreport.com/sports-betting/revenue/ https://fintel.io/doc/sec-rush-street-interactive-inc-ex991-2021-january-05-18632-947 https://s26.q4cdn.com/794539746/files/doc_presentations/2020/RSI-Investor-Presentation-15-Oct-2020.pdf https://ir.rushstreetinteractive.com/news/news-details/2020/RUSH-STREET-INTERACTIVE-ANNOUNCES-THIRD-QUARTER-2020-RESULTS-AND-RAISES-FULL-YEAR-GUIDANCE/default.aspx https://www.youtube.com/watch?v=SQWEhWuPmzU https://www.thestreet.com/investing/draftkings-surges-as-stake-bought-by-ark-next-generation Positions: $RSI 03/19 30C I will be adding 04/16 25Cs each week until earnings Exit strategy: "What's an exit strategy?" - u/deepfuckingvalue Forgot to add: http://d18rn0p25nwr6d.cloudfront.net/CIK-0001793659/8f10b0d8-a3d2-447c-bc75-87587d0a4670.pdf Fidelity just doubled their position to almost 15% Update 021221: Everyone that went in on my initial entry is down 40% right now. As I said I plan to continue to buy 03/19 25Cs each week until earnings. If you’re worried about further losses wait until the day before earnings to load up, you may miss a run up though. Update 021321: IMPORTANT after a commenter pointed out that technically they could report as late as April 2nd I AM RECOMMENDING THAT EVERYONE ROLL OUT TO APRIL 16TH 35Cs
A list of some surprising good fantasy books involving pirates.
Perhaps nowhere does storytelling so totally reverse reality as when it deals with pirates. It’s difficult not to like swashbuckling rogues tweaking the noses of the uptight British ninnies as they ply their brave way across the wild, lusty seas. Of course, actual pirates were about as romantic as the tortures they would inflict on prisoners, including holding lighted matches to the victim’s eyes or keel-hauling, where a sailor had a rope tied to each arm and thrown off the bow of a ship. The unfortunate was then dragged along the length of ship, scraping against the sharp barnacles and probably drowning. Fun fact: “Avast!” means “Stop!” or “Stand still!” not “Hello, fellow pirate!”
21. Corsair by Chris Bunch – 2001
Swashbuckling captain Gareth Radnor has taken command of the Steadfast. But the young captain intends more than seeking his fortune. He wants vengeance against the Linyati slavers who murdered his family. Crewed by a motley band of adventurers, his carrack plunges through the salty waves, striking at the Linyati wherever it can. And then he discovers something more compelling even than revenge: The Linyati aren’t human…
“Hard edged, salty… a fantasy adventure that will keep you up at night reading.” —Terry Brooks, author of the Shannara series
20. The Mark of Ran by Paul Kearne – 2004
Book 1 of 2 in The Sea Beggars Series In a world abandoned by its Creator, an ancient race once existed, with powers so extensive that they were seen as both angles and demons. Rol Cortishane was raised in a remote fishing village, ignorant that the blood of this long-forgotten race runs in his veins. Driven from home, Rol is trained in the assassin’s craft and tutored by the beautiful but troubled Rowen. Now they’ve set their sights across the sea in search of the Hidden City and an adventure that will make them legends, if it doesn’t kill them first. In the non-fantasy world, the Sea Beggars (the name of this series) really existed. They were a confederacy of Dutch nobles, who, from 1566, opposed Spanish rule in the Netherlands. They arrived in large numbers to complain to the king, but some wit told the ruling Spanish regent not to worry, for the large group was “only beggars.” The angry group of nobles did not forget the appellation and henceforth called themselves the Beggars. The most successful Beggars operated at sea (i.e., were pirates) and were known as the Sea Beggars.
19. Of Shadow and Sea by Will Wight – 2015
Book 1 of 2 in The Elder Empire Series The Guild of Navigators (i.e., swindlers and pirates) has been paid a fortune to secure the Heart, a cursed artifact that will give wild power to its bearer. The Guild’s only lord is greed, their only loyalty to gold, and they would sell the Empire’s freedom for the promise of a quick coin. Author Will Wight is well regarded for his likable characters and irreverent tone. Most epic fantasies tend to be high-minded and serious, but Wight has a decidedly more down-to-earth approach.
18. Pirate Latitudes by Michael Crichton – 2009
I’m not a giant Michael Crichton fan. Generally, I think his ideas and research are more interesting than the actual books he creates. This one’s fun, though. This book was unknown until after Crichton’s death—his assistant found it on a computer. However, there’s evidence Crichton was working on it, on and off, since the 1970s. Pirate Latitudes is a caper novel set in the high seas with a strong regard to the reality of the times. Because of this, it probably doesn’t belong in a fantasy list like this one. However, it’s a damn fine pirate tale, and that’s good enough for me. The Historical Novel Society notes: “Crichton’s portrayal of Port Royal and its inhabitants is far more grounded in reality than Disney’s portrayal. Crichton does not gloss over the slavery, addiction and brutality of colonial Jamaica, nor does he endow his characters with abilities beyond their training or station in life.” So don’t expect Jack Sparrow.
17. The Fox by Sherwood Smith – 2007
Book 2 of 4 in the Inda Series You might want to read the first book in the series, Inda, before diving into this one. Young prince and military genius Inda, forced to turn mercenary after conspirators engineered his exile from Choraed Elgaer, is gathering allies for a sea campaign against the piratical Brotherhood. But Inda’s attention soon shifts toward the ambitious Venn Empire, which wants to use him as a political pawn. The hardcover version of this book is significantly cheaper than the paperback. Go figure.
“[L]ively… spare yet complex characterizations and a narrative that balances sweeping action and uneasy intimacy.” —Publishers Weekly
16. Retribution Falls by Chris Wooding – 2011
Book 1 of 3 in the Tales of the Ketty Jay Series This is magical steampunk, so it’s a little nuts. I mean that as a compliment. Sky piracy is a bit out of Darian Frey’s league. Fate has not been kind to the captain of the airship Ketty Jay—or his motley crew. They are all running from something. Crake is a daemonist in hiding, traveling with an armored golem and burdened by guilt. Jez is the new navigator, desperate to keep her secret from the rest of the crew. Malvery is a disgraced doctor, drinking himself to death. So when an opportunity arises to steal a chest of gems from a vulnerable airship, Frey can’t pass it up. It’s an easy take—and the payoff will finally make him a rich man. But when the attack goes horribly wrong, Frey suddenly finds himself the most wanted man in Vardia, trailed by bounty hunters, the elite Century Knights, and the dread queen of the skies, Trinica Dracken. Frey realizes that they’ve been set up to take a fall but doesn’t know the endgame. And the ultimate answer for captain and crew may lie in the legendary hidden pirate town of Retribution Falls. That’s if they can get there without getting blown out of the sky.
“Beautifully crafted prose and some remarkably imaginative scenes…and Wooding’s sprawling, multifaceted world and rough-and-tumble action will delight steampunk fans.” —Publishers Weekly (starred review)
15. The King’s Buccaneer by Raymond E. Feist – 1992
Book 5 of the Riftwar Cycle Long recovered from the ravages of the Riftwar, the land and people of the kingdom of the Isles thrive. Nicholas, the youngest son of Prince Arutha, is intelligent and gifted but vastly inexperienced. In hopes of hardening him, his father sends him and his irreverent squire, Harry, to live at rustic Castle Crydee to learn of life beyond the halls of privilege. But within weeks of Nicholas and Harry’s arrival, Crydee is viciously attacked by unknown assailants, resulting in murder, massive destruction, and the abduction of two young noblewomen. The raiders have come from a pirate haven and are no ordinary foe, while an enemy connected to dark magical forces threaten the lands Nicholas will someday rule—if he survives.
“Feist once again delivers a superior, rousing adventure.” —Publishers Weekly
14. The Pyrates by George MacDonald Fraser – 1983
The Pyrates is satire, send-up, and love-letter to what swashbucklers have become. It’s a Naked Gun take on Errol Flynn pirates. If you don’t know what “Naked Gun” or “Errol Flynn” is then I envy you because you’re about to discover some great stuff.
13. Isle of Swords by Wayne Thomas Batson – 2008
Book 1 of 3 in the Isle Chronicles Captain Declan Ross searched for riches that will free him and his headstrong daughter, Anne, from the piracy business forever. Bartholomew Thorne, an infamously ruthless pirate, seeks to destroy Ross and any who stand in his way of the legendary treasure hidden by a mysterious order of monks. Despite featuring a scene where a monk gets skinned alive, this book won a “Mom’s Choice Award” for family-friendly entertainment. Depends on the family, I guess.
12. Red Seas Under Red Skies by Scott Lynch – 2007
Book 2 of 3 in the Gentlemen Bastards Series Initially poised to rob the Sinspire, the notoriously thief-proof casino where the penalty for cheating is death, Locke and his partner, Jean, are unwillingly sidetracked into joining and then leading a pirate crew, swindling their way across the sea as they had previously done on land.
“[C]harming, unpredictable and fast on its feet and stands surprisingly well on its own given its convoluted plot.” —Publishers Weekly
11. Pirate Freedom by Gene Wolfe – 2007
Fresh from the monastery, the former novice finds himself inexplicably transported back to the Golden Age of Piracy, where an unexpected new life awaits him. At first, he resists joining the notorious Brethren of the Coast, but he soon embraces the life of a buccaneer, even as he succumbs to the seductive charms of a beautiful and enigmatic señorita. As the captain of his own possibly cursed ship, he plunders the West Indies in search of Spanish gold. From the stormy waters of the Caribbean to steamy tropical jungles, Captain Chris finds danger, passion, adventure, and treachery as he hoists the black flag and sets sail for the Spanish mainland. Where he will finally come to port only God knows…
“Wolfe…[fills] his story with duels, treachery, ship-to-ship combat and an abundance of accurate period detail.” —Publishers Weekly
10. The Red Wolf Conspiracy by Robert V. S. Redick – 2008
Book 1 of 4 in the Cathrand Voyage Series Six hundred years old, the Imperial merchant ship Chathrand is a massive floating outpost of the Empire of Arqual. And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the Mzithrin Empire. But Thasha, the young noblewoman in question, may be bringing her swords to the altar. For the ship’s true mission is not peace but war—a war that threatens to rekindle an ancient power long thought lost. As the Chathrand navigates treacherous waters, Thasha must seek unlikely allies—including a magic-cursed deckhand, a stowaway tribe of foot-high warriors, and a singularly heroic rat—and enter a treacherous web of intrigue to uncover the secret of the legendary Red Wolf.
“Insane god-kings, miniature warriors and sentient animals fight over a powerful ancient artifact in Redick’s dramatic, complex debut… Both adult and young adult readers will find much to enjoy in this tale of sea-faring and bloody diplomacy.” —Publishers Weekly
9. Captain Blood by Rafael Sabatini – 1922
Book 1 of 3 in the Captain Blood Series This book is a little more subtle than its title would suggest. Dr. Peter Blood, is an Irish physician who was once a sailor and a soldier. In the aftermath of the Monmouth rebellion, Dr. Blood is arrested for treason. While he did not actually participate in the rebellion, rather he aided a wounded rebel, he is tried and convicted nonetheless. The sentence for treason is death, but King James II has the sentence commuted and instead sells Captain Blood and his fellow rebels into slavery.
“Glorious… I never enjoyed a novel more than Captain Blood.” —Norman Mailer
8. The Assassin’s Curse by Cassandra Rose Clark – 2012
Book 1 of 2 in The Assassin’s Curse Series Ananna abandons ship when her parents try to marry her off to an allying pirate clan. She wants to captain her own boat, not serve as second-in-command to her handsome yet clueless fiancé. But her escape has dire consequences when she learns the scorned clan has sent an assassin after her. And when the assassin Naji finally catches up with her, things get even worse. Ananna inadvertently triggers a nasty curse—with a life-altering result. Now Ananna and Naji are forced to become uneasy allies as they work together to break the curse and return their lives back to normal. Or at least as normal as the lives of a pirate and an assassin can be.
“Clarke’s debut harkens back to the best in fantasy/adventure, offering rock-solid worldbuilding, satisfyingly perilous obstacles and a protagonist whose charismatic ’tude goes way beyond spunk. Ananna’s voice grabs readers from the beginning…and doesn’t let go.” —Kirkus (starred review)
7. Ship of Magic by Robin Hobb – 1998
Book 1 of 3 in The Liveship Traders Series Bingtown is a hub of exotic trade and home to a merchant nobility famed for its liveships—rare vessels carved from wizardwood, which ripens magically into sentient awareness. Now the fortunes of one of Bingtown’s oldest families rest on the newly awakened liveship, Vivacia. For Althea Vestrit, the ship is her rightful legacy. But the fate of Althea and the ship may ultimately lie in the hands of a ruthless buccaneer who plans to seize power over the Pirate Isles by capturing a liveship and bending it to his will.
6. 20,000 Leagues Under the Sea by Jules Verne – 1870
While his description of this new thing called a “submarine” is fun even for modern readers, it’s the brilliant but tortured Captain Nemo who steals the show as one of, if not the, best pirate in English literature.
5. The Walrus & the Warwolf by Hugh Cook – 1988
Book 4 of 6 in the Chronicles of an Age of Darkness Series On his 16th birthday, churlish Drake Douay finds himself exiled from his homeland amid a treacherous crew of pirates on the open sea. Through battles with sea monsters, mysterious cults, weird technology of a bygone age, and the warring gangs of two pirate lords, Drake explores a world of dark fantasy and betrayal with his keen wit and a sharp sword—his only protection from an early death. Readers are usually divided: this is either one of their favorite books, or the long litany of adventures becomes boring after a while.
4. Throne of the Crescent Moon by Saladin Ahmed – 2012
Book 1 in the Crescent Moon Kingdoms Series A finalist for the Hugo, Nebula, Crawford, Gemmell, and British Fantasy Awards, and the winner of the Locus Award for Best First Novel. The Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion, a series of brutal supernatural murders strikes at the heart of the Kingdoms. But these killings are only the earliest signs of a plot for the Throne of the Crescent Moon that threatens to turn the great city of Dhamsawwaat, and the world itself, into a blood-soaked ruin.
“Ahmed’s debut masterfully paints a world both bright and terrible.” —Publishers Weekly (starred review)
3. Mad Kestrel by Misty Massey – 2008
In a world where infants with magical powers are torn from their parents to be raised by the mysterious and powerful Danisoba, who have a monopoly on magic, Kestrel has managed to keep her abilities concealed—and herself free. First hiding in back alleys as a street urchin, she hid when they killed her parents, and then served as a young tavern maid before escaping to sea, where magic is cancelled by water. Now an adult, and the quartermaster of a pirate ship, Kestrel loves the freedom of living on the seas. But her way of life could end if anyone on board learns her closely guarded secret—that she has magical control over the wind. One day a black ship appears, and her life changes. Its captain is a handsome rogue of whom Kestrel is strangely, constantly aware. When Kestrel’s captain is led into a trap and is arrested, she gathers her crew and sets sail in relentless pursuit…
“This rollicking debut combines swashbuckling sea adventure, fantasy and romance with great success.” —Publishers Weekly
2. Peter Pan by J. M. Barrie – 1904
Sure, Peter Pan and Tinkerbell are great, but it’s the enmity of the pirate Captain Hook that makes this story exciting.
1. On Stranger Tides by Tim Powers – 1987
This is the inspiration of the Pirates of the Caribbean movie, but it’s different in many ways and stands well on its own. Puppeteer John Chandagnac, bound for Jamaica to recover stolen money from his uncle, becomes Jack Shandy after pirates attack his ship and force him to join their crew. Shandy’s struggle to accept his new life grounds the story for readers, even as Blackbeard and vodun magicians whisk everyone away to dreamlike lands where the Fountain of Youth itself awaits.
“Powers writes action and adventure that Indiana Jones could only dream of.” —Washington Post
By combining the average scores from IMDb, Letterboxd, Rotten Tomatoes & Metacritic, and then fine-tuning the results with data from Letterboxd, iCheckMovies, TSPDT?, TMDb and IMDb, I was able to come up with the 1001 'GREATEST' MOVIES OF ALL TIME.
In 2015, I created a list titled, “Top10ner’s 1001 'Greatest' Movies of All Time” and many of you seemed to enjoy it and still use it today so I thought it was about time that I updated it.. The original 2015 thread can be found here as well as the initial update for those curious about the algorithm. Basically I started off by gathering ratings from IMDB (UseCritic Average), Rotten Tomatoes (Tomatometer, Critic Average) & (Audience Score, User Average), Metacritic (Critic Average, User Average) and Letterboxd (User Average). Each site’s average rating was then weighted so that no site’s ratings were favoured above the rest. The next step was to make sure that each film was treated equally. Rather than eliminating films that had little votes, I opted to alter these films score by carefully deducting points depending on how many people have seen it, and therefore voted on it. I then finally put the list through a final adjustment, where I applied aspects such as critical reception (# of official lists movie is in), audience reception and overall likability/popularity. These figures were determined using sources such as iCheckmovies, Letterboxd and TSPDT?. I've created the following lists for both Letterboxd and iCheckMovies, as well as a Google spreadsheet where you can check out the full list and search for particular films easier. Letterboxd - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time IMDb - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time iCheckMovies - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time Google Spreadsheet - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time ANYWAY, here is the 1001 ‘Greatest’ Movies of All Time. Enjoy! (NOTE: Could only include the first 750 movies due character limit)
RANK
TITLE
YEAR
DIRECTOR
1
The Godfather
1972
Francis Ford Coppola
2
The Godfather: Part II
1974
Francis Ford Coppola
3
Seven Samurai
1954
Akira Kurosawa
4
Pulp Fiction
1994
Quentin Tarantino
5
12 Angry Men
1957
Sidney Lumet
6
Spirited Away
2001
Hayao Miyazaki
7
Schindler's List
1993
Steven Spielberg
8
Casablanca
1942
Michael Curtiz
9
Psycho
1960
Alfred Hitchcock
10
Goodfellas
1990
Martin Scorsese
11
Lawrence of Arabia
1962
David Lean
12
The Good, the Bad and the Ugly
1966
Sergio Leone
13
Singin' in the Rain
1952
Stanley Donen & Gene Kelly
14
City Lights
1931
Charlie Chaplin
15
Sunset Boulevard
1950
Billy Wilder
16
Apocalypse Now
1979
Francis Ford Coppola
17
The Shawshank Redemption
1994
Frank Darabont
18
Rear Window
1954
Alfred Hitchcock
19
Star Wars: Episode V - The Empire Strikes Back
1980
Irvin Kershner
20
2001: A Space Odyssey
1968
Stanley Kubrick
21
Citizen Kane
1941
Orson Welles
22
M
1931
Fritz Lang
23
One Flew Over the Cuckoo's Nest
1975
Miloš Forman
24
Vertigo
1958
Alfred Hitchcock
25
The Dark Knight
2008
Christopher Nolan
26
The Silence of the Lambs
1991
Jonathan Demme
27
Modern Times
1936
Charles Chaplin
28
Star Wars - A New Hope
1977
George Lucas
29
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1964
Stanley Kubrick
30
Come and See
1985
Elem Klimov
31
Bicycle Thieves
1948
Vittorio De Sica
32
Tokyo Story
1953
Yasujirō Ozu
33
It's a Wonderful Life
1946
Frank Capra
34
Rashomon
1950
Akira Kurosawa
35
Once Upon a Time in the West
1968
Sergio Leone
36
Taxi Driver
1976
Martin Scorsese
37
Ikiru
1952
Akira Kurosawa
38
Metropolis
1927
Fritz Lang
39
The Passion of Joan of Arc
1928
Carl Theodor Dreyer
40
Alien
1979
Ridley Scott
41
The Third Man
1949
Carol Reed
42
All About Eve
1950
Joseph L. Mankiewicz
43
Fanny and Alexander
1982
Ingmar Bergman
44
Chinatown
1974
Roman Polanski
45
City of God
2002
Fernando Meirelles & Kátia Lund
46
Double Indemnity
1944
Billy Wilder
47
Paths of Glory
1957
Stanley Kubrick
48
Raiders of the Lost Ark
1981
Steven Spielberg
49
Andrei Rublev
1966
Andrei Tarkovsky
50
The Apartment
1960
Billy Wilder
51
Harakiri
1962
Masaki Kobayashi
52
Parasite
2019
Bong Joon-ho
53
The Lord of the Rings: The Fellowship of the Ring
2001
Peter Jackson
54
The 400 Blows
1959
François Truffaut
55
Stalker
1979
Andrei Tarkovsky
56
Some Like It Hot
1959
Billy Wilder
57
Sunrise: A Song of Two Humans
1927
F.W. Murnau
58
Pan's Labyrinth
2006
Guillermo del Toro
59
Ran
1985
Akira Kurosawa
60
Sherlock, Jr.
1924
Buster Keaton
61
The Lord of the Rings: The Return of the King
2003
Peter Jackson
62
The Night of the Hunter
1955
Charles Laughton
63
A Separation
2011
Asghar Farhadi
64
Grave of the Fireflies
1988
Isao Takahata
65
North by Northwest
1959
Alfred Hitchcock
66
Persona
1966
Ingmar Bergman
67
Eternal Sunshine of the Spotless Mind
2004
Michel Gondry
68
Back to the Future
1985
Robert Zemeckis
69
The Battle of Algiers
1966
Gillo Pontecorvo
70
Toy Story
1995
John Lasseter
71
Raging Bull
1980
Martin Scorsese
72
8½ (Eight and a Half)
1963
Federico Fellini
73
Saving Private Ryan
1998
Steven Spielberg
74
On the Waterfront
1954
Elia Kazan
75
The Shining
1980
Stanley Kubrick
76
Three Colors: Red
1994
Krzysztof Kieślowski
77
The Great Dictator
1940
Charles Chaplin
78
The Wizard of Oz
1939
Victor Fleming, George Cukor, Mervyn…
79
The Wages of Fear
1953
Henri-Georges Clouzot
80
In the Mood for Love
2000
Wong Kar-wai
81
Spider-Man: Into the Spider-Verse
2018
Rodney Rothman, Peter Ramsey…
82
The Treasure of the Sierra Madre
1948
John Huston
83
The Seventh Seal
1957
Ingmar Bergman
84
The Lord of the Rings: The Two Towers
2002
Peter Jackson
85
The Red Shoes
1948
Michael Powell & Emeric Pressburger
86
The General
1926
Clyde Bruckman & Buster Keaton
87
The Gold Rush
1925
Charles Chaplin
88
Touch of Evil
1958
Orson Welles
89
WALL-E
2008
Andrew Stanton
90
Aliens
1986
James Cameron
91
Wild Strawberries
1957
Ingmar Bergman
92
Paris Texas
1984
Wim Wenders
93
A Clockwork Orange
1971
Stanley Kubrick
94
La Grande Illusion
1937
Jean Renoir
95
There Will Be Blood
2007
Paul Thomas Anderson
96
Amadeus
1984
Miloš Forman
97
Annie Hall
1977
Woody Allen
98
Whiplash
2014
Damien Chazelle
99
Pather Panchali
1955
Satyajit Ray
100
Cinema Paradiso
1988
Giuseppe Tornatore
101
It Happened One Night
1934
Frank Capra
102
The Bridge on the River Kwai
1957
David Lean
103
The Lives of Others
2006
Florian Henckel von Donnersmarck
104
Terminator 2: Judgment Day
1991
James Cameron
105
Blade Runner
1982
Ridley Scott
106
Yojimbo
1961
Akira Kurosawa
107
Ugetsu
1953
Kenji Mizoguchi
108
Reservoir Dogs
1992
Quentin Tarantino
109
Memento
2000
Christopher Nolan
110
Princess Mononoke
1997
Hayao Miyazaki
111
Mad Max: Fury Road
2015
George Miller
112
The Pianist
2002
Roman Polanski
113
Wings of Desire
1987
Wim Wenders
114
The Cabinet of Dr. Caligari
1920
Robert Wiene
115
The Best Years of Our Lives
1946
William Wyler
116
Inception
2010
Christopher Nolan
117
Monty Python and the Holy Grail
1975
Terry Gilliam & Terry Jones
118
Fargo
1996
Joel & Ethan Coen
119
La Dolce Vita
1960
Federico Fellini
120
Oldboy
2003
Chan-wook Park
121
Nights of Cabiria
1957
Federico Fellini
122
Toy Story 3
2010
Lee Unkrich
123
Children of Paradise
1945
Marcel Carné
124
Gone with the Wind
1939
Victor Fleming,George Cukor...
125
Jaws
1975
Steven Spielberg
126
Das Boot
1981
Wolfgang Petersen
127
High and Low
1963
Akira Kurosawa
128
The Mirror
1975
Andrei Tarkovsky
129
L.A. Confidential
1997
Curtis Hanson
130
Unforgiven
1992
Clint Eastwood
131
Amelie
2001
Jean-Pierre Jeunet
132
My Neighbor Totoro
1988
Hayao Miyazaki
133
Barry Lyndon
1975
Stanley Kubrick
134
Le Samouraï
1967
Jean-Pierre Melville
135
Ordet
1955
Carl Theodor Dreyer
136
To Be or Not to Be
1942
Ernst Lubitsch
137
No Country for Old Men
2007
Joel & Ethan Coen
138
Solaris
1972
Andrei Tarkovsky
139
Coco
2017
Lee Unkrich
140
Your Name.
2016
Makoto Shinkai
141
Fight Club
1999
David Fincher
142
The Maltese Falcon
1941
John Huston
143
The Kid
1921
Charles Chaplin
144
Woman in the Dunes
1964
Hiroshi Teshigahara
145
Se7en
1995
David Fincher
146
Do the Right Thing
1989
Spike Lee
147
The Rules of the Game
1939
Jean Renoir
148
Aguirre: The Wrath of God
1972
Werner Herzog
149
The Grapes of Wrath
1940
John Ford
150
La Haine
1995
Mathieu Kassovitz
151
Once Upon a Time in America
1984
Sergio Leone
152
Throne of Blood
1957
Akira Kurosawa
153
Notorious
1946
Alfred Hitchcock
154
Badlands
1973
Terrence Malick
155
A Man Escaped
1956
Robert Bresson
156
Cool Hand Luke
1967
Stuart Rosenberg
157
Rosemary's Baby
1968
Roman Polanski
158
Before Sunrise
1995
Richard Linklater
159
The Lion King
1994
Roger Allers & Rob Minkoff
160
Before Sunset
2004
Richard Linklater
161
Rebecca
1940
Alfred Hitchcock
162
La strada
1954
Federico Fellini
163
Duck Soup
1933
Leo McCarey
164
The Deer Hunter
1978
Michael Cimino
165
Sansho the Bailiff
1954
Kenji Mizoguchi
166
The Philadelphia Story
1940
George Cukor
167
The Man Who Shot Liberty Valance
1962
John Ford
168
Die Hard
1988
John McTiernan
169
Brazil
1985
Terry Gilliam
170
Sweet Smell of Success
1957
Alexander Mackendrick
171
The Departed
2006
Martin Scorsese
172
Three Colors: Blue
1993
Krzysztof Kieślowski
173
The Last Picture Show
1971
Peter Bogdanovich
174
Rome, Open City
1945
Roberto Rossellini
175
Up
2009
Pete Docter & Bob Peterson
176
The Princess Bride
1987
Rob Reiner
177
Breathless
1960
Jean-Luc Godard
178
Dog Day Afternoon
1975
Sidney Lumet
179
Kind Hearts and Coronets
1949
Robert Hamer
180
To Kill a Mockingbird
1962
Robert Mulligan
181
Chungking Express
1994
Wong Kar-wai
182
The Conversation
1974
Francis Ford Coppola
183
Rio Bravo
1959
Howard Hawks
184
Full Metal Jacket
1987
Stanley Kubrick
185
The Handmaiden
2016
Chan-wook Park
186
A Matter of Life and Death
1946
Michael Powell & Emeric Pressburger
187
A Woman Under the Influence
1974
John Cassavetes
188
All the President's Men
1976
Alan J. Pakula
189
Portrait of a Lady on Fire
2019
Céline Sciamma
190
The Matrix
1999
Lilly & Lana Wachowski
191
12 Years a Slave
2013
Steve McQueen
192
Brief Encounter
1945
David Lean
193
Shoplifters
2018
Hirokazu Kore-eda
194
American Beauty
1999
Sam Mendes
195
His Girl Friday
1940
Howard Hawks
196
The Usual Suspects
1995
Bryan Singer
197
The Graduate
1967
Mike Nichols
198
Jurassic Park
1993
Steven Spielberg
199
Memories of Murder
2003
Bong Joon-ho
200
King Kong
1933
Merian C. Cooper & Ernest B. Schoedsack
201
Inside Out
2015
Pete Docter
202
Yi yi
2000
Edward Yang
203
Raise the Red Lantern
1991
Zhang Yimou
204
Rififi
1955
Jules Dassin
205
Blue Velvet
1986
David Lynch
206
Army of Shadows
1969
Jean-Pierre Melville
207
This Is Spinal Tap
1984
Rob Reiner
208
The Wild Bunch
1969
Sam Peckinpah
209
Witness for the Prosecution
1957
Billy Wilder
210
Battleship Potemkin
1925
Sergei M. Eisenstein
211
Strangers on a Train
1951
Alfred Hitchcock
212
The Searchers
1956
John Ford
213
The Big Lebowski
1998
Joel & Ethan Coen
214
Nosferatu
1922
F.W. Murnau
215
Network
1976
Sidney Lumet
216
The Hustler
1961
Robert Rossen
217
The Exterminating Angel
1962
Luis Buñuel
218
Days of Heaven
1978
Terrence Malick
219
Finding Nemo
2003
Andrew Stanton & Lee Unkrich
220
Heat
1995
Michael Mann
221
The Great Escape
1963
John Sturges
222
A Streetcar Named Desire
1951
Elia Kazan
223
Diabolique
1955
Henri-Georges Clouzot
224
The Sting
1973
George Roy Hill
225
Night of the Living Dead
1968
George A. Romero
226
The Thing
1982
John Carpenter
227
Mulholland Drive
2001
David Lynch
228
The Conformist
1970
Bernardo Bertolucci
229
The Grand Budapest Hotel
2014
Wes Anderson
230
A Brighter Summer Day
1991
Edward Yang
231
Monty Python's Life of Brian
1979
Terry Jones
232
Umberto D.
1952
Vittorio De Sica
233
Who's Afraid of Virginia Woolf?
1966
Mike Nichols
234
Stagecoach
1939
John Ford
235
Beauty and the Beast
1991
Gary Trousdale & Kirk Wise
236
The Big Sleep
1946
Howard Hawks
237
Inglourious Basterds
2009
Quentin Tarantino
238
Viridiana
1961
Luis Buñuel
239
Incendies
2010
Denis Villeneuve
240
The Terminator
1984
James Cameron
241
Bride of Frankenstein
1935
James Whale
242
Sullivan's Travels
1941
Preston Sturges
243
Playtime
1967
Jacques Tati
244
Ivan's Childhood
1962
Andrei Tarkovsky
245
Life Is Beautiful
1997
Roberto Benigni
246
Butch Cassidy and the Sundance Kid
1969
George Roy Hill
247
Manhattan
1979
Woody Allen
248
Trainspotting
1996
Danny Boyle
249
All Quiet on the Western Front
1930
Lewis Milestone
250
The Young and the Damned
1950
Luis Buñuel
251
The Elephant Man
1980
David Lynch
252
All About My Mother
1999
Pedro Almodóvar
253
Le Trou
1960
Jacques Becker
254
The Leopard
1963
Luchino Visconti
255
Laura
1944
Otto Preminger
256
Shadow of a Doubt
1943
Alfred Hitchcock
257
Mr. Smith Goes to Washington
1939
Frank Capra
258
Hiroshima Mon Amour
1959
Alain Resnais
259
Bringing Up Baby
1938
Howard Hawks
260
Out of the Past
1947
Jacques Tourneur
261
Anatomy of a Murder
1959
Otto Preminger
262
Crouching Tiger, Hidden Dragon
2000
Ang Lee
263
L'avventura
1960
Michelangelo Antonioni
264
Beauty and the Beast
1946
Jean Cocteau
265
The Hunt
2012
Thomas Vinterberg
266
Forrest Gump
1994
Robert Zemeckis
267
Ace in the Hole
1951
Billy Wilder
268
Late Spring
1949
Yasujirō Ozu
269
The Celebration
1998
Thomas Vinterberg
270
Au Revoir Les Enfants
1987
Louis Malle
271
Spotlight
2015
Tom McCarthy
272
Roman Holiday
1953
William Wyler
273
Amour
2012
Michael Haneke
274
Ali: Fear Eats the Soul
1974
Rainer Werner Fassbinder
275
Paddington 2
2017
Paul King
276
The Life and Death of Colonel Blimp
1943
Michael Powell & Emeric Pressburger
277
The French Connection
1971
William Friedkin
278
The Discreet Charm of the Bourgeoisie
1972
Luis Buñuel
279
High Noon
1952
Fred Zinnemann
280
Akira
1988
Katsuhiro Otomo
281
4 Months, 3 Weeks and 2 Days
2007
Cristian Mungiu
282
Ben-Hur
1959
William Wyler
283
Let the Right One In
2008
Tomas Alfredson
284
Nashville
1975
Robert Altman
285
Room
2015
Lenny Abrahamson
286
The Adventures of Robin Hood
1938
Michael Curtiz & William Keighley
287
Jules and Jim
1962
François Truffaut
288
Good Will Hunting
1997
Gus Van Sant
289
Young Frankenstein
1974
Mel Brooks
290
White Heat
1949
Raoul Walsh
291
Short Term 12
2013
Destin Cretton
292
The Killing
1956
Stanley Kubrick
293
In a Lonely Place
1950
Nicholas Ray
294
Frankenstein
1931
James Whale
295
Secrets & Lies
1996
Mike Leigh
296
Django Unchained
2012
Quentin Tarantino
297
Call Me by Your Name
2017
Luca Guadagnino
298
Magnolia
1999
Paul Thomas Anderson
299
Being There
1979
Hal Ashby
300
The Manchurian Candidate
1962
John Frankenheimer
301
Paper Moon
1973
Peter Bogdanovich
302
The Shop Around the Corner
1940
Ernst Lubitsch
303
Halloween
1978
John Carpenter
304
The World of Apu
1959
Satyajit Ray
305
Spring, Summer, Fall, Winter... and Spring
2003
Kim Ki-duk
306
L'Atalante
1934
Jean Vigo
307
The Iron Giant
1999
Brad Bird
308
The Exorcist
1973
William Friedkin
309
Amores Perros
2000
Alejandro González Iñárritu
310
Central Station
1998
Walter Salles
311
Bonnie and Clyde
1967
Arthur Penn
312
Persepolis
2007
Vincent Paronnaud & Marjane Satrapi
313
The Best of Youth
2003
Marco Tullio Giordana
314
The Spirit of the Beehive
1973
Víctor Erice
315
Z
1969
Costa-Gavras
316
Underground
1995
Emir Kusturica
317
The Killer
1989
John Woo
318
Kes
1969
Ken Loach
319
Moonlight
2016
Barry Jenkins
320
Howl's Moving Castle
2004
Hayao Miyazaki
321
Her
2013
Spike Jonze
322
Requiem for a Dream
2000
Darren Aronofsky
323
The Truman Show
1998
Peter Weir
324
The Incredibles
2004
Brad Bird
325
Cries and Whispers
1972
Ingmar Bergman
326
Stand by Me
1986
Rob Reiner
327
Before Midnight
2013
Richard Linklater
328
Groundhog Day
1993
Harold Ramis
329
Little Women
2019
Greta Gerwig
330
The Social Network
2010
David Fincher
331
The Right Stuff
1983
Philip Kaufman
332
Get Out
2017
Jordan Peele
333
It's Such a Beautiful Day
2012
Don Hertzfeldt
334
Boogie Nights
1997
Paul Thomas Anderson
335
Fantasia
1940
Samuel Armstrong, James Algar...
336
Black Narcissus
1947
Michael Powell & Emeric Pressburger
337
Midnight Cowboy
1969
John Schlesinger
338
Children of Men
2006
Alfonso Cuarón
339
E.T. the Extra-Terrestrial
1982
Steven Spielberg
340
Toy Story 2
1999
John Lasseter
341
Leon: The Professional
1994
Luc Besson
342
Cabaret
1972
Bob Fosse
343
The Diving Bell and the Butterfly
2007
Julian Schnabel
344
Ratatouille
2007
Brad Bird
345
The Cranes Are Flying
1957
Mikhail Kalatozov
346
Day for Night
1973
François Truffaut
347
Withnail & I
1987
Bruce Robinson
348
Safety Last!
1923
Fred C. Newmeyer & Sam Taylor
349
The Umbrellas of Cherbourg
1964
Jacques Demy
350
Shaun of the Dead
2004
Edgar Wright
351
Song of the Sea
2014
Tomm Moore
352
Scarface
1983
Brian De Palma
353
Harold and Maude
1971
Hal Ashby
354
Platoon
1986
Oliver Stone
355
The Nightmare Before Christmas
1993
Henry Selick
356
Close Encounters of the Third Kind
1977
Steven Spielberg
357
Talk to Her
2002
Pedro Almodóvar
358
Wild Tales
2014
Damián Szifrón
359
Close-Up
1990
Abbas Kiarostami
360
Time of the Gypsies
1988
Emir Kusturica
361
Mary and Max
2009
Adam Elliot
362
The Return
2003
Andrey Zvyagintsev
363
Logan
2017
James Mangold
364
For a Few Dollars More
1965
Sergio Leone
365
A Prophet
2009
Jacques Audiard
366
La La Land
2016
Damien Chazelle
367
The Sound of Music
1965
Robert Wise
368
The King of Comedy
1982
Martin Scorsese
369
The Big Heat
1953
Fritz Lang
370
In the Heat of the Night
1967
Norman Jewison
371
Amarcord
1973
Federico Fellini
372
A Night at the Opera
1935
Sam Wood
373
Repulsion
1965
Roman Polanski
374
Freaks
1932
Tod Browning
375
Au Hasard Balthazar
1966
Robert Bresson
376
Downfall
2004
Oliver Hirschbiegel
377
Lost in Translation
2003
Sofia Coppola
378
Belle de Jour
1967
Luis Buñuel
379
What Ever Happened to Baby Jane?
1962
Robert Aldrich
380
The Circus
1928
Charles Chaplin
381
How to Train Your Dragon
2010
Chris Sanders & Dean DeBlois
382
Crimes and Misdemeanors
1989
Woody Allen
383
Breaking the Waves
1996
Lars von Trier
384
Brokeback Mountain
2005
Ang Lee
385
Steamboat Bill, Jr.
1928
Buster Keaton & Charles Reisner
386
Werckmeister Harmonies
2000
Béla Tarr & Ágnes Hranitzky
387
Greed
1924
Erich von Stroheim
388
Roma
2018
Alfonso Cuarón
389
Make Way for Tomorrow
1937
Leo McCarey
390
The Lady Eve
1941
Preston Sturges
391
The Straight Story
1999
David Lynch
392
Neon Genesis Evangelion: The End of Evangelion
1997
Kazuya Tsurumaki & Hideaki Anno
393
Indiana Jones and the Last Crusade
1989
Steven Spielberg
394
Peeping Tom
1960
Michael Powell
395
The Secret in Their Eyes
2009
Juan José Campanella
396
Cleo from 5 to 7
1962
Agnès Varda
397
Aladdin
1992
Ron Clements & John Musker
398
Rocco and His Brothers
1960
Luchino Visconti
399
Hannah and Her Sisters
1986
Woody Allen
400
My Darling Clementine
1946
John Ford
401
Avengers: Endgame
2019
Joe & Anthony Russo
402
Infernal Affairs
2002
Alan Mak & Andrew Lau
403
Patton
1970
Franklin J. Schaffner
404
Mary Poppins
1964
Robert Stevenson
405
Monsters, Inc.
2001
Pete Docter
406
Hunt for the Wilderpeople
2016
Taika Waititi
407
Children of Heaven
1997
Majid Majidi
408
Last Year at Marienbad
1961
Alain Resnais
409
Sanjuro
1962
Akira Kurosawa
410
1917
2019
Sam Mendes
411
Avengers: Infinity War
2018
Joe & Anthony Russo
412
The Tale of the Princess Kaguya
2013
Isao Takahata
413
Three Billboards Outside Ebbing, Missouri
2017
Martin McDonagh
414
Through a Glass Darkly
1961
Ingmar Bergman
415
The Thin Man
1934
W.S. Van Dyke
416
American History X
1998
Tony Kaye
417
Knives Out
2019
Rian Johnson
418
Orpheus
1950
Jean Cocteau
419
Evil Dead II
1987
Sam Raimi
420
Airplane!
1980
Jim Abrahams, Jerry & David Zucker
421
Red River
1948
Howard Hawks & Arthur Rosson
422
Rope
1948
Alfred Hitchcock
423
Y tu mamá también
2001
Alfonso Cuarón
424
Million Dollar Baby
2004
Clint Eastwood
425
Pickpocket
1959
Robert Bresson
426
Being John Malkovich
1999
Spike Jonze
427
The Cameraman
1928
Buster Keaton & Edward Sedgwick
428
Satantango
1994
Béla Tarr
429
Hard Boiled
1992
John Woo
430
Naked
1993
Mike Leigh
431
The Double Life of Veronique
1991
Krzysztof Kieślowski
432
Arrival
2016
Denis Villeneuve
433
Rushmore
1998
Wes Anderson
434
Sing Street
2016
John Carney
435
Rebel Without a Cause
1955
Nicholas Ray
436
The Lady Vanishes
1938
Alfred Hitchcock
437
The Last Laugh
1924
F.W. Murnau
438
The Green Mile
1999
Frank Darabont
439
Vivre Sa Vie
1962
Jean-Luc Godard
440
Spartacus
1960
Stanley Kubrick
441
A Hard Day's Night
1964
Richard Lester
442
Autumn Sonata
1978
Ingmar Bergman
443
Ghostbusters
1984
Ivan Reitman
444
The Hidden Fortress
1958
Akira Kurosawa
445
Capernaum
2018
Nadine Labaki
446
Mommy
2014
Xavier Dolan
447
Le Cercle Rouge
1970
Jean-Pierre Melville
448
Down by Law
1986
Jim Jarmusch
449
Stalag 17
1953
Billy Wilder
450
Boyhood
2014
Richard Linklater
451
Trouble in Paradise
1932
Ernst Lubitsch
452
Judgment at Nuremberg
1961
Stanley Kramer
453
Casino
1995
Martin Scorsese
454
McCabe & Mrs. Miller
1971
Robert Altman
455
The Prestige
2006
Christopher Nolan
456
The Irishman
2019
Martin Scorsese
457
Blade Runner 2049
2017
Denis Villeneuve
458
Faust
1926
F.W. Murnau
459
Marriage Story
2019
Noah Baumbach
460
Fireworks
1997
Takeshi Kitano
461
Star Wars: Episode VI - Return of the Jedi
1983
Richard Marquand
462
Nausicaä of the Valley of the Wind
1984
Hayao Miyazaki
463
Goldfinger
1964
Guy Hamilton
464
Gangs of Wasseypur
2012
Anurag Kashyap
465
Snow White and the Seven Dwarfs
1937
David Hand
466
Invasion of the Body Snatchers
1956
Don Siegel
467
Top Hat
1935
Mark Sandrich
468
The King's Speech
2010
Tom Hooper
469
Farewell My Concubine
1993
Chen Kaige
470
The Breakfast Club
1985
John Hughes
471
Wolf Children
2012
Mamoru Hosoda
472
The Sixth Sense
1999
M. Night Shyamalan
473
Boyz n the Hood
1991
John Singleton
474
In the Name of the Father
1993
Jim Sheridan
475
Gladiator
2000
Ridley Scott
476
The Phantom Carriage
1921
Victor Sjöström
477
Dead Poets Society
1989
Peter Weir
478
What We Do in the Shadows
2014
Jemaine Clement & Taika Waititi
479
The Birds
1963
Alfred Hitchcock
480
Moonrise Kingdom
2012
Wes Anderson
481
A Fistful of Dollars
1964
Sergio Leone
482
Kill Bill: Vol. 1
2003
Quentin Tarantino
483
Manchester by the Sea
2016
Kenneth Lonergan
484
Who Framed Roger Rabbit
1988
Robert Zemeckis
485
Almost Famous
2000
Cameron Crowe
486
Lady Bird
2017
Greta Gerwig
487
To Have and Have Not
1944
Howard Hawks
488
Kiki's Delivery Service
1989
Hayao Miyazaki
489
Kill Bill: Vol. 2
2004
Quentin Tarantino
490
Eyes Without a Face
1960
Georges Franju
491
Blazing Saddles
1974
Mel Brooks
492
The Sacrifice
1986
Andrei Tarkovsky
493
The 39 Steps
1935
Alfred Hitchcock
494
Donnie Darko
2001
Richard Kelly
495
Gone Girl
2014
David Fincher
496
Eraserhead
1977
David Lynch
497
Hero
2002
Zhang Yimou
498
Ghost in the Shell
1995
Mamoru Oshii
499
Miller's Crossing
1990
Joel & Ethan Coen
500
Meet Me in St. Louis
1944
Vincente Minnelli
501
Great Expectations
1946
David Lean
502
Contempt
1963
Jean-Luc Godard
503
Scarface
1932
Howard Hawks
504
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
Some 7 Days to Die tips/answers, organized by category and labeled by importance.
Because I love watching you play 7 Days to Die so much and want to see you do well, here are some tips and answers that should be useful, answer some of your questions (including those you didn't ask directly), and prevent issues: 🌟 means more important First of all, alpha 19 experimental is already out, in case you didn’t know. Alpha 19 could be out in as soon as a couple weeks, so be prepared to restart again soon if you want to go to the next version. There isn’t anything major gameplay wise, just a few new guns/tools, and some changes that might just be annoying, but there are some pretty major improvements with visuals, performance, and world generation. So it might be worth restarting, and as annoying as it is to constantly start over with each update, the starts of new worlds can be fun to watch. A new world in Alpha 19 would be particularly interesting, as progression has been reworked to take a lot longer and make the primitive items more useful.
🌟 UI Modlets
If you want to be able to see things like food and water levels on your HUD, you should install a UI modlet. Some modlets change a lot, from the style of every menu to significantly rearranging UI elements, but some just add a couple things.
Find the modlet you want (I’m quite partial to the simple “S420_SimpleUI-LeftHUD-NoTemp-BuffTimers”)
Download and open the modlet’s zip folder.
Move everything in the Mods folder to the Mods folder in your 7DtD installation, specifically ...\steamapps\common\7 Days To Die\Mods
(create the folder if it isn’t there)
Your UI should now show whatever the modlet adds next time you play.
If there are any issues, it should show up in the console, opened with F1 by default. Check loaded mods with the command “version”.
General
🌟 If you're on fire, drink something to put it out.
🌟 Traders reset inventory on certain days. The day number they will reset on is in their trade menu.
🌟 You seem to have mostly realized this, but junk turrets only work one at a time. You have to be in range of it, and only your closest owned junk turret with ammo fires, plus an extra one if you have the perk. If you have multiple, they will swap out as each one runs out of ammo.
🌟 I haven’t seen any specific problems with this, but just in case you didn’t know, you can pick up player-placed electronics (e.g. generators, blade traps, and electric fence posts) and the various crafting stations if they’re within a land claim block area. Pretty sure it doesn’t work with multiplayeallies though, just whoever placed the land claim, which is a bit inconvenient. So only Trevor can pick things up. Just wanted to make sure Ryan knows he could pick up the things he’s been placing if the land claim was his.
🌟 Different explosives are specialized for killing and digging. Dynamite does a lot of block damage, while grenades, pipe bombs, and molotovs do very little block damage but more playezombie damage. And of course the timed charge, which Gavin learned, to his disappointment, does very high block damage, but in a very small area. Good for breaking safes, not mountains.
🌟 Keep an eye out for hints of underground bunkers under seemingly inconspicuous structures around the towns.
Most of you seem to know about the open/closed book icon on books in an inventory, but you can also check what perk books you’ve read in the perks menu, useful if someone else finds a book and you want to check if you already got it.
Don’t bother putting items on your action bar to use them once. Just click “A” while it’s selected in the inventory to use it (like some of you do already).
Nerdy glasses are pretty useful:
They are good for reducing crazy crafting times on big things like stacks of gunpowdegas at the chem station. (only a 10% reduction though) But even with that, you will want at least 1 extra of each crafting station for general crafting while the other is busy for half an hour making a ton of gunpowdegas/ammo.
The glasses can also save a perk point if you just use them any time you need to craft something deep into the intellect tree. Although you haven’t been too starved on perk points, it would still be useful in situations like Michael trying to make gas but being 1 point short. For example, if you’re level 2 in intelligence, the glasses let you buy a perk that requires level 3, but the perk will only be active while you meet the requirement.
Base Defense
🌟 As you may have realized with your rendition of the battle for Helm’s Deep, the zombies are omniscient structural engineers who path straight to the weakest point to get to you. Whether it makes for good content/gameplay or not, it’s best to leave a weakest point in your defenses to bait them and focus active defenses like turrets, traps, and yourself on that weak point. If you make a concrete square surrounded entirely by electric fences and spikes, then most of the defenses will be wasted since they’ll just go for one spot where you just happened to use a non-reinforced concrete block or something. If you do manage to perfectly balance the structure in every direction, they will take the shortest path to whoever they’re chasing, so you may succeed in spreading them out, at least until one block is broken somewhere, creating a unique shortest path to any player that they will all try to use.
While this can be annoying, it can also be interesting in that it “forces” you to make defenses somewhat reminiscent of authentic medieval castles. It is very effective to make concentric baileys with entrances flanked by gatehouses, with arrow slits or windows from which you can kill zombies attacking the entrance to the next bailey. Another encouraged authentic feature is machicolations, which you can also place around the entrances, similar to what you’ve done already with the extensions atop your walls in past bases. During the fight, man the gatehouses and machicolations, rain hell from above or the sides while they try to break through, and either repair the door being broken or wait for it to be destroyed and retreat to the next bailey.
🌟 Whatever you do, you need taller walls or smaller windows. If there are enough zombies, they just climb over each other World War Z style and hop over walls shorter than like 4 blocks. Spider zombies can still climb of course, but the occasional zombie isn’t hard to deal with. If they are a problem, just add an overhang or ceiling. They’re not great at climbing anything complex.
Someone already recommended this, but it bears repeating, you might want to put some electric fence posts farther out to slow down zombies farther away, for a few reasons:
This gives you time to take some shots at them before they reach the defenses, and they’re essentially immobilized when shocked, so headshots are easier.
Delays demolition zombies, giving time to kill them before they can Helm’s Deep your base, or at least allowing them to detonate farther away.
Zombies are immune to shocking for 1.5 seconds after their last shocking, so your inner perimeter is still useful if the outer fence perimeter is far enough out.
Dart traps combined with pressure plates are a great focused, resource efficient defense, only requiring iron for the ammo, unlike more expensive bullets. And who doesn’t want to turn their base into a trap-laden temple straight out of Indiana Jones?
You really don’t have to worry too much about zombies excavating the base as long as the zombies have a better path to you than digging. Although with your underground entrances, they might use their PhDs in material science to devise a more efficient path by digging into your tunnel or the main house, rather than beating down your bunker walls, but their pathing usually doesn’t prefer or can’t reach long, complex paths like that.
Electronics
🌟 The wire tool’s range is dependent on your location, not the thing you’re trying to connect to. So you can wire farther away electronics by standing within range (~12 blocks) of the source electronic, then reaching towards and connecting the destination electronic.
🌟 Fence posts don’t just take power to run, they also degrade like most traps. The receiving fence post takes damage when affecting an enemy, stops working when below 50 durability, and must be repaired with 1 electrical part.
Electronics can only receive power from one connection, in case you hadn’t noticed.
Some tips for using turrets if you get around to them: they can’t use any special AP/HP ammo, make sure to lock the ammo when you want them to fire, and you can change their targeting area or manually fire them in their UI.
Looting/Resources
🌟 You can melt down casino tokens in the forge for brass, which is great since brass can’t be mined like the other metals. It essentially takes 6 tokens to make each bullet casing this way.
🌟 Jeremy...you left behind a bunch of silver nugs...and a level 4 chainsaw and level 3 auger....why...the motor tool parts alone…
🌟 Loot/craft paper, it’s useful for shotgun shells, as well as blunderbuss ammo, which becomes far more useful in the slower progression of Alpha 19.
🌟 If Matt still needs more rotten flesh, the bigger buildings like the shotgun factory have tons of vultures, and all the adventuring players should make sure they harvest vultures they find in the desert and such. This gives bones too, which are good for glue and paper.
To save on gas while digging, swap back and forth between pick and auger. Use up stamina with pick, recharge stamina while using auger, etc.
It is more efficient, sometimes WAY more efficient, to melt metal items like radiators in the forge, rather than scrapping them in the inventory to be melted later. Although it saves room by compressing it all into one inventory space, scrapping wastes some of the metal.
If you’re ever short on electrical parts, just wrench apart ceiling lights, desk lights, computers, and control consoles around various buildings. The desk lights give some brass too. There are so many sources of electrical parts that you should keep skipping over most of them, but they’re still good to harvest sometimes.
I finally watched it. Disney, JJ and Rian owe me 7 hours of my life back. Spoiler Heavy review.
I did not break down and buy a ticket. I was sent a digital screener link a couple of weeks ago inviting me to watch TROS because I'm in the WGA and get to vote on awards. Knowing that I didn't have to pay and endorse the project to watch it, I finally put it on New Year's Eve. The screener Disney sent had my name embedded on the screen for the entire movie. So I'd keep pausing and take pictures of Palps with my name in the shot. That was the most fun I had with this film. I had read spoilers and I really didn't care about "The Saga Ending!" because Rian destroyed the franchise with TLJ and there was nothing left to wrap up or truly care about. I knew JJ didn't have the OK to resurrect Luke and really make TLJ moot. But he sure tried to make TLJ moot and the most successful moment of the entire film was him (and Mark) telling Rian to go fuck himself on behalf of the fans. As you know if you've seen this, the film starts off bizarrely with a slow-motion action montage and little dialogue. This absolutely felt like they had a different opening before and scrapped it in a Frankenstein-edit just to get us in the story. It plays into what egoshoppe was posting about earlier in here from his source. The whole opening was a cobbled-together mess. It was just bizarre to drop into a montage, but okay... Things I liked about TROS:
I enjoy Finn and Poe together with Chewie. There's real chemistry there and I wish those characters all got a better movie.
I enjoyed how dark the Exogol bit was, but I wish they went further with that. I love the idea of a dark gothic Star Wars story.
I enjoyed the Hell out of 2 moments.
Luke catching the saber and telling Rian Johnson in no uncertain terms to "Go fuck yourself" That look on Mark's face had to be worth the price of admission for some of you who plunked down your money for this.
Chewie getting the medal. Yes, I know it's "fan-service". But it worked. What didn't work was the medal coming from Maz (who Rian basically sidelined in TLJ). Her importance was so diminished by Rian that I honestly didn't understand why she even showed up this time around. I almost feel like R2 & C3PO should've given it to him. Although at this point with force ghosts handing people items, Luke should've given it to him. I'm glad Lando didn't give it to him since he wasn't in ANH and was like a guest star on THE LOVE BOAT or FANTASY ISLAND basically in this film.
I liked new aliens and the worlds JJ dropped us into and I felt like he "gets it" more than Rian ever could claim to. I enjoyed Babu Frick.
So that's what I liked. I pretty much disliked everything else in this film.
The script is hot garbage. The dialogue is bad. Rian's script was worse mind you, but this in response to TLJ gives us some of the worst written films in a billion-dollar franchise in movie history. Add in how poorly written the PT was at times and we really don't have well written STAR WARS since the OT. ROGUE ONE is probably the highlight writing-wise of what Disney put out.
Trying to shoe-horn in that Leia is now a Jedi Master trained after ROTJ by Luke didn't land for me. We're constantly being told stuff and not shown stuff in this trilogy. It's completely unsatisfying for an audience to just be fed exposition of events that we get only glimpses of or stuff that just happens off-screen. I also don't understand her giving it all up. I know they gave us some cockamamie reason, but it was crap. It didn't land. And let's be honest here -- You focused a big part of the film on an actress you didn't have available. Huh? No one thought, "this isn't really working and it's held together by digital chewing gum?" How they allowed Leia to survive TLJ after Carrie's passing is ridiculous. The audience knew she had passed. We were mourning her passing then. It would've made TLJ somewhat cathartic to deal with her passing in that film so we knew Leia was gone on-screen and off. Instead, we wait 2 years for some cobbled together footage that did not do Carrie justice. I'm floored by the decision making by Disney and I can see why really talented writers and directors would want nothing to do with Kathleen and her Lucasfilm cabal of idiots.
Han showing up was the right beat story-wise with the wrong execution. If these stories were told better that could've been a sensational moment, but everything was so shitty at that point in the story it just felt like a moment that could've been something but wasn't. Basically, if you're going to turn Kylo back to the light, someone had to come to do it who held importance in his life. It should've been Luke. It should've been Leia. It should've been Anakin. Instead, you get Han who looks like he rolled out of bed, collected 10 million and was home by lunch. Also, the pretzel logic as to why it was Han who showed up in the moment is a mess. I've heard it was a dream. I've heard Leia force projected Han there and killed herself in the process (are you fucking kidding me?) Again, it's not on the screen. Anywhere. Who makes movies like this?
Palpatine's inclusion was horrific. It completely negates the OT and it turns the character into Voldemort. He's no longer a cunning manipulative Sith user. He's now the spirit of evil incarnate who apparently was another bad Dad. All the Dad's in the movie series suck. Great message guys. Ugh. I love the actor. I love the character. He had no business being in here. Rian fucked the franchise in TLJ so badly. I get why JJ pulled Palpatine out of mothballs, but it was a terrible choice in the end. This movie really felt like it was going to the Harry Potter series as much as possible. I never really linked Harry Potter with the OT, but this DT is more heavily influenced by Rowling than Lucas in my opinion.
The movie is about everyone being together, building your family from friends and yet the ending is Rey by herself with a droid? Huh? Did you even pay attention to your own theme? If you needed to do that stupid Lars Homestead bit, at the very least send Poe and Finn with her. Send Chewie with her. Fucking R2 and 3PO at least lived there for a day or two. You're trying to shoe-horn in this message that she's not alone and she has a family made of friends and then end the film with her alone with a droid who belonged to Poe. It's like the movie wasn't aware of what story it was trying to tell.
The ending should've been on Naboo at Padme's tomb. If you're going to bury something (and burying lightsabers is ludicrous to me) bury them with the mother neither of them ever got to know. Let them rest finally together as a family. That said, I don't even understand why they have to bury anything. They all disappear.
Finn is heavily underused. I long for the movie where Luke meets Rey and Finn and trained them both with the ways of the force. Boyega deserved better. He was primed and ready for this and was just misused completely. His character becoming a Jedi and liberating kid slaves who are being turned into stormtroopers would've been a space epic -- A modern BEN HUR or SPARTACUS. How in God's name did they not see this? They set it up in TFA for crying out loud! Unbelievable. Anyone who thinks Rian deserves another shot needs to remember what he did with Finn when he had complete creative control to do anything with these characters in TLJ. He could've told his story about a kid slave rebelling and then deciding getting out wasn't enough -- he had to destroy the machine that took him from his family. Instead, they send him to a casino with Rian's pet project to make sweeping broad statements against our world and not the world of Star Wars. Again, he could've made his back-patting progressive statement entwined in a story about a kid slave deciding he would risk his life so no other kids would be slaves. Instead, he makes Rose the smart one and she wants to save horses. Are you fucking kidding me?
Poe actually shined a bit as a character here and again, I can't believe we're 3 movies in and still don't have a real grasp on him. The Leia slapping him, Holdo dressing him down plot from TLJ set his character back in huge ways. He's quasi-interesting and Isaac is an engaging dude and fits the universe. Another big waste. It felt like they were porting young Han and Q'ira over to Poe and Zorri Bliss. Why? It's too late to introduce that stuff. It should've been set up in the first or second film and then paid off in some capacity here. It's a joke to introduce their backstory that existed before he became the misogynist whipping boy in TLJ halfway into the final film. Then they want people to pump their fists and cheer when she shows up at the end. We've known her for approximately 3 minutes of screen time. Not to mention the running thing is he wants to kiss her. After Rian neutered him for being a man in the last film? Huh?
Rey. Sweet Rey. Look, Daisy is a talented actress. She had the chops, in my opinion, to pull off something great with this. But the character had no struggles and we're 3 MOVIES IN!!! I would've liked to see her actually struggle between the dark and the light. Galadriel had more development in 10 seconds when Frodo offered her the ring. I would've loved for the story to test Rey's character at something other than lifting rocks. Have someone die that means something to her and drive her to the dark side. Use Finn to bring her back. Have her make a personal/selfish choice at some point in the story to build some kind of arc/lesson around. Just do something with her. She floats through a trilogy of films on gossamer wings. I'm shocked they didn't pass her limp body hand by hand over their heads at some point. Then when you could've had her do something triumphant, they let Ghost Luke lift the X-wing out of the water. At that point in the story it was imperative she does these things herself. Who made these movies? Ghost Luke lifting the ship took all the starch out of her character's journey. Again, someone else did something for her. Someone else's powers helped her achieve her goals. They'll teach courses on how flawed she is. And let's not even get into the fact that her relationship with Kylo basically tells women the guy who abducts you, does things to your brain, kills your friends, is the guy worth trying to save for 3 movies.
If you want to see real female empowerment go see the Bride in KILL BILL. She is emotionally tied to Bill at the end, but she has no choice based on what he's done to her and what he will do to her if she doesn't end him. That's storytelling. That's not present in this film at all. Think about other trilogies or sequel films for a second. Indiana Jones, which isn't a trilogy nor is it sequential as a saga (all the movies are standalone), teaches Indy valuable lessons and beats the snot out of him along the way. He struggles with the enemy, with history and more importantly with himself in each film. Ripley in the early Alien films struggles and fights her way into heroic immortality. She gets put through the goddamn ringer. She rises up to face her demons and fears with her skills as a pilot/engineer and as a human. It's epic storytelling. You feel catharsis with Ripley. I feel nothing with Rey. Hell, even Katniss is forced to make choices that go against what she believes in along the way and those movies kind of suck. What did Rey do for 3 movies? Quite honestly, if Kylo didn't abduct her and mind-rape her and thus transfer his powers to her, she accomplished nothing. She didn't learn anything. She didn't change from the girl in the first film. She starts the series alone on a desert planet with BB8 and ends the series alone on a desert planet with BB8. Think about Luke in ANH vs Luke in ROTJ. He's changed tremendously. He's been through it. He's confident. He's clear. He has a way he chooses to live his life that he's willing to die for. At the end of ROTJ, he's triumphant. He faced his fears, he proved there's good in Vader, he's reunited with the people he loves and he's ready to start a new Jedi order. Rey downloads Kylo's powers which is ludicrous because we have no idea it happened without being told off-screen it happened. Because of this thing that we had no idea just happened, she has become the most powerful force user in the galaxy. This isn't Morpheus uploading karate to Neo. We knew what was going on there. Morpheus explained the moment to us beautifully. Neo made a choice as to which pill to take. Neo wanted more when he learned the prison humanity was trapped in. Does Rey have any kind of arc approaching Neo's? No. And what else has she done? After downloading powers from Kylo, she force skypes with him and lifted boulders to save a handful of people at the end TLJ. Again, she didn't even lift the goddamn X-wing to get back in the fight. If Luke's Ghost doesn't show up, she's stuck on Ach-to hunting Porgs for brunch. In this film she doesn't do anything -- things just keep happening to her. She doesn't drive the plot. The plot drives her. And then in the end when she's triumphant against Palpatine it's not because of some 3 movie lessons she learned. It's because she has 2 lightsabers and Palpatine apparently can't stop shooting lightning once he starts. She meets and quickly kills her only living relative. Maybe it would've been fun to explore her pull to her only family and have Palpatine try to manipulate her like he did Anakin instead of just "hurr-durr I'm evil" browbeating her. She only beats him because Jedi ghosts she's never met tell her she can. Not because she's learned she can. Rey has never fought anyone the level of Palpatine. She hasn't lost to anyone. All she needed was some ghost moral support and an extra saber and she wins. Huh? I'm flabbergasted by this DT. I truly am. This trilogy of shit occurred after Peter Jackson gave us 3 LOTR epics and 3 very solid HOBBIT movies. And I'm not looking for a fight on that -- I think Jackson is a genius and the stuff with Smaug in the HOBBIT films was incredible. The bar had been raised from that and GAME OF THRONES (until season 8). Modern myth storytelling had evolved. And with that evolution and bar raised JJ cobbled together a patchwork soft reboot that was destroyed by an enfant terrible in Rian and then handed back to JJ in shards. Listen -- I'm happy if you saw this film and enjoyed it. It feels more like Star Wars in moments than TLJ ever did. But for me, this was a load of shit. It served so many masters and none of them was the master that mattered the most -- the story. Everyone deserves to be fired for this. Everyone. And imagine if Favreau and Filoni didn't do what they did on Disney Plus. Star Wars would be dead and buried. There is only one way forward. Hand it to those 2 men and let them make all the decisions. Kathleen should never touch Star Wars again. I hope Spielberg doesn't let her do to Indy what she just did to Lucas' original baby. If Spielberg is taking creative notes from her and the LFL Story Group? He should retire immediately. What a terrible journey this DT has been. May the salt be with you.
History of Clifton Hill Part 5 (Final): What Could Have Been, and What Can Still Be
Thank you to everyone who has followed this series or voted for it's creation. I'm glad you've enjoyed it and I'm always happy to spread the important history of the amusement industry, especially pertaining to the place that inspired me to go into the industry. For parts 1-4 scroll back in this sub or click my profile. In 1989, Welland Securities, who owned the entire south-west side of the Hill, would develop the final portion of unused land on Clifton Hill. They would become HOCO (Harry Oakes Company) and gain ownership of almost all the attractions on land they leased out. This included Movieland, The Space Spiral Tower and the Cliffside Motel. The only attractions that would continue being leased were Ripley's and Circus World, meaning HOCO not only owned all the land on the South-West side of the hill, they now ran everything between Circus World and Ripley's, as well as the Fudge Factory (in its original spot) and an ice cream stand immediately down the hill from Circus World. They planned to keep everything that was on the hill but build on it. Movieland was remodeled and the outside was given a more noticeable Egyptian theme to match the lobby. This meant large lion statues and Costello's talking pharaoh. The lobby was remodeled as well. Rather than a cameraman and a director filming Elizabeth Taylor in Cleopatra, they would now be filming Costello's Indiana Jones figure, who lowered up and down on a rope above a fogging pit with a cobra rising out of it. Many of the early talkie-era stars in the hall immediately after the entrance (along with Elizabeth Taylor) were moved to 2 large display cases in the middle of the attraction with multiple figures, instead of each one having their own scene. In their original spot just inside the entrance an intentionally scary scene was created to match the popular Indiana Jones series. Many of the figures Costello had added since he became the museum's artist were slightly frightening, like a lunging alligator or a startling Joker scene with a machine gun sound effect. The museum had been expanded at the end, and a large horror section had been added, with many figures like the mummy being from the same mold as the House of Frankenstein/Castle Dracula mummys. Unlike when it would move to it's current location in 2005, the old location's chicken exit was placed before the horror section rather than the haunted house portion. In fact, there was no haunted house section, many of the figures that would end up in the haunted house section of the new location were simply scattered throughout the museum. Many of the figures in the horror section of the original museum were actually less scary and less animated than the Jurassic park scene or the alligator encountered earlier in the museum. To prevent unsuspecting parents who had no clue what kind of attraction this was dragging their children in and expecting static figures of washed-up movie stars, getting the living daylights scared out of them, then end ending up filing complaints with HOCO's customer service department, an intentionally scary scene was put at the beginning. This let people know what they were walking in to, an experience rather than a museum. Costello designed figures behind plexiglass such as a man upside down in a cocoon thrashing around, a skull that popped up from the floorboards in a scene full of snakes, a man on a bed of spikes that fell towards you, and a scene with spiders on fishing line "jumping" all over a rotting corpse. The Cliffside Motel was amalgamated into a wing of the Quality Inn, and the driveway into it off the hill was removed as it was no longer necessary because it could be accessed from the Quality Inn parking lot. In the driveway's place was now a large empty space between Circus World and Movieland, with the Space Spiral Tower (with a relatively small footprint) stuck in the middle. HOCO called upon attraction design and layout firm White Hutchison Leisure Learning Group (WHLLG) to design an attraction around the Space Spiral that would use the final undeveloped land on Clifton Hill. And so WHLLG designed Dazzleland Family Fun Centre. Dazzleland was a courtyard of buildings arranged in roughly the same layout as the Great Canadian Midway (for reasons we'll get to later) that sits on the land now. The buildings around the outside of the courtyard were long and narrow, picture a courtyard of carnival game trailers but permanent, appealing buildings. These buildings included a Skee-ball building, a sports game building (basketball games, football toss etc.), a racing game building, a pinball building, a funnel cake shop, and the prize counter. In the back corner, roughly where the XD Theatre now is in the midway, was a larger building: an arcade housing video games and more pinball machines. In the middle of the courtyard was a small carousel, and a small building housing games that dispensed their own prizes (claw machines, prize egg games, etc.) and coin-op kiddie rides. The Space Spiral was incorporated into Dazzleland, still being accessible directly off the hill. As mentioned in part 3, the tower was exactly where the Fudge Factory now is, as the circular store was once the loading area for the tower. At this time the snack bars beside the tower right on the hill were constructed: a pretzel/hotdog stand and an ice cream stand, both of which are still there. The Wendy's was built on top of Circus World, replacing the mini golf that had formerly been on the attraction's roof. Across the entrance to Dazzleland's courtyard from Wendy's was a Domino's Pizza, roughly where the photo booth just to your right is when entering the Great Canadian Midway now. Between the Space Spiral and the Dominos was a fortune teller machine built right into the wall: "Ask the Brain". The brain still lives on inside Movieland, except now he wants a loonie instead of a quarter. Just up the hill from the Space Spiral, on top of the hot dog and ice cream stand, a small sports bar was built. Very little is known about this sports bar, but obvious remnants of it still exists. The area of Boston Pizza closest to the hill (the back corner near the kitchen, the bar area, and the raised dining area) was the originally the sports bar. It featured a small coin-op bowling lane, arcade games, and food. The stairs in the Midway up to Boston Pizza beside Ghostblasters is the original stairs up from Dazzleland to the sports bar. Additionally, the Boston Pizza entrance closer to the hill (not the one with the big bowling pin, other one) was the main entrance to the sports bar. Little is known about the bar, including it's name. It may not have had one, simply being part of the Dazzleland complex. Many of the areas in Dazzleland didn't have a name, simply having signs heralding "Arcade", "Sports Games", "Skeeball" rather than naming the areas like the "Game Factory", "Sports Zone" or "Strike! Rock 'n Bowl" like in the Midway. For this reason, the bar may have been nameless, simply being part of the Dazzleland complex, but it's unlikely a dining establishment geared at adult nightlife wouldn't have a name. Because the mini golf on Circus World's roof had been operated by the Cliffside Motel operators, HOCO acquired all the assets from it when they stopped leasing the land out. When the aforementioned Wendy's was built, the mini golf was moved just up the hill from the sports bar. It's entrance was right on the hill, but the course wrapped around the sports bar and ran back behind Dazzleland, between the back of Dazzleland and the parking lot of the Quality Inn. It would now be dinosaur themed and heavily landscaped. WHLLG designed the course and HOCO contracted Costello to build all the fiberglass dinosaurs. It's unknown what it's original name was, but in the early 90s, with the smash hit of Jurassic Park, it was renamed Dinosaur Park and given a similar logo. Up until the 2018 remodel, Boston Pizza had a patio. This patio was the exact location of the entrance to the mini golf, and the reason the restaurant's building curved in such a bizarre way surrounding the patio was originally to accommodate the course. Underneath the sports bar and mini golf and was an underground building accessible from a back corner of Dazzleland's courtyard. This area housed all of Dazzleland's miscellaneous ticket redemption games and 2 shooting galleries. The low-ceiling area of the Midway called the "Game Factory" is this original building. The Bonanaza Company shooting gallery is still there albeit heavily remodeled, but Blasteroids, an early project by arcade game company Lazer-Tron, was removed in 2016. Interestingly, the chase lights along the back wall of the Game Factory are Dazzleland holdovers. Between the shooting gallery and where what's left of the racing games now are is a bank of maintenance doors. If you get lucky and see them open, you'll see a stairs that was originally an entrance to Dazzleland from further up the street, beside Dinosaur Park. This now lets out somewhere in Boston Pizza's arcade (although I haven't been able to figure out where) and is used by staff to get from "a" to "b" faster. Dazzleland has been the hardest to dig up information on in my research on Clifton Hill. Although I now know what was in each of the buildings around the outside of this "courtyard", I haven't been able to find which one was where. The only things I've confirmed is where the video game building was, what was in the building in the middle, and confirmed that the Game Factory was originally part of Dazzleland. The rest is beyond me and my memories of it have long faded. If anyone worked here or visited it frequently and has any answers, they would be greatly appreciated. Additionally there was a small pool near the front with a Costello dragon figure in it that spit water out it's mouth. I've heard conflicting reports that this was just a fountain, and others saying it was a small bumper boat or RC boat attraction, but my guess is it was just a fountain as it seems like a pretty small pool. The same year, fiberglass dragon waterslides were added to the Quality Inn pool. Although bearing striking resemblance to Costello's dinosaurs and Dazzleland dragon, at least one more of each of the dragon slides exist, all the way down in Texas. It was originally thought this Texas waterpark bought them off HOCO when Quality Inn closed, but one of the Quality Inn dragons appeared on an episode of shipping wars going to Kansas and the other was recently found abandoned on a private residential property in Niagara, proving they are in fact not the ones at the Texas waterpark. This is evidence they may have been mass produced. By the time Dazzleland opened in 1989, it was the 8th arcade on the hill (after Circus World, Q-Balls Billiards Pub in Quality Inn, the arcade in Ripley's, the arcade in the Foxhead, the arcade in Castle Dracula, Funland in the basement of the House of Frankenstein, and an arcade that had recently opened in the Pilgrim Motel in their gift shop.) These were just the large-scale, dedicated arcades right on the hill. Many others could be found nearby in Maple Leaf Village, the Skylon, the Seagram, Pyramid Place and the Imperial Hotel as well as many mini golf courses and family fun centres along Lundy's Ln. and the QEW. Also, virtually every gift shop on Clifton Hill and Victoria Ave. had a game or 2. The mix of arcades, haunted houses, fast food, nightlife and stores selling t-shirts and posters had started a well-known rock culture in Niagara Falls among Southern Ontario youth. The epicenter of this was "Rock World", a rock-themed gift shop that had opened in 1983 on Centre St. (the street Clifton Hill becomes just above Victoria Ave.) They would later add a second story and build Rock Legends Wax Museum above it, with all the figures sculpted by the store's owner Pasquale Rammuno. In 1996, Maple Leaf Village was replaced by Casino Niagara, and many of the attractions found new homes on Victoria Ave., including Screamers and Nightmares. The Elvis Museum, Antique Auto Museum, 50s diner nightclub, and arcade all moved to Pyramid Place adjacent to the IMAX pyramid. Screamers prospered on Victoria Ave., and 2 "sequel attractions" were built in the early 2000s: Creatures of the Night on Victoria Ave. and Horror Manothe Zombie Zoo Nightclub on Centre St. Another attraction, Alien Encounter, would open at the corner of Victoria Ave. and Clifton Hill beside the Criminals Hall of Fame. This slightly thematically darker "north of the hill" area with the Screamers chain, the Criminals Hall of Fame, Rock Legends, Nightmares and Alien Encounter became a "main strip" all in it's own. As mentioned before, since the cabin courts were all town down in the early 50s, nothing had been torn down on Clifton Hill. The only exception was the Houdini Hall of Fame that burnt to ash in 1996. Some of Houdini's Last Words were claiming that anything revealing his secrets would perish in flame, and even though the fire completely leveled the museum, the plywood and fiberglass paneled House of Frankenstein only separated from it by a 2-foot wide alley was completely untouched, leading a lot of Houdini's fans to believe he was conducting some kind of post-mortem practical joke. The metal objects like handcuffs and the water tank could be saved, and were bought by David Copperfield. Ripley's Moving Theatre was built in it's place. Over the 30 years from Tussaud's opening in 1959 to Dazzleland in 1989, Clifton Hill had expanded and filled up the land. However that didn't mean it was time to tear things down. Things were simply moved around or remodeled to keep them fresh, not out of an unwillingness to change, but because these things had become ingrained in the landscape. Examples of this were Tussaud's moving to its current home in the old building of a restaurant that had since moved on Victoria Ave., rather than the attraction shutting down, or the Adventure Dome Theatre oepneing in part of the Honeymoon City's gift shop. In Tussaud's old place was built the MGM walkthrough/store, Pink Panther ride and 4D Ride in 2002. The beer garden beside it was replaced with the WWE building and the Piledriver ride, but the beer area was moved to between the 2 attractions. In 2004 the Foxhead's arcade was expanded and re-themed into the Marvel Superheros Adventure City. Another great example of re-freshing an existing attraction was Dazzleland. A simple realization was made, more games = more money and higher guest enjoyment. The outdoor courtyard style with it's room for walkways between the buildings was re-designed, and HOCO again called upon WHLLG. WHLLG designed not only a remodel of Dazzleland, but an incredible 5-step plan that would have made Clifton Hill financially on par with a major theme park. Steps 1-3 came to fruition. Step 1 was remodeling Dazzleland into the Great Canadian Midway in 2002. The level, concrete foundation Dazzleland was built on was kept as the foundation of the Midway, hence why it has the same layout. The former video game building at the back became the FX Ride Theatre (now XD Theatre/Wild West Coaster) in the Midway. The funnel cake shop was kept where it was in Dazzleland except now it was in the Midway, between the FX Ride and the Prize Counter. The area housing Dazzleland's ticket redemption games became the Game Factory. The middle building housing the claw games and kiddie rides was demolished, as it was no longer needed because the Midway was fully indoors and there was now a massive space to put games. The sports bar was expanded and became Boston Pizza, so Dinosaur Park was moved to in front of the Comfort Inn. Under the expanded Boston Pizza, Sally Corp. was hired to build the interactive Ghostblasters dark ride. All of Dazzleland's old games made the transition into the Midway, however very few are still around. With the Midway making serious buck, HOCO went ahead with phase 2 of WHLLG's plan. Movieland was moved to Circus World's former location in 2005, and Circus World's owners moved the attraction to what was then the popular Victoria Ave. area. In Movieland's old home, Cosmic Golf, a blacklight golf was temporarily set up. 2 years later in 2007, the golf moved to it's permanent home in the basement becoming Galaxy Golf and the gift shop that had been formerly in the basement was moved upstairs. Movieland retained all the figures and sets they had at the time of the move, moving them all into the new space. All the scary elements were put in the new "House of Horrors", a small optional haunted house at the end of the attraction. Phase 3 involved beginning to demolish the only thing that WHLLG's 5 phase plan would have torn down: Quality Inn. In it's place an amusement park would have been built, anchored by Canada's largest ferris wheel. The wheel would be phase 3 and the amusement park phase 4. Though both WHLLG and HOCO recognized the historical value of the hotel, it had reasons to go. The hotel may have been full of your usual hazardous mid-century building materials (however Comfort Inn built by the same firm the same year was found to have no hazardous materials when it was torn down in 2015, so who knows) but the main issue was elevators and the amount of space it took up. Comfort Inn only had 2 wings, one on each side of the lobby, and only 2 elevators would have needed to be installed. This wasn't legally necessary, as no law states that buildings of age absolutely have to be 100% accessible, it was more something HOCO wanted to do. Quality Inn had multiple wings that weren't accessible from one another, so an elevator would need to be installed in each wing. In addition to the elevator issue, Comfort Inn was chosen as the hotel to keep because the building was integrated with Kelsey's, Rumors Nightclub, Ripley's, and Dinosaur Park, all of which wouldn't have been touched in WHLLG's 5 phase plan. Finally, Comfort Inn's land wasn't big enough for an amusement park whereas Quality Inn's was. 2 things would justify the demolition of Quality Inn. One, it's sister hotel, Comfort Inn, would have been kept. The other reason justifying the demolition would be phase 5: a skyscraper hotel and indoooutdoor waterpark in the field between Clifton Hill and the Skylon Tower. The dragon figures from Quality Inn's pool were kept in HOCO's storage for a time for this waterpark. The final vision can be seen here. Phase 3 would go ahead in 2006, with the lobby, Golden Griddle and Q-Balls Billiard pub of Quality Inn being torn down and the Skywheel built in it's place. For the last year Quality Inn was open, you would need to register at Comfort Inn's lobby. The same year, the Space Spiral was torn down, as 2 observation attractions wouldn't be needed on the hill. However, a new spiral tower would have been constructed during phase 4 in the theme park. The reason the tower would be demolished rather than moved was because a tower manufactured by the same company in Wildwood, NJ, had begun to sway a few years earlier, resulting in it needing to be removed entirely for safety reasons. Phase 4 was set to go ahead in 2010, so in 2009 the remainder of Quality Inn was demolished. It seemed as though everything would fall into place, and with the exception of Quality Inn making it's sacrifice, everything on Clifton Hill that had been there for 20-60 years would be there forever, just greatly expanded on. Unfortunately, this came at a turning point for Clifton Hill, when the recession was in full swing and tourism had declined since 9/11. Changing technology and interests, but no real nostalgia trend yet, created a perfect storm, and the idea was scrapped. Especially now that there would be no amusement park, a lot of area attractions closed. HOCO now needed to find a new design company to completely re-design the project. The problem was, Quality Inn was already torn down to make way for the amusement park. HOCO reluctantly found a new design company who had no projects under their belt yet, IDS. HOCO was hopeful the Canadian company could help give them a similar vision to their previous 5 stage plan, that would help them re-use many of the already implemented stages and despite scrapping the amusement park, would simply scale down and redesign the hotel. This was done in hopes that the city would be much more likely to approve just another high rise hotel than an amusement park as well. IDS' new plan was much different than what HOCO was looking for. It featured tearing down Ripley's, Comfort Inn, Kelsey's, and Rumours Nightclub and building a Titanic Museum shaped like the boat. It also featured building a large mall within the hotel rather than a waterpark and relocating and expanding Dinosaur Park into Dinosaur Adventure Golf on Quality Inn's old land. While HOCO thankfully chose not to go ahead with the mall and Titanic Museum, they would build Dinosaur Adventure Golf and work with IDS to make a more feasible plan that better suited Clifton Hill. The new plan featured Dinosaur Adventure Golf and Strike! Rock 'n Bowl as phase 1. It also included removing a lot of the thematic brand identity elements WHLLG had implemented to coincide with their final amusement park vision and replacing Galaxy Golf with Wizard's Golf as phase 2. Phase 3 would feature tearing down Comfort Inn (that never got it's elevators due to it no longer being planned to be kept), building Niagara Speedway in it's place, and removing Rumors Nightclub to accommodate the new Kelsey's bathrooms and Zombie Attack. Phase 4 would feature remodelling Wendy's, Boston Pizza and Kelsey's. Phase 5 would feature a mall (no hotel) in the field between Dinosaur Adventure Golf and the Skylon, but this final phase will likely never come to fruition. Multiple attractions have closed since the late 2000's, such as the entire Screamers chain, Circus World, The Criminals Hall of Fame, Funland Arcade and Alien Encounter. The Hilltop Motel became the current home of the Upside Down House, and the Pilgrim Motel became Captain Jack's. Ironically, the only part of the building that's not part of the entertainment centre is a Mini Mart at the back that was the original arcade in the Pilgrim. Virtually everything in the Falls. Ave. complex other than Rainforest Cafe and the 4D theatre is gone. Marvel Superheroes Adventure City lost its license after Disney bought Marvel, and it simply became Adventure City. The Hulk Mini Golf became jungle themed, Spider-Man references were (poorly) removed from the dark ride, and X-men referenced were (also poorly) removed from the bumper cars. References to Marvel can still be found in the arcade, such as Spider-Man's face on a tree that was only covered up a few years ago. The WWE Store, after being abandoned since 2012, was turned into the Niagara Brewery Beer Store in 2016, fitting considering the land's history as a beer garden. Planet Hollywood on Falls Ave. closed around 2014, and is still abandoned. The MGM walkthrough was abandoned for over 10 years before becoming a barbecue restaurant in 2019. The changes in the Falls Ave. complex are an example of good change, replacing abandoned attractions with ones that if anything are closer to what used to be there, such as Adventure City becoming an unthemed arcade again or the Beer Store being where the Beer Garden once was. Another example of this good change would be the long abandoned (and burnt) Adventure Dome that had briefly held a Lego attraction being turned into the Amazing Big Top Mirror and Lazer Maze in 2017. However a perfect example of negative change is the Rock Legends Wax Museum being forced out of business because a YouTube video of the museum was flagged for copyrighted music by YouTube's algorithms. This lead Sony Music to investigate the museum and shut it down last year if it wouldn't pay ridiculous licensing fees, which it couldn't afford. Another example is IDS' redevelopment plan. HOCO is now locked in a contract with them, even though they obviously have very different ideas on the direction of Clifton Hill. Phase 1 was implemented in 2011, with Boston Pizza expanding their arcade to include Strike! Rock 'n Bowl and Dinosaur Park moving to where Quality Inn was and being renamed Dinosaur Adventure Golf. All of Costello's original dinosaurs (with the exception of the original Pterodactyl) would "migrate" to the new location where they would be joined by dozens of new mass-produced dinosaurs. Interestingly, foundations were built back in 2011 for the original 2 Brontosaurs to appear as if they were coming out of the ponds, but they wouldn't show up until 2019 when they were brought back out of storage to be installed, only to lay on the ground for a few months before going back into storage. Although it didn't use new hand-made figures, this attraction was a change that fits the spirit of Clifton Hill and was a good replacement for the empty plot of land that had once housed Quality Inn, even if an amusement park would have been better. The same cannot be said about the rest of IDS' plan. Many thematic elements installed throughout the hill by WHLLG (especially in Movieland and the Midway) were removed in phase 2 in 2013 simply to fit with IDS's image better, costing HOCO a lot of money. Phase 3 went ahead in 2015, and the 60 year old Comfort Inn was demolished, along with the old HOCO offices in it that if you remember from part 1, was the original nearly 200 year old stable building for the Zimmerman estate. Niagara Speedway was built in it's place, and if you look at the prices to drive it, then watch how many people do, you realize just how much they're making off it. Rumors Nightclub, originally the Queen's Door Nightclub in 1956, was gutted and turned into Zombie Attack and the new Kelsey's bathrooms, as the old ones had been in the Comfort Inn building. Phase 4 in 2018 extensively remodeled Wendy's as well as Boston Pizza, removing the patio. Ghostblasters is now the final untouched WHLLG era attraction on the land. This is made even more troubling by the fact the signs for it were just removed and replaced with temporary ones, as I said in the post that started the entire discussion on whether or not I should do this series. If the attraction does go, we can only hope that a new interactive dark ride utilizing artistry, dimensional scenes and props much like Ghostblasters does is built, however that likely won't be the case. Triotech is the lead designer of ride through shooting games, that feature a dark ride car that travels through a hallway with screens on each side of it rather than real props. Triotech has dealt with HOCO before, building both the Wild West Coaster and Zombie Attack, so all signs point to one of these attractions replacing Ghostblasters if it closes. There is still hope that Clifton Hill can retain it's spirit, but it stands at a crossroads. The House of Frankenstein for example, while retaining many original scenes, has had many removed and replaced with nothing, and many areas of the museum taken out entirely. Castle Dracula on the other hand hasn't updated a thing, but hasn't cared for the original scenes either, leaving them to fall into disrepair and only having 7 or 8 of the original 70 still lit, and none of them still functional. There are 2 directions Clifton Hill can go. With many attractions like the ones on HOCO's side being demolished to make way for whatever is trendy and lucrative, and many hanging on by a thread like Castle Dracula or Ghostblasters, the Hill is in real danger of becoming an endlessly overturning and developing area. However, with money recently being poured back into attractions like the Haunted House, Ripley's, and Guinness and attractions being redeveloped like the Falls Ave. complex or the Big Top Mirror maze, there is hope. If people, including the companies that own them, can recognise the historical value of attractions like Castle Dracula, The House of Frankenstien, Movieland, Tussaud's, etc., this can be promoted and the recent nostalgia boom can create large profits if this is played up. Additionally, future developments can still be more in the vein of what WHLLG envisioned for Clifton Hill, or what the Burlands recently did with the well done Big Top Mirror Maze. This is both profitable and economically sensible, as repeat customers that make memories and come to the area for generations with occasional new updates/re-themings (like what Clifton Hill did from the 50s-2010s), is far more profitable than a constantly turning over wave of new developments that cost millions to build that changes with each generation. Thank you to everyone who has followed this series. Sorry for the length of this, but I promised this would be the last installment, so it has to be longer. If you have any information pertaining to Dazzleland or anything you know that I didn't cover in this series, let me know. Additionally, if you would like me to dig up photos on anything that I mentioned in the series, let me know, as unless it's the Dazzleland dragon, I probably have a photo of it. I will likely post many of them here anyway in time. Thanks again.
Indiana casinos can open as early as mid-June, under Governor Eric Holcomb’s “back on track plan.” However, new restrictions and requirements have to be put in place. Indiana’s casinos have had all sorts of new rules to follow since reopening in June. Things like temperature checks and face masks have been the norm since then, but now casino goers will have a few more changes to deal with. For example, until now, gamblers could remove their masks to drink, eat or smoke in Indiana’s casinos. Indiana has racked up nearly $200 million in tax revenue losses as a result of the closures. Cynthia Staras was first in line Monday morning at Majestic Star Casino and eager to play the slots again. Indiana casinos close for three months. March 16 was the first day that the pandemic made its mark on Indiana casinos. The Indiana Gaming Commission ordered a shutdown of all of the state’s properties. Those closures were originally going to last for two weeks, but ended up being extended a handful of times. Casinos finally reopened for business on June 15, after nearly three months of closed doors. Indiana casinos likely to reopen some time after June 14th -- when Indiana enters Stage 4 of Governor Holcomb's Back-On-Track plan, according to the Indiana Gaming Commission. Indiana (IN) is a state of the Midwest located on the shores of the Michigan Lake and between the States of Ohio and Illinois. Its population exceeds 6,4 million and its main city is Indianapolis, which is also its capital. Players can find a dozen of casinos within the territory of IL. After being closed for more than three months, casinos in the state of Indiana are set to reopen on Monday. The Indiana Gaming Commission officially gave approval this week, and casinos can start welcoming guests at 6 am. The reopening of the casinos on Monday will mark the end of a 91-day closure that has cost the state millions of dollars. Monday marked the official reopening date for casinos in Indiana, as part of the Hoosier state’s Back on Track Phase 4. Indiana casinos reopen with changes for social distancing, smoking, face Indiana's casinos likely will not be reopening Monday when the shutdown ordered by the Gaming Commission to minimize the spread of coronavirus reaches two weeks. First, had dinner at the steak house which was totally disgusting. How they stay in business is beyond me. Hardee’s better. For the casino, they made me wear a mask due to virus yet they all set in their, pull the mask down and super chain smoke.
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